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This is a new release of the original 1939 edition.
Dame Sibyl Mary Collings Beaumont Hathaway DBE (1884-1974) was Dame of Sark from 1927 until her death in 1974. Her 47-year rule over Sark, in the Channel Islands, spanned the reigns of four Monarchs and during her lifetime Sark probably experienced more danger and excitement than in the whole of the rest of its history. Sark, a remnant of the ancient Duchy of Normandy is one of the Channel Islands and one of the oldest possessions of the British Crown, . Since the days of Queen Elizabeth I it has been the possession of a feudal chief known as the Seigneur-or, in the case of a woman, the Dame. Dame Sibyl's tenure saw the German occupation of the Channel Islands in the Second World War, during which she refused to evacuate and convinced the islanders to stay as well. Her eldest son and heir apparent, Francis William Beaumont, was killed in 1941, while her husband was deported to an internment camp in 1943. The Dame remains best known for her indomitable conduct during the occupation. After the war, she continued her publicity campaign, strengthening the island's tourism industry. She was described by a British government official as a "lady of unusual personality", and is often referred to as a benevolent dictator. Dame Sibyl died at the age of 90, and was succeeded by her grandson, Michael Beaumont. The Dame of Sark is an unparalleled figure in the modern scene, and her beloved non-conforming island is like nowhere else in the world. She tells the story of her life and of her unique domain with characteristic forthrightness and a mischievous sense of humour.
The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred images that break down Carl Jung’s revolutionary ideas “What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian “Our psyche is part of nature, and its enigma is limitless.” Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives? There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world just as vital and true a part of the mind as the conscious, and it is in our dreams—those personal, integral expressions of our deepest selves—that it communicates itself to us. A seminal text written explicitly for the general reader, Man and His Symbolsis a guide to understanding the symbols in our dreams and using that knowledge to build fuller, more receptive lives. Full of fascinating case studies and examples pulled from philosophy, history, myth, fairy tales, and more, this groundbreaking work—profusely illustrated with hundreds of visual examples—offers invaluable insight into the symbols we dream that demand understanding, why we seek meaning at all, and how these very symbols affect our lives. By illuminating the means to examine our prejudices, interpret psychological meanings, break free of our influences, and recenter our individuality, Man and His Symbols proves to be—decades after its conception—a revelatory, absorbing, and relevant experience.
In this study, which is first of all a folk-lore study, we pursue principally an anthropo-psychological method of interpreting the Celtic belief in fairies, though we do not hesitate now and then to call in the aid of philology; and we make good use of the evidence offered by mythologies, religions, metaphysics, and physical sciences.
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
This book is an anthology with a difference. It presents a distinctive variety of Anglo-Norman works, beginning in the twelfth century and ending in the nineteenth, covering a broad range of genres and writers, introduced in a lively and thought-provoking way. Facing-page translations, into accessible and engaging modern English, are provided throughout, bringing these texts to life for a contemporary audience. The collection offers a selection of fascinating passages, and whole texts, many of which are not anthologised or translated anywhere else. It explores little-known byways of Arthurian legend and stories of real-life crime and punishment; women’s voices tell history, write letters, berate pagans; advice is offered on how to win friends and influence people, how to cure people’s ailments and how to keep clear of the law; and stories from the Bible are retold with commentary, together with guidance on prayer and confession. Each text is introduced and elucidated with notes and full references, and the material is divided into three main sections: Story (a variety of narrative forms), Miscellany (including letters, law and medicine, and other non-fiction), and Religious (saints' lives, sermons, Bible commentary, and prayers). Passages in one genre have been chosen so as to reflect themes or stories that appear in another, so that the book can be enjoyed as a collection or used as a resource to dip into for selected texts. This anthology is essential reading for students and scholars of Anglo-Norman and medieval literature and culture. Wide-ranging and fully referenced, it can be used as a springboard for further study or relished in its own right by readers interested to discover Anglo-Norman literature that was written to amuse, instruct, entertain, or admonish medieval audiences.