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The fifteen studies assembled here grew out of research on south-Italian ordinary chants and tropes for the multi-volume series Beneventanum Troporum Corpus II, edited by John Boe in collaboration with Alejandro Planchart. In the present essays, clerical and ordinary chants and tropes of the Mass (especially when derived from paraliturgical hymns and poems), certain aspects of chant notation and particular facets of the old Beneventan and the old Roman chant repertories are examined in relation to the three main cultic centres of the Italian south - Benevento, Montecassino and Rome - and as they relate to their European context, namely Frankish and Norman chant and the varieties of chant sung in Italy north of Rome. The volume includes one previously unpublished study, on the Roman introit Salus Populi.
Myth, Locality, and Identity argues that Pindar engages in a striking, innovative style of mythmaking that represents and shapes Sicilian identities in his epinician odes for Sicilian victors in the fifth century BCE. While Sicily has been thought to be lacking in local traditions for Pindar to celebrate, Lewis argues that the Sicilian odes offer examples of the formation of local traditions: the monster Typho whom Zeus defeated to become king of the gods, for example, now lives beneath Mt. Aitna; Persephone receives the island of Sicily as a gift from Zeus; and the Peloponnesian river Alpheos travels to Syracuse in pursuit of the local spring nymph Arethusa. By weaving regional and Panhellenic myth into the local landscape, as the book shows, Pindar infuses physical places with meaning and thereby contextualizes people, cities, and their rulers within a wider Greek framework. During this time period, Greek Sicily experienced a unique set of political circumstances: the inhabitants were continuously being displaced, cities were founded and resettled, and political leaders rose and fell from power in rapid succession. This book offers the first sustained analysis of myth in Pindar's odes for Sicilian victors across the island that accounts for their shared context. The nodes of myth and place that Pindar fuses in this poetry reinforce and develop a sense of place and community for citizens locally; at the same time, they raise the profile of physical sites and the cities attached to them for larger audiences across the Greek world. In addition to providing new readings of Pindaric odes and offering a model for the formation of Sicilian identities in the first half of the fifth century, the book contributes new insights into current debates on the relationship between myth and place in classical literature.
Makes the case for a distinctly Sicilian American literature. In The Heart and the Island, Chiara Mazzucchelli explores the strong bond between Sicilian American writers and the island of Sicily. Self-contained yet connected to the mainland, geographically separated from yet politically united to the rest of Italy, Sicily occupies a unique position. Throughout the twentieth century, the sense of a distinct sicilianità—or Sicilianness—has manifested itself in a corpus of texts that, although subsumed under the broader context of Italian literature, have distinguished themselves as examples of an exquisitely Sicilian literary experience. Mazzucchelli argues that a parallel phenomenon—sicilianamericanità—has emerged in the United States. Focusing on the island’s geography, history, and culture, she examines how many American authors of Sicilian descent derive inspiration from their ethnic milieu and lay out a recognizable set of Sicilian culture markers in their works, thereby producing a literature that is distinctly Sicilian American. Drawing on both Italian and Italian American scholarship, The Heart and the Island is the first full-length study of Sicilian American literature, and it opens a space for new interdisciplinary discussions on what it means to be Italian on both sides of the ocean. “The Heart and the Island makes a distinctive contribution to the field of Italian American studies, provocatively extending it as well as continuing the invaluable work of providing reflection on a variety of narratives distinguished by generic innovation and distinctive responses to sicilianità. Chiara Mazzucchelli has beautifully advanced the field, interweaving with skill and poise the voices of Sicilian and Sicilian American writers.” — Mary Jo Bona, author of By the Breath of Their Mouths: Narratives of Resistance in Italian America
A moving account of friendship and discovery on the island of Sicily from the acclaimed travel writer and bestselling author of The Alexandria Quartet. Despite decades spent writing poetic evocations of the timeless pleasures of life in the Mediterranean, Lawrence Durrell had never set foot on the sea’s largest island: mysterious, impenetrable Sicily. For years his friend Martine begged him to visit her on this sun-kissed paradise, and though he always intended to, life inevitably interfered. It took Martine’s sudden death to finally bring him to the island’s shores. With Martine’s letters in his pocket, Durrell signs up for a tour group, hoping to learn the travel habits of those who aren’t obsessively devoted to island life. As he treks from sight to sight, dizzy with history and culture, Durrell finds echoes of his past lives in Rhodes, Cyprus, and Corfu.
A thrilling Sicilian saga about the legendary secret sect purported to be forerunners of the Mafia, translated into English for the first time. Emerging from the dark streets and subterranean caves of Palermo, the Beati Paoli, masked and hooded, mete out their own form of justice to counter the unfettered power and privilege wielded by the aristocracy. For the voiceless, weak, and oppressed, the Beati Paoli are defenders and heroes. Reminiscent of a Dumas novel, Sicilian Avengers is a vibrant, atmospheric fresco of early eighteenth-century Palermo. Onto the stage of the ancient city, Blasco da Castiglione, a bold, brash, orphan adventurer, arrives on a quest to discover his origins and seek his destiny. But this fearless, swashbuckling D’Artagnan-esque hero unwittingly gets caught up in a devious and murderous succession plot involving a powerful noble family. When the Beati Paoli hear about this plot to usurp a rightful inheritance, they spring into action. Their shadowy machinations entangle the charismatic Blasco, who crosses paths with a cast of characters that test his loyalty and resolve in the pursuit of his true identity. The historical accuracy of the novel is complemented by the most meticulous description of Sicily’s capital city ever written. Action-packed and laced with intrigue and chivalrous duels, Sicilian Avengers is a tale of love and hatred, friendship and betrayal, suffering and retribution. As French critic Jean Noël Schifano said, Natoli's novel is “the fifth historical monument of contemporary Italian literature.” This eBook includes the full Book One and Book Two saga plus an afterword by Umberto Eco.
AUTODAFE is a collection of reports, interviews, correspondence, narratives, and stories from around the world. The review aims to be a place for debate and experimentation, a place where writers, silenced by censorship join voices with world-renowned writers. The contributors are all members of the International Parliament of Writers; the pieces are original to Autodafe. The journal's common themes are the reflection of social and political realities of the world, censorship, the interdict of language, and the effects of globablization among others.
The Italian-American mafia has its roots in a mysterious and powerful criminal network in Sicily. While the mythology of the mafia has been widely celebrated in American culture, the true origins of its rituals, laws, and methods have never actually been revealed. John Dickie uses startling new research to expose the secrets of the Sicilian mafia, providing a fascinating account that is more violent, frightening, and darkly comic than anything conceived in popular movies and novels. How did the Sicilian mafia begin? How did it achieve its powerful grip in Italy and America? How does it operate today? From the mafia's origins in the 1860s to its current tense relationship with the Berlusconi government, Cosa Nostra takes us to the inner sanctum where few have dared to go before. This is an important work of history and a revelation for anyone who ever wondered what it means to be "made" in the mob.