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The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music, ceremonial, dance, and other forms of communal public entertainment in Britain before 1642, together with the necessary interpretive introductions and notes to explicate the materials for the reader. Shropshire, in two volumes, is the eleventh publication in the series. In the introduction Alan Somerset surveys the social and economic history of each major borough and provides a commentary on the major issues raised in the documents. He discusses travelling performers routes, the places they performed, and the remarkable public exhibitions of high-wire artists, camels, bears, and giants. The records for this county are rich and varied, providing new detail about local playing and festivities. From Shrewsbury for example, comes the complete documentation of a unique, semi-circular outdoor amphitheatre. The documents reveal much - from robbery and riots - to the sometimes acrimonious disputes that show the growing Puritan opposition to sports, which attempted to combat an equally stubborn affection for traditional customs. These records are an invaluable addition to the scholarship of early drama, establishing as they do part of the total context of the great drama of Shakespeare, his predecessors, and his contemporaries.
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Despite the importance of the subject to contemporaries, this is the first monograph to look at the institution of godparenthood in early modern English society. Utilising a wealth of hitherto largely neglected primary source data, this work explores godparenthood, using it as a framework to illuminate wider issues of spiritual kinship and theological change. It has become increasingly common for general studies of family and religious life in pre-industrial England to make reference to the spiritual kinship evident in the institution of godparenthood. However, although there have been a number of important studies of the impact of the institution in other periods, this is the first detailed monograph devoted to the subject in early modern England. This study is possible due to the survival, contrary to many expectations, of relatively large numbers of parish registers that recorded the identities of godparents in the sixteenth and seventeenth centuries. By utilising this hitherto largely neglected data, in conjunction with evidence gleaned from over 20,000 Wills and numerous other biographical, legal and theological sources, Coster has been able to explore fully the institution of godparenthood and the role it played in society. This book takes the opportunity to study an institution which interacted with a range of social and cultural factors, and to assess the nature of these elements within early modern English society. It also allows the findings of such an investigation to be compared with the assumptions that have been made about the fortunes of the institution in the context of a changing European society. The recent historiography of religion in this period has focused attention on popular elements of religious practice, and stressed the conservatism of a society faced with dramatic theological and ritual change. In this context a study of godparenthood can make a contribution to understanding how religious change occurred and the ways in which popular religious practice was affected.
Beginning in 1924, Proceedings are incorporated into the Apr. no.