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The Upside-Down Magic kids are back in another topsy-turvy adventure in the next installment of this New York Times bestselling series, now a Disney Channel Original Movie! Some people in school are afraid of the kids in the Upside-Down Magic class. Others just call them flops. But Nory and her friends in Upside-down Magic won't let that stop them. Not with a school-wide talent show coming up! Except... Nory's afraid her fluxing magic will go wonky and upset her father. Pepper is worried that her abilities as a Fierce will make all the animals in the show run wild. Bax has some extreme new magic skills, but they can also be extremely embarrassing. And Elliott suspects there's a Sparkie spy who's looking to uncover UDM's talent-show secrets-and to use those secrets against them. In order to take the stage and make some magic, the Upside-Down Magic kids are going to have to band together... and find the right combination of talents to steal the show!
Examines acts of showing--from dog shows to striptease--to understand and theorize instances of heightened performance in everyday life as well as on the stage
Drawing on art, media, and phenomenological sources, Showing Off!: A Philosophy of Image challenges much recent thought by proposing a fundamentally positive relationship between visuality and the ethical. In philosophy, cultural studies and art, relationships between visuality and the ethical are usually theorized in negative terms, according to the dyadic logics of seeing on the one hand, and being seen, on the other. Here, agency and power are assumed to operate either on the side of those who see, or on the side of those who control the means by which people and things enter into visibility. To be seen, by contrast - when it occurs outside of those parameters of control- is to be at a disadvantage; hence, for instance, contemporary theorist Peggy Phelan's rejection of the idea, central to activist practices of the 1970's and 80's, that projects of political emancipation must be intertwined with, and are dependent on, processes of 'making oneself visible'. Acknowledgment of the vulnerability of visibility also underlies the realities of life lived within increasingly pervasive systems of imposed and self-imposed surveillance, and apparently confident public performances of visual self display. Showing Off!: A Philosophy of Image is written against the backdrop of these phenomena, positions and concerns, but asks what happens to our debates about visibility when a third term, that of 'self-showing', is brought into play. Indeed, it proposes a fundamentally positive relationship between visuality and the ethical, one primarily rooted not in acts of open and non-oppressive seeing or spectating, as might be expected, but rather in our capacity to inhabit both the risks and the possibilities of our own visible being. In other words, this book maintains that the proper site of generosity and agency within any visual encounter is located not on the side of sight, but on that of self-showing - or showing off!
The interdisciplinary essays in Showing Off, Showing Up examine acts of showing, a particular species of performance that relies on competition and judgment, active spectatorship, embodied excess, and exposure of core values and hidden truths. Acts of showing highlight those dimensions of performance that can most manipulate spectators and consumers, often through over-the-top heightening and skewing of presentation. Many forms of showing and of heightened performance, however, operate more enigmatically and covertly while still profoundly affecting the social world, even if our reactions to them are initially flippant or unconcerned because “it’s just a show.” Examining a wide range of examples—from dog shows to competitive dancing to carnivals to striptease, the essays illuminate how such events variously foster competition, exaggerate a characteristic, and reveal hidden truths. There is as much to be learned about the power of showing through subtlety and underlying intentionality as through overt display. The book’s theoretical introduction and 12 essays by leading scholars reveal how diverse, particularly efficacious genres of showing are theoretically connected and why they merit more concerted attention, especially in the 21st century.
A guide to creating joyful success in work and in life What the world needs is more showoffs. Showing off is a good thing. Showing off is a mindset. Showing off is about living life and doing work in a way that creates joy, jazz, and a kick in our lives and in the lives of those around us. This is a business book for almost everyone–from executives and managers to receptionists and sales clerks. Here’s the key: success is an inside job. After 26 years of studying and working with top performers, Joe Calloway shares the key factors in creating success–without pulling any punches. Work Like You’re Showing Off! isn’t for sissies; it’s a tough, realistic approach to getting the most out of life by giving more to others. This book proves that not only is "working like you’re showing off" the smartest way to get ahead in a career, it’s also the most joyful and rewarding way to live.Work Like You're Showing Off! the absolute keys to personal and professional success including: Never be as good as you're going to be What you think of me is none of my business Expect to connect Get back inside the box Grand stupidity and absurd bravery What have you done for me next?
Hardly a place exists on earth that has not been shaped in some way by human beings. Every day we modify and even sweep away natural landscapes as we build places to live and work. But why we react and interact as social beings intent on exercising ecological dominance poses an endlessly compelling puzzle for everyone from novelists to geographers. In Showing Off, distinguished geographer Philip L. Wagner offers a persuasive hypothesis. Drawing on a lifetime of inquiry, travel, and teaching, he asserts that the strive for Geltung—personal standing, recognition, acceptance, esteem, and influence—shapes all of our interactions and defines the unique social character of human beings. Wagner applies the Geltung hypothesis to a wide range of human activities from falling in love and spreading gossip to buying goods and making war. His examples demonstrate how communication and display—"showing off"—impel geographic change, as they reveal how and why people with the most Geltung tend to occupy the most desirable places. This broad vision draws insights from many fields. A major contribution to cultural geography, the book also sheds new light on individual psychology and psychopathology and suggests new themes for cognitive science and even philosophy. Sure to stir lively debate in many circles, it will be provocative reading for everyone fascinated by the continuum between people and places.
"Nancy Regan has interviewed many of the biggest stars in the entertainment industry--Oprah, Madonna, and Harrison Ford to name just a few--and has a gift for putting people at ease. But while studiously projecting confidence, the beloved Live at 5 host often struggled with insecurity, imposter syndrome, perfectionism, and fear of failure. In her first book, Regan offers up her own life experience and struggles in vulnerable and honest prose, exploring how overcoming these challenges enriched her life and now fuels her ability to help others. Weaving together self-help and memoir, Practicing Presence offers readers access to Regan's personal and professional toolkit--whether they're leading a Zoom meeting or speaking to a crowd of thousands--garnered from two decades of television broadcasting, as well as real-life examples drawn from her current role as a professional speaker and presentation coach. Ultimately, this timely book asks readers to explore the deeper issues behind their fear of public speaking, and learn to embrace their authentic self in every interaction; and to understand that being present in the moment is a practise. This book will be a handy map for anyone who wishes to embark on a journey to living their most authentic life with contentment and confidence."--
Help Me Be Good About Showing Off is a self-help book for 4-8 year old children. It deals with the behavioral issue of showing off and offers practical, down-to-earth advice on ways to overcome this behavior.
Showing Off is an example of "egocentric" behavior that can make others feel uncomfortable. This book teaches that there are ways to replace the "misbehavior" of showing off with more socially acceptable behavior. For Ages 4-7.
Presents a humorous view of contemporary American life, manners, and values, sardonically exposing the social pretensions, strange customs, and status symbols of our modern society