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Contra Instrumentalism questions the long-accepted notion that translation reproduces or transfers an invariant contained in or caused by the source text. This "instrumental" model of translation has dominated translation theory and commentary for more than two millennia, and its influence can be seen today in elite and popular cultures, in academic institutions and in publishing, in scholarly monographs and in literary journalism, in the most rarefied theoretical discourses and in the most commonly used clichés. Contra Instrumentalism aims to end the dominance of instrumentalism by showing how it grossly oversimplifies translation practice and fosters an illusion of immediate access to source texts. Lawrence Venuti asserts that all translation is an interpretive act that necessarily entails ethical responsibilities and political commitments. Venuti argues that a hermeneutic model offers a more comprehensive and incisive understanding of translation that enables an appreciation of not only the creative and scholarly aspects of what a translator does but also the crucial role translation plays in the cultural and social institutions that shape human life.
Known as two of the best pistol fighters of their day, Ben Thompson and King Fisher have remained an enigma in the chronicles of the American West. While other gunfighters have achieved infamy through the stories told in pulp magazines and newspapers of the day these two men were largely ignored. Both were credited with killing a string of men during their lifetime and the mere mention of their names was usually enough to sober up a drunken opponent or cause a sober man to contemplate his own epitaph. The Texas Pistoleers tells their story in vivid detail and relates the historically accurate account of their deaths in a mystery shrouded ambush in a San Antonio saloon on a chilly March night in 1884.
The Vaudeville Theater Ambush of 1884 went down in history as one of the most famous gunfights in San Antonio, but the killing that night of Ben Thompson and John King Fisher, two of the most notorious pistoleers of the day, became something of a mystery. The two men entered the theatre just before midnight on March 11, and less than an hour later, both lay dead, shot down in what for all accounts was a true massacre. The responsible gunmen never were prosecuted for their crimes, and Thompson and Fisher--a mere mention of either man's name was enough to put the fear of death in any opponent--have been widely ignored since. Now, historian G.R. Williamson brings to light the mystery and the myths surrounding these men and their infamous deaths in Texas Pistoleers.
The sheriff is about to head for greener pastures—until outlaws stain his small town with blood in the New York Times bestselling author's action Western. Caleb York is saddling up to try his hand as a Pinkerton man out California way. But before he can leave Trinidad, New Mexico, a peaceful morning erupts in a barrage of gunfire. When the dust settles, Caleb has gunned down two bad men, with another just dodging a ticket to hell . . . after leaving Trinidad's new sheriff dead in the street. Lightning quick, Caleb rides after the fleeing gunman, only to be swept up in an evil wind blowing back through the sleepy town, threatening its very existence. Caleb's only chance to restore justice is to load his guns, dig in his spurs, and take on a ruthless killer. In a town riddled with bullets and hoping for a hero, Caleb York is ready to face the vengeful outlaws in a chilling, storm-swept showdown. Shortly before his death, legendary crime writer Mickey Spillane asked that his friend and protégé Max Allan Collins—himself an acclaimed writer—complete his unfinished works. Among them was an unproduced screenplay featuring Sheriff Caleb York, which sparked the action-packed, truly gritty Caleb York Western series. Praise for Mickey Spillane and Max Allan Collins “Collins displays his mastery of Spillane's distinctive two-fisted prose.” —Publishers Weekly “Spillane is a pioneer of tough-guy ethics.” —Washington Post
Since the original edition of Dynamics of the Party System was published in 1973, American politics have continued on a tumultuous course. In the vacuum left by the decline of the Democratic and Republican parties, single-interest groups have risen and flourished. Protest movements on the left and the New Right at the opposite pole have challenged and divided the major parties, and the Reagan Revolution--in reversing a fifty-year trend toward governmental expansion--may turn out to have revolutionized the party system too. In this edition, as in the first, current political trends and events are placed in a historical and theoretical context. Focusing upon three major realignments of the past--those of the 1850s, the 1890s, and the 1930s--Sundquist traces the processes by which basic transformations of the country's two-party system occur. From the historical case studies, he fashions a theory as to the why and how of party realignment, then applies it to current and recent developments, through the first two years of the Reagan presidency and the midterm election of 1982. The theoretical sections of the first edition are refined in this one, the historical sections are revised to take account of recent scholarship, and the chapters dealing with the postwar period are almost wholly rewritten. The conclusion of the original work is, in general, confirmed: the existing party system is likely to be strengthened as public attention is again riveted on domestic economic issues, and the headlong trend of recent decades toward political independence and party disintegration reversed, at least for a time.
Set in the African bushveld in the late 1950s and early1960s, this side-splitting tale features a delightful array of wacky small-town characters. The three elder Dalton cowpokes are members of a gang dubbed the Messina Dalton Gang, after the infamous Wild West Dalton Gang. The youngest Dalton cowpoke, six year old, David, calls himself Gunslinger and his main ambition in life is to become a recognized member of the gang. Together with his African Pawnee sidekick- Tokoloshie-Two-Feathers, and his three-legged Jack Russell dog, Jock, Gunslinger tries hard to impress, but continually messes up. It is a wonderful, laugh-out-loud tale to the touch hearts of all ages!
A tale of adventure and courage that invites the reader on a journey across the treacherous Atlantic to 19th Century America, where our hero Denim Armstrong struggles to make his mark in a land of opportunity and violence. The story takes us across the landscape of the Wild West, where we witness revenge killings, showdowns and turns of fortune with memorable, and sometimes notorious, historical characters shaping Denim's destiny.
How is capitalism represented in popular culture today? Are profits seen as a legitimate reward of entrepreneurship? Are thrift and effort still considered a cornerstone of a healthy society? Or is it that inequalities are eliciting scandal and reproach? How is the ecosystem portrayed, vis-à-vis profit seeking companies? Are they irreconcilable, or maybe not? Are there any established trends with respect to the presentation of entrepreneurship, and that complex legal artefact that is the modern limited liability company? These are questions that will be at the core of this book. But they are not examined through the usual theoretical point of references, but looking at TV series produced in 2000-2020. Each chapter of this book is a case studies, covering some of the most popular, successful and engaging TV shows of the last 20 years. And showing how deep economic ideas and biases lie, at the roots of some of our times' most successful entertainment products.