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How does a visual artist manage to narrate a story, which has a sequential and therefore temporal progression, using a static medium consisting solely of spatial sign elements and, what is more, in a single image? This is the question on which this work is based, posed by its designer, Alberto Argenton, to whose memory it is dedicated. The first explanation usually given by scholars in the field is that the artist solves the problem by depicting the same character in a number of scenes, thus giving indirect evidence of events taking place at different times. This book shows that artists, in addition to the repetition of characters, devise other spatial perceptual-representational strategies for organising the episodes that constitute a story and, therefore, showing time. Resorting to the psychology of art of a Gestalt matrix, the book offers researchers, graduates, advanced undergraduates, and professionals a description of a large continuous pictorial narrative repertoire (1000 works) and an in-depth analysis of the perceptual-representational strategies employed by artists from the 6th to the 17th century in a group of 100 works narrating the story of Adam and Eve.
This is the Book of the Century! At LAST someone - this time a basic research scientist - has come forth with proof of cataclysms, which are worldwide supersonic inundations such as Noah's flood. They were discovered by great men such as Andre DeLuc, Baron Georges Cuvier and Guy de Dolomieu, and have remained unsolved mysteries ever since. Now the author takes you through thrilling solutions of finding the process of catclysms, their timetable, and the derivation of trigger, a 20-year search. Truly, CATACLYSMS LEAVE NO ONE UNTOUCHED! He describes the next cataclysm in awesome detail plus the deterioration of civilization and the escalation of crime before the next cataclysm. It just so happens that the author's scientific prediction of the next cataclysm agrees with clairvoyants Nostradamus', Cayce's, and Scallion's predictions. Never before have facts been presented in such a spine-tingling, inspiring fashion; and never have so many secrets been unlocked in one book. This is the most stirring subject, written in the most intriguing, engrossing, and exciting style ever. You will remember this exceptional book for years! Available from: Bengal Tiger Press, Drawer 1212, South Chatham, MA 02659; Tel: 800-431-4590; FAX: 508-432-0697.
Each year 11 million people trek to the Louvre to gawk at the Mona Lisa. Many visitors clutch guide books in hand describing the painting. For some, it’s the experience of a lifetime, one they’ll talk about with friends and family for decades. Yet some modern researchers say that the vast majority of people will never recognize the hidden messages in this painting. That’s because those hidden messages are subliminal. Buried below the threshold of conscious awareness, Da Vinci used techniques people never notice. Not only don’t people know what they’re seeing, they would be shocked to find out. A surprisingly large number of famous paintings fall into the same category. That is, they employ subliminal techniques to enhance the effectiveness of the work or to encode messages within portraits and landscapes. No book, however, has ever attempted to provide an overview of the technical sophistication and arcane methods that artists worldwide have used to conceal secret meaning in their work. Every Picture Hides a Story is the first book to expose the subliminal content in the world’s greatest paintings. Titillating, subversive, and building on the groundbreaking work of pioneers of art criticism, this book will enable readers to view art masterpieces with greater understanding. And their enjoyment of these works will be exponentially enhanced. This full-color book contains 86 images of the paintings and their details.
With alphabetical indexes of firms and trade specialties.