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• Winner of the Warwick Prize for Women in Translation •Eisner Award Nominee • Hugo Award Nominee A brilliantly original debut graphic novel that imagines a fantastical alternate Cairo where wishes really do come true. Shubeik Lubeik—a fairy tale rhyme that means “your wish is my command” in Arabic—is the story of three people who are navigating a world where wishes are literally for sale. • A Best Book of the Year: The Wall Street Journal, The Washington Post, NPR “The mythic qualities of Mohamed’s world bring our own world into sharper focus . . . Mohamed’s humor often feels like a protest, as do the thick and assertive lines of her drawings . . . The effect is gritty, brazen, and full of spunk.”—The New Yorker Three wishes that are sold at an unassuming kiosk in Cairo link Aziza, Nour, and Shokry, changing their perspectives as well as their lives. Aziza learned early that life can be hard, but when she loses her husband and manages to procure a wish, she finds herself fighting bureau­cracy and inequality for the right to have—and make—that wish. Nour is a privileged college student who secretly struggles with depression and must decide whether or not to use their wish to try to “fix” this depression, and then figure out how to do it. And, finally, Shokry must grapple with his religious convictions as he decides how to help a friend who doesn’t want to use their wish. Deena Mohamed brings to life a cast of characters whose struggles and triumphs are heartbreaking, inspiring, and deeply resonant. Although their stories are fantastical—featuring talking donkeys, dragons, and cars that can magically avoid traffic—each of these people grapples with the very real challenge of trying to make their most deeply held desires come true.
Cultural, social and economic production is always medially constituted, since it is formed through processing, storage and transmission of certain data or materials. This is why the concept of mediality can be used to stress the performative character of all culture, whose multiplicity of techniques conversely interacts with the mediality in question. The contributors focus on a given cultural medium's genuine structure as a particular deployment without falling into some kind of hardware determinism, therefore considering culture beyond textuality.
The Routledge Handbook on Women in the Middle East provides an overview of the key historical, social, economic, political, religious, and cultural issues which have shaped the conditions and status of women in the region. The book is divided into eleven thematic sections, providing a comprehensive guide to understanding the current and historical contexts of women in the Middle East, each giving ground-breaking insights into various aspects of women’s movements: The importance of historical context, including pre-Islamic through post-colonial histories The importance of politics and the state in understanding women in the ME Women’s roles in political and social movements The impacts of the formal and informal economies and education on women of the region Women’s spaces and the creation of publics and counterpublics The effects of war, displacement, and other forms of gendered violence Women, family, and the state Discourses and practices of religion Women and health practices Bodies and sexualities Women and sites of cultural production A unique overview of cutting-edge research in the key arenas of pre-Islamic to post-colonial histories, this Handbook will affect the way future generations of scholars engage with and add to the vast repository of socio-political studies of the Middle East. It will thus be of interest to researchers in gender studies, women’s studies, pre-Islamic and post-colonial studies, feminist studies, and socio-political and socio-economic studies.
Perhaps Harrison Hamblin should have known when that body hit the Land Rover’s hood. With a huge, unexpected thump. As it slid hesitantly off the hood, next hitting the road’s feeble rock barrier, and tumbling into the ravine. Maybe he should have known what his colleague, the Navajo genius Michael ThreeHats, explained. “As my brothers the Apache's would have done. A warning. Turn around, leave our land, or meet our challenges.” Harry was naively eager to meet this latest test. So he has accepted the challenge of carrying unknown, probably contraband freight to his old stamping ground, Dar es Sabir (Door of patience). And putting up with the irritable band of Tuaregs who seem be trailing him constantly. And other tests and challenges: Encountering excitable Tuaregs, odd, half-starved pygmies, Jean d'Argent his former manservant, now a successful entrepreneur, a past love and old friends and acquaintances in Dar es Sabir, now a newly declared city-state renamed the Republic of Independent People. The RIP is the fabrication of Wahid, the former revolutionary who conquered Sabir on the third try. And Harry even admired him as a kind of Robin Hood before this revolution. But things had changed. Wahid had become tyrannical, potential foes were “counting dunes,” (a euphemism for summary execution), and his father's rumored lost treasure was foremost on his mind. Driving all his decisions. Bad ones. Harry has acquired the name, passport and identity of a German arms dealer who was coincidentally his bunk-mate as he sailed to Algeria. We also soon learn that Wahid is a practicing pedophile, that the reputedly honest judge has compromised his own integrity, and that the beautiful Amina (protagonist for three years in Harry's dreams), has married Wahid but has failed to bear him children. In the background lurks Alain, evil twin to Antoine, the former police chief.
The Arab uprisings that swept the Middle East and North Africa in the period from 2011- 2012 left an indelible mark on the socio-political landscape of the region. But that mark was not consistent across the region: while some countries underwent dramatic popular social and political changes, others teetered on the brink, or were left with the status quo intact. Street revolutions toppled despotic regimes in Tunisia, Libya, and momentarily in Egypt, while mounting serious challenges to authoritarian regimes in Syria and Yemen. Algeria’s entrenched bureaucratic-cum-military authoritarian system proved resilient until the recent events of early 2019 which forced the resignation of President Abdelaziz Bouteflika before the end of his term on 28 April 2019. As in Algeria, protestors in Sudan succeeded, after months of demonstrations, in overthrowing the government of Omar al-Bashir. Several Arab monarchies still appear stable and have managed to weather the tempest of the Arab revolutions, albeit not without fissures showing in the edifice of their states, accompanied by some minor constitutional changes. Where Tunisians, Egyptians, Yemenis, Syrians, and Libyans demanded regime changes in their political systems, protesters in the Arab monarchies have called on the kings and emirs to reform their political system from the top down, indicating the sizeable monarchical advantage. Historical Dictionary of the Arab Uprisings contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the terms, persons and events that shaped the Arab Spring uprisings. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Arab Uprisings.