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A story of Venice today and Venice in its illustrious past, this novel gives the reader a portrait of the modern-day film world and a clue to the passions behind Shakespeare's most enigmatic work. Jessica Pruitt, a Hollywood actress in her forties has come to Venice to judge the film festival.
Jessica, the 16-year old daughter of miserly pawnbroker Shylock, feels trapped by the endless rules of the 16th-century Venetian ghetto, until she falls for Lorenzo, a handsome and charming aristocrat. But it is a doomed passion - for Jessica is a Jew and Lorenzo a Christian.
An actress travels back in time to Venice and has a passionate affair with William Shakespeare, in this novel by a #1 New York Times–bestselling author. A glamorous Hollywood film star, Jessica Pruitt fears the best days of her career are behind her. Arriving in Italy soon after losing custody of her young daughter, she hopes to forget her woes by serving as a judge at the Venice Film Festival and immersing herself in preparations for her starring role in a new cinematic take on The Merchant of Venice. For the aging but still beautiful actress, this ancient, crumbling city of canals is the perfect escape, enchanting her with its history, its magic, and its mystery. Then one day, while strolling through the old Jewish quarter, she finds herself in a very different Venice—one that hasn’t existed for five hundred years—as the heroine of a new theatrical endeavor by an enigmatic young playwright named Will Shakespeare. Suddenly, impossibly, Jessica has found a new beginning, a new audience—and, in the arms of a genius fledgling bard, a love affair more stimulating, satisfying, and liberating than any she will ever know, even five centuries on. Originally published as Serenissima, this “hypnotic” novel by the bestselling author of Fear of Flying is a magical tale set in a magical city, and a delightfully uninhibited love story that transcends time (The Washington Post Book World). This ebook features an illustrated biography of Erica Jong including rare photos and never-before-seen documents from the author’s personal collection.
A new approach to thinking about the representation of the Other in Western society, The Jew’s Daughter: A Cultural History of a Conversion Narrative offers an insight into the gendered difference of the Jew. Focusing on a popular narrative of “The Jew’s Daughter,” which has been overlooked in conventional studies of European anti-Semitism, this innovative study looks at canonical and neglected texts which have constructed racialized and sexualized images that persist today in the media and popular culture. The book goes back before Shylock and Jessica in TheMerchant of Venice and Isaac and Rebecca in Ivanhoe to seek the answers to why the Jewish father is always wicked and ugly, while his daughter is invariably desirable and open to conversion. The story unfolds in fascinating transformations, reflecting changing ideological and social discourses about gender, sexuality, religion, and nation that expose shifting perceptions of inclusion and exclusion of the Other. Unlike previous studies of the theme of the Jewess in separate literatures, Sicher provides a comparative perspective on the transnational circulation of texts in the historical context of the perception of both Jews and women as marginal or outcasts in society. The book draws on examples from the arts, history, literature, folklore, and theology to draw a complex picture of the dynamics of Jewish-Christian relations in England, France, Germany, and Eastern Europe from 1100 to 2017. In addition, the responses of Jewish authors illustrate a dialogue that has not always led to mutual understanding. This ground-breaking work will provoke questions about the history and present state of prejudiced attitudes in our society.
This book explores responses to The Merchant of Venice by Jewish writers, critics, theater artists, thinkers, religious leaders and institutions.
The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.
Your silence and attention, worthy friends, That your free spirits may with more pleasing sense Relish the life of this our active scene: To which intent, to calm this murmuring breath, We ring this round with our invoking spells; If that your listning ears be yet prepard To entertain the subject of our play, Lend us your patience. Tis Peter Fabell, a renowned Scholler, Whose fame hath still been hitherto forgot By all the writers of this latter age. In Middle-sex his birth and his abode, Not full seven mile from this great famous City, That, for his fame in sleights and magicke won, Was calde the merry Friend of Emonton. If any here make doubt of such a name, In Edmonton yet fresh unto this day, Fixt in the wall of that old antient Church, His monument remayneth to be seen; His memory yet in the mouths of men, That whilst he lived he could deceive the Devill. Imagine now that whilst he is retirde From Cambridge back unto his native home, Suppose the silent, sable visagde night Casts her black curtain over all the World; And whilst he sleeps within his silent bed, Toiled with the studies of the passed day, The very time and hour wherein that spirit That many years attended his command, And often times twixt Cambridge and that town Had in a minute borne him through the air, By composition twixt the fiend and him, Comes now to claim the Scholler for his due.
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Augsburg, course: Proseminar, 9 entries in the bibliography, language: English, abstract: William Shakespeare's The Merchant of Venice surely can be considered one of the playwright's greatest works. Still today critics are not fully aware of its actual meaning and there are many different opinions of how this play is to be interpreted. As a matter of fact we can say that Shakespeare has created one of the most diverse plays in the history of drama. Containing two equally important plot-lines and several sub-plots it is very difficult to make out even one main character or to be absolutely sure about their variety of intentions. On the one hand there is one of the main characters, the Jew Shylock, "a comic antagonist far more important than any such figure had been in his Shakespeare's] earlier comedies," who plays the role of a non-Christian villain. And opposing him we have the Venetian society with all its flaws and hypocrisies which are pointed out during the conflict with Shylock. On the other hand there is the romantic love story between Portia and Bassanio located in remote Belmont, which is the actual trigger for the conflict between Antonio and Shylock and also brings a solution to it. This solution is due to Portia's cunning and liberation as a woman, which can be seen in her disguising as the judge in order to be able to save Antonio's life; there are only two qualities which are supposed to be quite unusual for a female character of that time. But at the same time she has to fulfil her typical role as "a faithful daughter whatever the consequence," yielding to fate by obeying her father's will. And Portia is not the only ambigous and exceptional figure of the play.