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Impulsive young Prince Siegfried craves glory and recognition from his aloof parents, the king and queen of Denmark. Starting a war with a neighbouring country and seeking out the most feared dragon in the realm seems like a good place to start. An epic tale full of action, adventure, mythological beasts, magical swords, powerful rings, and a treacherous companion. Adapted from the ancient Norse mythological Völsunga Saga, Siegfried: Dragon Slayer is the first in a two-part series by Canadians Mark Allard-Will and Jasmine Redford.
Set in the world of Bēowulf and based upon the 12th Century epic, The Nibelungenlied, and real historical events, comes the legendary story of Siegfried the Dragon Slayer.436 A. D.Siegfried is young, handsome, arrogant, brave and ambitious, but after an encounter with a fierce, man-eating dragon, Siegfried becomes invincible - or so he thinks - and longs to become the greatest of heroes. Tired of hunting in the forest and having beautiful maidens throwing themselves at his feet, Siegfried hears of a Princess so beautiful no man is allowed to marry her except for one equal to her brother, King Gunther. Determined to prove himself superior to Gunther, Siegfried challenges the King to a duel, winner takes all. What follows is a series of events that would change the course of European history, leading to the rise of Attila the Hun.Siegfried the Dragon Slayer is a powerful coming-of-age tale, a story of love, betrayal, murder and revenge; of war and death, but also the struggles of life and the triumph of the human spirit. In a world occupied by Roman armies, powerful women, Orcs, Dwarves, Giants and Dragons, Siegfried only need fear the monsters closest to him.'We have been told in ancient tales many marvels of famous heroes, of mighty toil, joys, and high festivities, of weeping and wailing, and the fighting of bold warriors. Of such things you can now hear wonders unending!' - The Nibelungenlied
Retells the Norse myth of Siegfried and the Nibelungen.
Just over two thousand years ago a great hero liberated his people from the clutches of the Roman Empire, defeating the Romans in the most decisive battle in world history and forever changing the course of Western Civilization. Although his Latin name, Arminius, was recorded by prominent Roman historians, there was surprisingly no mention of him in the later discovered sagas of his own Norse people. Yet, the Norse and Germanic legends from Iceland to Austria all tell of a mythical dragon slayer named Siegfried, who was noble and brave, and who shared many similarities with the true to life warrior Arminius. Is it possible that the greatest hero in Norse literature was purely mythological, and that the one true historical hero, who saved his people and generations of their descendants from slavery, was completely forgotten? The only logical conclusion is that the dragon slayer Siegfried is the mythical transformation of the historical Arminius. Without a doubt, his victory over the Romans in the Teutoburg forest in the year AD 9 was a feat worthy of legendary status. This is his story─ the saga of Siegfried, Liberator of Germania.
Many years ago, J.R.R. Tolkien composed his own version of the great legend of Northern antiquity, recounted here in The Legend of Sigurd and Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir, most celebrated of dragons; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd, the suicide of Brynhild, and the despair of Gudrún. The Lay of Gudrún recounts her fate after the death of Sigurd, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers, and her hideous revenge.
Myths and Legends retells some of the most fantastic stories and folk tales from around the world. From the myth of Jason and the Golden Fleece to the legend of the Knights of King Arthur, the stories in Myths and Legends abound with strange and wonderful happenings. Accompanied by stunning illustrations throughout, young and old will be spellbound by the adventures of heroes, monsters, dragons and giants . . . Mythical monsters and legendary heroes have fascinated people for thousands of years. No one will ever know for sure if the terrible Minotaur ever exited or if the ancient Greeks really did destroy the city of Troy with a huge, wooden horse. Perhaps the people within Myths and Legends really did exist, but over many, many years the stories surrounding them have become more and more outrageous until the true facts have all but disappeared. Whether true or untrue, Myths and Legends retells magical tales of fantastic feats and events that will captivate all who read them.
In this fascinating biography of the infamous ideologue Erich Ludendorff, Jay Lockenour complicates the classic depiction of this German World War I hero. Erich Ludendorff created for himself a persona that secured his place as one of the most prominent (and despicable) Germans of the twentieth century. With boundless energy and an obsession with detail, Ludendorff ascended to power and solidified a stable, public position among Germany's most influential. Between 1914 and his death in 1937, he was a war hero, a dictator, a right-wing activist, a failed putschist, a presidential candidate, a publisher, and a would-be prophet. He guided Germany's effort in the Great War between 1916 and 1918 and, importantly, set the tone for a politics of victimhood and revenge in the postwar era. Dragonslayer explores Ludendorff's life after 1918, arguing that the strange or unhinged personal traits most historians attribute to mental collapse were, in fact, integral to Ludendorff's political strategy. Lockenour asserts that Ludendorff patterned himself, sometimes consciously and sometimes unconsciously, on the dragonslayer of Germanic mythology, Siegfried—hero of the epic poem The Niebelungenlied and much admired by German nationalists. The symbolic power of this myth allowed Ludendorff to embody many Germans' fantasies of revenge after their defeat in 1918, keeping him relevant to political discourse despite his failure to hold high office or cultivate a mass following after World War I. Lockenour reveals the influence that Ludendorff's postwar career had on Germany's political culture and radical right during this tumultuous era. Dragonslayer is a tale as fabulist as fiction.
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.