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It’s the dead of winter, but Galleria and her Cheetah sisters aren’t feeling the chill. They’re in sunny Houston, where they just played the biggest show of their lives, and are feeling closer than ever to the record deal that will make them famous. But just because this concert is over doesn’t mean the Cheetahs are ready to pack up and head home. There’s a rodeo in town, and Galleria is gonna get the Cheetah Girls up on stage—if she has to rope a bull to do it! As if bucking broncos and tough-talking cowboys weren’t enough trouble, another band accuses the Cheetahs of the worst crime of all: stealing lyrics. But Galleria won’t back down. There’s gonna be a showdown at this rodeo—and the Cheetahs sing best at high noon.
The Cheetah Girls are down in Houston and flyin' high. Their opening show for Karma's Children was a hit, and they have a demo tape in the works. But then their arch rivals, the Cash Money Girls accuse Galleria and CHanel of cribbing lyrics from a CMG song. They warn the Cheetah Girls that they better bounce off the music scene - or else!
It is said to be the most frequently spoken (or typed) word on the planet, more common than an infant's first word ma or the ever-present beverage Coke. It was even the first word spoken on the moon. It is "OK"--the most ubiquitous and invisible of American expressions, one used countless times every day. Yet few of us know the hidden history of OK--how it was coined, what it stood for, and the amazing extent of its influence. Allan Metcalf, a renowned popular writer on language, here traces the evolution of America's most popular word, writing with brevity and wit, and ranging across American history with colorful portraits of the nooks and crannies in which OK survived and prospered. He describes how OK was born as a lame joke in a newspaper article in 1839--used as a supposedly humorous abbreviation for "oll korrect" (ie, "all correct")--but should have died a quick death, as most clever coinages do. But OK was swept along in a nineteenth-century fad for abbreviations, was appropriated by a presidential campaign (one of the candidates being called "Old Kinderhook"), and finally was picked up by operators of the telegraph. Over the next century and a half, it established a firm toehold in the American lexicon, and eventually became embedded in pop culture, from the "I'm OK, You're OK" of 1970's transactional analysis, to Ned Flanders' absurd "Okeley Dokeley!" Indeed, OK became emblematic of a uniquely American attitude, and is one of our most successful global exports. "An appealing and informative history of OK." --Washington Post Book World "After reading Metcalf's book, it's easy to accept his claim that OK is 'America's greatest word.'" --Erin McKean, Boston Globe "Entertaininga treat for logophiles." --Kirkus Reviews "Metcalf makes you acutely aware of how ubiquitous and vital the word has become." --Jeremy McCarter, Newsweek
It’s Thanksgiving, and Aquanette and Angie Walker are headed home to Houston to wow their old friends with stories of life in the Big Apple. But in between eating, laughing, and being spooked by their grandpa’s funeral home, these outrageous twins have something bigger on their minds: getting the Cheetah Girls a record deal! First they have to find their way into the concert for Karma’s Children, Texas superstars who have been making Angie and Aqua jealous for as long as they can remember. But they’ll have to put their jealousy aside if they want to get up on that stage in front of the five thousand screaming fans who will make this the best Thanksgiving in Cheetah Girl history.
IN Catwalk, DEBORAH GREGORY creates a new YA series that takes her famously upbeat urban voice and combines it with the appeal of Project Runway and America’s Next Top Model. Catwalk follows Pashmina, Felinez, Angora, and Aphro, four best friends at Manhattan’s Fashion International High School who are about to enter the contest of their lives. Each year, students split up into Fashion Houses and compete to design, produce, and show fully original fashion lines. The winner gets a scholarship, a professional show, and a real shot at a career in fashion. Bouncy, smart, and nearly irresistible, Catwalk is a fierce introduction to a fashion world where fabulosity trumps waist size, and there truly is room for everyone.
A side-splitting collection of comic strips from one of the most popular cartoonists in history! Legendary cartoonist, Johnny Hart, created two of the most popular comic strips in history: B.C. and Wizard of Id. When he became a Christian in 1984, Johnny turned his trademark wit and humor to matters of faith. Johnny passed away the day before Easter 2007 while at his drawing board. “This book is a dream that Johnny and I shared,” says his wife, Bobby. “I knew I had to finish our dream.”
After winning the talent competition at the Harlem School of the Arts, the Cheetah Girls have cred uptown and down. Dorinda, the most stylish Cheetah of all, thinks they’re finally on their way to music industry millions. But just when things are clicking for the Cheetahs, Dorinda’s home life threatens to come apart at the seams. Dorinda lives in foster care with almost a dozen other children, and even though Mr. and Mrs. Bosco aren’t their real parents, they’re the only family these kids have ever known. So when a mysterious man comes demanding custody of one of Dorinda’s brothers, she decides to fight back the only way she knows how: Cheetah style!
Whether they’re backstage at a Mariah Carey concert or on stage at a Houston rodeo, the Cheetah Girl twins Angie and Aqua know how to have fun. But since their father started dating the high priestess Abala Shaballa—yes, that’s really her name!—there’s one place the fun never starts: their apartment. Abala talks like she’s from outer space, decorates like she’s designing a haunted house, and has their dad on an all-herbal diet that’s turned him as skinny as a skeleton. The high priestess may preach peace, love, and understanding, but she’s tearing this family apart! When the Cheetah Girls finally get a shot at recording a demo tape, Angie and Aqua know it’s their time to shine. But how can they sing their hearts out when they’re worried sick about their dad?
After living most of her life in foster care, Dorinda knows she should be happy when her sister Tiffany is adopted by a rich family. But no matter how hard she tries, she can’t help but feel jealous of Tiff’s new clothes, new apartment, and fancy new keyboard. But when they start playing music together, they find they have the kind of musical connection Dorinda never thought possible. Their chemistry is so natural that Tiffany doesn’t think twice before asking to join up with Dorinda’s superfabulous girl group, the Cheetah Girls. But will adding a new member upset the balance of the band? Dorinda must choose between her fellow Cheetahs and the sister she thought she had lost forever.
Chanel has never written a song before, and she’s overjoyed when her first effort, “It’s Raining Benjamins,” proves a hit for the Cheetah Girls. But when another group accuses her of stealing lyrics, Chanel admits that not all the words were her own. Broken-hearted and ashamed, Chanel is so low that she’s considering taking up ballet, which could mean giving up on the Cheetah Girls—for good! American Ballet Theatre is recruiting junior dancers, and Chanel is going to get on that dance team no matter what it takes. But pliés and pirouettes are no substitute for true friendship, and Chanel will have to be on pointe if she is to keep the Cheetahs close to her heart.