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View or download the free 2013 Online Supplement for this product. This unique Entertainment Law casebook emphasizes the business aspects of the entertainment industry, especially its economic risks. Although important cases are included, the book provides numerous excerpts from trade publications, such as Variety, to teach the practical aspects of entertainment law. Such material is more interesting to read, more current, and more directly relevant to the practice of entertainment law. The book contains a hypothetical that runs throughout, covering a fictional client pursuing deals in all branches of the entertainment industry -- music, film, television, theater, book publishing and the Internet. Students are provided opportunities to develop relevant practical drafting and negotiating skills. A separately purchased Document Supplement provides a wide selection of contracts from which to choose for class discussion, and an abundance of material from which instructors can devise numerous hypotheticals in addition to the ones provided in the casebook. This book also is available in a three-hole punched, alternative loose-leaf version printed on 8.5 x 11 inch paper with wider margins and with the same pagination as the hardbound book.
Motion pictures, television, radio, music, theater, publishing, sports.
Entertainment Law: Fundamentals and Practice is a comprehensive and unique "how to" guide covering every area of entertainment law including fundamental principles, detailed business models, legal foundations, contract terms, practical advice, and full legal citations for cases and statutes. It has the depth required for practicing lawyers and law students, while at the same time being readable, approachable, and a guidebook for anyone interested in how the entertainment industry works. The chapters comprehensively cover all aspects of the entertainment industry organized into film, television, book and magazine publishing, music, live theater, radio, celebrity rights, and cyber law. Within those categories related topics such as agents and managers, licensing, advertising, social media, financing, branding, digital media, new television models including video streaming on demand, new models in music publishing and recording and digital radio, computer games, copyright fair use and other related fields are included. Developed in recognition of the broad scope of entertainment law and its areas of overlap with contract, corporate, intellectual property, and regulatory law and more, Entertainment Law: Fundamentals and Practice is an excellent resource for both survey courses and breakout courses on film, television, and music law, among others.
The guide is for both novices and old hands. It addresses types of media and creative work, the legal principles and the industry practices that shape entertainment transactions and litigation issues.