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Originally published as My Greatest Adventure #80-85, The Doom Patrol #86-101.
Written by Jack Miller, Ed Herron, Gardner Fox and Bob Haney Art by JackKirby, George Papp, Mike Sekowsky and Neal Adams Cover by Lee Elias & JerryOrdway The Emerald Archer's Silver Age adventures get the spotlight! Thisvolume reprints stories from ADVENTURE COMICS #250-266, 268-269, THE BRAVE ANDTHE BOLD #50, 71, 85, JUSTICE LEAGUE OF AMERICA #4, and WORLD'S FINEST #95-140.Along with his sidekick Speedy, see Green Arrow take on all manner of crime inStar City!
A new criminal named the Baron has appeared and has been pulling off boastful and fantastic crimes. He brags that he will rob a jewelry store next, garnering the attention of the Doom Patrol. The Chief believes he knows the identity of this new villain, but heÕll have to reveal his origin to the Doom Patrol to expose the thief!
"Originally published in single magazine form in DC Comics presents 52, 59, 81, Supergirl 16, Action comics 560, 563, 565, Ambush Bug 1-4, Son of Ambush Bug 1-6, Ambush Bug stocking stuffer 1, Secret origins 48, Ambush Bug nothing special 1."--Colophon.
Author's and artists' names from table of contents.
A collection originally published in 1960 through 1968.
Written by ARNOLD DRAKE Art by BRUNO PREMIANI Cover by BOB BROWN The fate of comics' strangest super-team is revealed in this volume collecting DOOM PATROL #102-121! Don't miss the original team's final battles with General Immortus, The Brotherhood of Evil and the Animal-Vegetable-Mineral Man. On sale August 18 512 pg, B&W, $19.99 US
Featuring the original team's final battles with General Immortus, The Brotherhood of Evil and the Animal-Vegetable-Mineral Man, this volume reveals the fate of comics' strangest super-team.
The most comprehensive guide to the history of DC Comics ever published In 1938, Superman led the charge. The world's first Super Hero was soon followed by his Justice League teammates Batman, Wonder Woman, the Flash, Aquaman, Shazam! and Green Lantern. These heroes, and their Super-Villainous foes such as Lex Luthor and The Joker, became the foundation of DC Comics. You can trace these characters' evolution, and learn about the company and creators who made them the enduring pop culture icons they are today in DC Comics Year By Year: A Visual Chronicle - the most comprehensive, chronological history of DC Comics ever published. Fully updated, this best-selling, visually stunning book details the debuts and careers of every major hero and villain in the DC Universe. It also chronicles the company's fascinating 85-year history, highlighting its publishing milestones and expansion into movies and television, alongside the real-world events that shaped the times. Created in full collaboration with DC Comics and written by leading comics historians Matthew K. Manning, Daniel Wallace, Mike McAvennie, Alex Irvine, Alan Cowsill and Melanie Scott, the new edition brings the DC Comics story right up to date, covering recent landmark events such as Rebirth, Dark Nights: Metal, Doomsday Clock and Heroes in Crisis. DC Comics Year By Year: A Visual Chronicle is guaranteed to keep fans enthralled for hours on end. (TM) & © DC Comics. (s19)
The Thing. Daredevil. Captain Marvel. The Human Fly. Drawing on DC and Marvel comics from the 1950s to the 1990s and marshaling insights from three burgeoning fields of inquiry in the humanities—disability studies, death and dying studies, and comics studies—José Alaniz seeks to redefine the contemporary understanding of the superhero. Beginning in the Silver Age, the genre increasingly challenged and complicated its hypermasculine, quasi-eugenicist biases through such disabled figures as Ben Grimm/The Thing, Matt Murdock/Daredevil, and the Doom Patrol. Alaniz traces how the superhero became increasingly vulnerable, ill, and mortal in this era. He then proceeds to a reinterpretation of characters and series—some familiar (Superman), some obscure (She-Thing). These genre changes reflected a wider awareness of related body issues in the postwar U.S. as represented by hospice, death with dignity, and disability rights movements. The persistent highlighting of the body's “imperfection” comes to forge a predominant aspect of the superheroic self. Such moves, originally part of the Silver Age strategy to stimulate sympathy, enhance psychological depth, and raise the dramatic stakes, developed further in such later series as The Human Fly, Strikeforce: Morituri, and the landmark graphic novel The Death of Captain Marvel, all examined in this volume. Death and disability, presumed routinely absent or denied in the superhero genre, emerge to form a core theme and defining function of the Silver Age and beyond.