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Jean Sibelius's Violin Concerto is the story of Sibelius as performer and composer, of violin performing traditions, of histories of musical transmission, and of virtuosity itself. It investigates the history and legacy of one of the most recorded concertos in the violin repertoire. Sibelius, a celebrated and influential composer of the late 19th and 20th centuries, was an accomplished violinist, whose enduring interest in the instrument has been paralleled by the broad success of the only concerto in his oeuvre: his violin concerto (premiered in 1904 and revised in 1905). Considering how violinists engage with the work, author Tina K. Ramnarine discusses technology's central role in the concerto's transmission from Jascha Heifetz's seminal 1935 recording to contemporary online performances, gender issues in violin solo careers, and nature-based musical aesthetics that lead to thinking about the ecology of virtuosity in an era of environmental crisis. Beginning with Sibelius's early training as a violinist and his aspirations as a performer, Ramnarine traces the dramatic historical context of the violin concerto. It was composed as Finland underwent a period of heightened self-determination, nationalism, and protest against Russian imperial policies, and it heralded intense political dynamics relating to Europe's East-West border that have extended to the present. This story of the violin concerto points to the notion of Sibelius - and the virtuoso more generally - as a political figure.
Music Minus One
Three of the most popular modern violin concertos: Sibelius' Violin Concerto in D Minor, Op. 47 — among the most played and recorded of all violin concertos; Elgar's Violin Concerto in B Minor, Op. 61, a ravishing combination of bravura and sweetness; and Glazunov's Violin Concerto in A Minor, Op. 82, a masterpiece of lyricism and virtuosity.
Off balance takes the reader beyond the glitter of the stage to expose the sweat and struggle, amid the mandate to sustain the illusion at all cost.
Fiona Garvey, ballet dancer and recent college graduate, joins the Peace Corps to escape a painful family situation and ends up in Gabon, an African country she's never heard of, hoping its wild beauty will speak to her artist's soul. Instead Fiona quickly realizes she¿s in over her head. Her job teaching English, executed in breezy Western style, crashes hard into Africa's complicated reality. One of her older students becomes menacingly fixated on Fiona, until her former trainer, Christophe, a charismatic, philandering Gabonese man she¿s incapable of forgetting, uses his privilege and connections to make the problem go away.Surrounded by the roots of African dance, Fiona¿s abandoned ballet practice gradually morphs into something feral and mystical. This, along with her pale blue eyes, prompts the locals to believe she holds the power to access the spirit world. And when her former student returns, bent on confronting Fiona one last time, it is not Christophe but Fiona who can¿and must¿reach inside herself to find her own personal power and fight back.Blending humor and pathos, A DANCER¿S GUIDE TO AFRICA takes the reader along on a suspenseful, sensual journey through Africa¿s complex beauty, mystery and mysticism.
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.