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Replete with biographical introduction, discussions of sources and compositional methodology, this two volume work is the first to include all Mary Sidney Herbert's extant works.
For centuries the slobs that inhabit the Earth have been rocketing their refuse into the galaxy, carelessly littering the cosmos with trash. Now the universe is striking back. An immense comet of garbage has been sighted on a collision course with Earth! Only one man, a human discard, lowly government worker who dreams of becoming a Space Patrol Captain, the unheroic, imperfect Sidney Malloy CA stop it.
Christian philanthropist and patron of Florence Nightingale, Sidney Herbert was hailed in his own times as a statesman, administrative reformer and co-founder of the modern Liberal party. Strangely neglected since his death, this biography brilliantly recaptures, through its subject, some of the many paradoxes of Victorian Britain. At once both Irish landlord and 'one of the most worthy Wiltshiremen who ever lived', arguably only fatal illness deprived Sidney Herbert of the keys to Downing Street.
"William Herbert (1580-1630), third earl of Pembroke, and Lady Mary Wroth (1587?-1653?) were first cousins, the nephew and niece of Sir Philip Sidney, whose family was one of remarkable literary and political importance. Herbert was a poet, a voluminous letter writer, and one of the Jacobean court's richest and most powerful courtiers and politicians. Wroth was arguably the most important woman writer of the period; she authored the first Petrarchan poetic sequence, the first prose romance, and one of the first plays in English by a woman. In addition to their connections as cousins and as writers, they were lovers and the parents of two illegitimate children." "The Sidney Family Romance is both a "cultural biography" and a symptomatic reading of the sexual and textual relationships of Herbert and Wroth. Waller's analysis of their letters and literary works relies on a variety of critical apparatuses - social history, current political and social theories of the Jacobean period, and most notably (feminist) psychoanalytic theory. In both his biographical information and interpretive comments, Waller focuses on subject construction and gender construction of the early modern period, to find that Herbert's poems proceed from his life at court to engage in the gender politics of Petrarchan poetry, while Wroth's work proceeds from her disempowered position to project a desire for an autonomy which would lead to mutuality between the sexes." "Waller tries to find ways of analyzing the "inner lives" of his subjects, in the absence of direct evidence, and with a paucity of documentation. He examines historical documents, including the writings of the two cousins, and recent historical research, along with contemporary studies of family interactions and gender construction and detailed case histories drawn from nearly a century of clinical and therapeutic studies. The author concludes with a discussion of the crisis of gender in the seventeenth century as a contemporary crisis as well." "Family history has long been central to Renaissance studies. The Sidney Family Romance proceeds far beyond any previous works in bringing to bear the very rich and complicated network of ideas, observations, and literary images in the works of Herbert and Wroth."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
It is long overdue that someone took a closer look at the brilliant Mary Sidney. I have a suspicion that Mary Sidney’s life, and especially her dedication to the English language after her brother’s death, may throw important light on the mysterious authorship of the Shakespeare plays and poems. —Mark Rylance Actor; Artistic Director of Shakespeare’s Globe Theatre, 1996–2006; Chairman of the Shakespearean Authorship Trust For more than two hundred years, a growing number of researchers have questioned whether the man named William Shakespeare actually wrote the works attributed to him. There is no paper trail for William Shakespeare—no record that he was ever paid for writing, nothing in his handwriting but a few signatures on legal documents, no evidence of his presence in the royal court except as an actor in his later years, no confirmation of his involvement in the literary circles of the time. With so little information about this man—and even less evidence connecting him to the plays and sonnets—what can and what can’t we assume about the author of the greatest works of the English language? For the first time, Robin P. Williams presents an in-depth inquiry into the possibility that Mary Sidney Herbert, the Countess of Pembroke, wrote the works attributed to the man named William Shakespeare. As well educated as Queen Elizabeth I, this woman was at the forefront of the literary movement in England, yet not allowed to write for the public stage. But that’s just the beginning . . . The first question I am asked by curious freshmen in my Shakespeare course is always, “Who wrote these plays anyway?” Now, because of Robin Williams’ rigorous scholarship and artful sleuthing, Mary Sidney Herbert will forever have to be mentioned as a possible author of the Shakespeare canon. Sweet Swan of Avon doesn’t pretend to put the matter to rest, but simply shows how completely reasonable the authorship controversy is, and how the idea of a female playwright surprisingly answers more Shakespearean conundrums than it creates... —Cynthia Lee Katona Professor of Shakespeare and Women’s Studies, Ohlone College; Author of Book Savvy
A biography of Mary Sidney (1561-1621), Countess of Pembroke, sister of Sir Philip Sidney, based on primary sources such as account books, legal documents, letters, and diaries.
Wood reads Philip Sidney's New Arcadia in the light of the ethos known as Philippism after the followers of the Protestant theologian, Philip Melanchthon. He uses a critical paradigm previously used to discuss Sidney's Defence of Poesy and narrows the gap often found between Sidney's theory and literary practice.