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“[A] brilliant disquisition on . . . mostly unpublished texts for three allied systems of tantric thought and praxis (sexual, alchemical, and hatha yogic).” —The Journal of Asian Studies The Alchemical Body excavates and centers within its Indian context the lost tradition of the medieval Siddhas. Working from previously unexplored alchemical sources, David Gordon White demonstrates for the first time that the medieval disciplines of Hindu alchemy and hatha yoga were practiced by one and the same people, and that they can be understood only when viewed together. White opens the way to a new and more comprehensive understanding of medieval Indian mysticism, within the broader context of south Asian Hinduism, Buddhism, Jainism, and Islam. “White proves a skillful guide in disentangling historical and theoretical complexities that have thus far bedeviled the study of these influential aspects of medieval Indian culture.” —Yoga World “Anyone seriously interested in finding out more about authentic tantra, original hatha yoga, embodied liberation . . . sacred sexuality, paranormal abilities, healing, and of course alchemy will find White’s extraordinary book as fascinating as any Tom Clancy thriller.” —Georg Feuerstein, Yoga Journal “Remarkable . . . a study of the language of mystic experience and expression—the multitudinous symbols, rituals, and doctrines of the medieval siddhis, yogis, and alchemists.” —Skeptic Meditations
"A must-read for all dancers as the invaluable historical references and in-depth coverage of the different jazz forms cannot be found in such detail in any other book on the market today."--Debra McWaters, author of "Musical Theatre Training" "Artfully weaves history and professional perspectives to reveal the boundaries of the jazz dance world. It invites the reader to develop a more complicated definition of jazz dance for the twenty-first century."--Susan A. Lee, Northwestern University The history of jazz dance is best understood by thinking of it as a tree. The roots of jazz dance are African. Its trunk is vernacular, shaped by European influence, and exemplified by the Charleston and the Lindy Hop. From the vernacular have grown many and varied branches, including tap, Broadway, funk, hip-hop, Afro-Caribbean, Latin, pop, club jazz, popping, B-boying, party dances, and more. Unique in its focus on history rather than technique, "Jazz Dance" offers the only overview of trends and developments since 1960. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the numerous histories of jazz dance and examine various aspects of the field, including trends, influences, training, race, aesthetics, international appeal, and its relationship to tap, rock, indie, black concert dance, and Latin dance.Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabulary differs from ballet, this complex and compelling history captures the very essence of jazz dance.
Siddhas were mystics of ancient India. They believed that human race was created to excel in knowledge and help human societies form an advanced civilization on the Earth. They knew that they needed to live longer and even become immortals to achieve this goal. In Indian context Siddhas were considered as doctors but in Western context, such people were called Philosophers. Nevertheless, a deeper understanding of Siddhas' poetic scripts reveals their different faces such as scientific thinkers, social reformers, priest kings, pioneers of advanced cultures, etc. Siddhas speak about spirit, soul and body in their scripts. They also compare cosmos, nature and earth in their science. The unique attainment of Siddhas could be their mastery over physical and cosmic sciences. Siddhas believed that physical science is comparable with cosmic science. Thus, through their physical and cosmic observations, they succeeded in inventing ambrosia of Gods and many became Gods themselves.
What is the spirit of this tradition? Why does it have a rebellious streak and what makes the masters so reluctant and hidden? Siddhas - Masters of Nature is an inspiring preamble, taken at an existential pace into the world of Siddhas. The book reflects upon the spirit of the Immortal Masters, their teachings, esoteric nature, and divine prowess. And how the native wisdom imparted during primordial times still retain sharp applicability to our post-modern world. The author offers an easy understanding of yoga, tantra, alchemy, medicine and healing, and the occult dimensions of this ancient spiritual science through his personal experiences with the hidden Masters of the oral lineage and anecdotes. The authenticity of this book is heightened by the inclusion of ancient cryptic poems of the twilight language (translated into English). This book assumes the nature of the Siddhas themselves. It demands and shakes your conditioning, as the Siddhas are the cyclonic storms that shake and uproot trees! It is not meant for passive readers.
In Tibetan Buddhism, Mahamudra represents a perfected level of meditative realization: it is the inseparable union of wisdom and compassion, of emptiness and skillful means. These eighty-four masters, some historical, some archetypal, accomplished this practice in India where they lived between the eighth and twelfth centuries. Leading unconventional lives, the siddhas include some of the greatest Buddhist teachers; Tilopa, Naropa, and Marpa among them. Through many years of study, Keith Dowman has collected and translated their songs of realization and the legends about them. In consultation with contemporary teachers, he gives a commentary on each of the Great Adepts and culls from available resources what we can know of their history. Dowman's extensive Introduction traces the development of tantra and discusses the key concepts of the Mahamudra. In a lively and illuminating style, he unfolds the deeper understandings of mind that the texts encode. His treatment of the many parallels to contemporary psychology and experience makes a valualbe contribution to our understanding of human nature.
The first authoritative biography of Babaji, the immortal master made famous by Yogananda's Autobiography of a Yogi, an all-time best-seller. Babaji lives today near Badrinath, in the upper Himalayan mountains. His body has not aged since the age of sixteen, when centuries ago he attained the supreme state of enlightenment and divine transformation. This followed his initiation into scientific art of Kriya Yoga by two deathless masters, the siddhas Agastyar and Boganathar, who belonged to the "18 Siddha Tradition", famous among the Tamil speaking people of southern India. This rare account, by a long time disciple, reveals their little known stories, ancient culture and present mission, as well as how their Kriya Yoga can be used to bring about the integration of the material and spiritual dimensions of life. Clear explanations of the psychophysiological effects of Kriya Yoga and guidelines for its practice are given. It includes verses from the Siddhas' writings with commentary. A book which will inspire you.
In South India there is a society where priests and lay people claim supernatural powers. Where a sophisticated medical system underlies a quest for physical longevity and psychic immortality and where arcane and sexual rituals take place that are far removed from the Brahmanic tradition of the rest of India. That society is the Tamil Siddhas. Here expert Kamil Zvelebil offers a vivid picture of these people: religious beliefs, magical rites, alchemical practices, complex system of medicine, and inspired tradition of poetry. Topics covered include: On Siddhas medicine; The ideological basis of Siddhas quest of immortality; Basic tenets of Siddhas medicine; Diseases and their cure; Yoga in Siddhas tradition; Daily regime; Siddhas alchemy; Rejuvenation, longevity, and 'immortality'; Doctrines and traditions of the Siddhas; Tantrik Siddhas and Siddhas attitudes to sex; Siddhas poetry and other texts.
The birth, life, teachings, writings, and legacy of Kyabje Dorje Chang Kalu Rinpoche (1905-1989), including contributions by his disciples and related art work and photographs.
Presents an examination of the art and legends of some of the most colourful figures in South Asian and Himalayan culture. Containing contributions from ten prominent world scholars, this book provides a survey of the Mahasiddhas in art, as well as essays on associated themes: iconographic, canonical, literary, historical, and sociological. This is a groundbreaking examination of the art and legends of some of the most colourful figures in South Asian and Himalayan culture. With contributions from ten prominent world scholars, it provides both an exhaustive survey of the
A Bouquet of Utpalas: Brief accounts of the lives of siddhas of Ga whom my guru actually met or whose stories he heard from trustworthy sources, set forth here as medicine to restore faithKhenpo Tsultrim Gyamtso Rinpoche strongly encouraged Lama Karma Drodhul to request Khenpo Karthar Rinpoche to tell the stories of accomplished tantric practitioners (siddhas) from Kham, Eastern Tibet.Most of the holy beings whose lives are recounted here began as ordinary people like us, and were not recognized emanations of buddhas or bodhisattvas. This book clearly demonstrates that we can, through diligence, achieve the same result.Beautifully recorded by Lama Karma Drodhul, these are stories of siddhas that Khenpo Karthar Rinpoche actually knew. Traleg Kyabgon Rinpoche once remarked that there is nothing like these accounts of Siddhas of Ga.