Download Free Shropshire Folk Lore A Sheaf Of Gleanings Volume 2 Primary Source Edition Book in PDF and EPUB Free Download. You can read online Shropshire Folk Lore A Sheaf Of Gleanings Volume 2 Primary Source Edition and write the review.

In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.
The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music, ceremonial, dance, and other forms of communal public entertainment in Britain before 1642, together with the necessary interpretive introductions and notes to explicate the materials for the reader. Shropshire, in two volumes, is the eleventh publication in the series. In the introduction Alan Somerset surveys the social and economic history of each major borough and provides a commentary on the major issues raised in the documents. He discusses travelling performers routes, the places they performed, and the remarkable public exhibitions of high-wire artists, camels, bears, and giants. The records for this county are rich and varied, providing new detail about local playing and festivities. From Shrewsbury for example, comes the complete documentation of a unique, semi-circular outdoor amphitheatre. The documents reveal much - from robbery and riots - to the sometimes acrimonious disputes that show the growing Puritan opposition to sports, which attempted to combat an equally stubborn affection for traditional customs. These records are an invaluable addition to the scholarship of early drama, establishing as they do part of the total context of the great drama of Shakespeare, his predecessors, and his contemporaries.