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This book consists of tributes written by friends, colleagues, teachers, students and family members of Professor Shu Chien on the occasion of his 70th birthday, which was celebrated in San Diego, California on 23 June 2001, and in Taipei, Taiwan on 12 August 2001.A collection of articles was submitted prior to and following these events. Together with the precious, memorable photographs, these articles provide a valuable summary of the life and deeds of this internationally acclaimed scientist who has made major impacts in the United States, mainland China and Taiwan OCo indeed, the whole world. In response to these excellent, moving articles, Professor Shu Chien has written a piece that encompasses his entire life, from early childhood to the present. This book constitutes a most valuable biography, full of sentiment and inspiration."
This book celebrates Professor Shu Chien's contributions and achievements in his eight decades of learning, servicing, innovation and creation. The book is composed of tributes written by family, friends, colleagues, students, and trainees, as well as an autobiography by Professor Chien.Professor Chien is one of the most eminent scientists in the world. He is a laureate of US National Medal of Science and Taiwan's Presidential Prize in Life Sciences, as well as members of six American and Chinese Academies. Besides his academic achievements in physiology and biomedical engineering, he has made outstanding contributions through leadership in professional organizations in these disciplines. His dedications to education and teaching have inspired countless young scientists around the world. The tribute articles written by family, friends, colleagues, students, and trainees, together with memorable photographs, provide an excellent summary of how this remarkable person is viewed by others. Professor Chien's autobiography presents his illustrious life history and shares his precious experience and philosophy, resonating with the tributes by others. This book makes a very enjoyable and inspirational reading to everyone.
Modern Chinese painting embodies the constant renewal and reinvigorations of Chinese civilization amidst rebellions, reforms, and revolutions, even if the process may appear confusing and bewildering. It also demonstrates the persistence of tradition and limits of continuities and changes in modern Chinese cluture. Most significantly, it compels us to ask several important questions in the study of modern Chinese culture: How extensively can cultural tradition be re-interpreted before it is subverted? At what point is creative re-invention an act of betrayal of tradition? How has selective borrowing from Chinese tradition and foreign cultrue enabled modern Chinese artists to sustain themselves in the modern world? By focusing on the art of Huang Pin-hung (1865-1955), particularly his late work, this book attempts to provide some answers to these questions.
"This is the first complete translation into a Western language of Sou-shen Chi, a fourth-century Chinese collection of 464 extraordinary, fantastic, or bizarre items. The subjects of these brief anecdotes and narratives include natural curiosities, gods, religious figures, omens, dreams, divinations, miracles, monsters, strange animals, demons, ghosts, and exorcists. The stories range from sober reports of drought and misfortune to accounts of a fox transformed into a turtle, persons whose heads could take independent flight at night, a tryst in a tomb, and the marriages of humans with spirits." "Sou-shen Chi is the oldest, richest, and most consulted example of the chi-kuai genre, an important division of classical Chinese literature demonstrating features of narrative technique and ethereal sensibility that point to chi-kuai as the earliest examples of Chinese fiction. Of the three surviving versions of Sou-shen Chi, the 20-chapter edition translated here is widely accepted as the best representation of the work of its compiler, Kan Pao, the official court historian for Emperor Yuan of the Chin dynasty. The style of the writing is terse, almost austere, and it has qualities of documentary prose, a reflection of its common ancestry with historical writing. An introduction deals with the text and its background, authorship, contents, versions, and transmission." "Sou-shen Chi served as a model for subsequent collections and provided many basic plots, characters, and situations for plays, novels, and even poetry. The stories were widely known and became part of the body of allusions that literate Chinese knew and used in their own writings. For example, in the twentieth century Lu Xun retold, in extended fashion, a tale of magic swords that comes from Sou-shen Chi."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
For well over a thousand years Chinese and Japanese women created, commissioned, collected and used paintings, yet until recently this fact has scarcely been acknowledged in the study of East Asian art by Westerners.