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A sweeping yet intimate portrait of World War II’s legacy in Japan Showa 1944-1953: A History of Japan continues Eisner award-winning author Shigeru Mizuki's historical and autobiographical account of Japanese life in the twentieth century. In this volume, the tail-end of the Pacific War and its devastating consequences upon the author and his compatriots loom large. Two rival navies engage in a deadly game of feint and thrust, waging a series of ruthless military campaigns across the Pacific islands. From Guadalcanal to Okinawa, Japan slowly loses ground. When the United States unleashes the atomic bomb–then still a new and now enduringly terrible weapon–it is the ultimate, definitive blow. The catastrophic fallout from both explosions surpasses the limits of popular imagination. Mizuki's own life is irrevocably changed in the shadow of history. After losing an arm during his time in service, the author struggles to forge a path into the future. Should he remain on the island of Rabaul as an honored friend of the local Tolai? Or should he return to the rubble of Japan and return to his earliest artistic inclinations? This penultimate installment of a landmark series is a searing condemnation of war, told with the deft hand of Japan's most celebrated cartoonist.
A sweeping yet intimate portrait of the legacy of World War II in Japan Showa 1944-1953: A History of Japan continues the award-winning author Shigeru Mizuki's autobiographical and historical account of the Showa period in Japan. This volume recounts the events of the final years of the Pacific War, and the consequences of the war's devastation for Mizuki and the Japanese populace at large. After the surprise attack at Pearl Harbor, Japan and the United States are officially at war. The two rival navies engage in a deadly game of feint and thrust, waging a series of microwars across the tiny Pacific islands. From Guadalcanal to Okinawa, Japan slowly loses ground. Finally, the United States unleashes the deathblow with a new and terrible weapon--the atomic bomb. The fallout from the bombs is beyond imagining. On another front, Showa 1944-1953 traces Mizuki's own life story across history's sweeping changes during this period, charting the impact of the war's end on his life choices. After losing his arm during the brutal fighting, Mizuki struggles to decide where to go: whether to remain on the island as an honored friend of the local Tolai people or return to the rubble of Japan and take up his dream of becoming a cartoonist. Showa 1944-1953 is a searing condemnation of the personal toll of war from one of Japan's most famous cartoonists.
Tegneserie - graphic novel. A autobiographical and historical account of Showa-era Japan
Since the end of the Cold War China and Japan have faced each other as powers of relatively equal strength for the first time in their long history. As the two great powers of East Asia the way they both compete and cooperate with each other and the way they conduct their relations in the new era will play a big part in the evolution of the region as a whole. This textbook will explore in detail the ways in which politics has shaped the thinking about history and identity in both China and Japan and explain the role political leadership in each country has played in shaping their respective nationalisms. Michael Yahuda traces the evolution of the relationship over the two decades against the framework of a rising China gaining ground on a stagnant Japan and analyzes the politics of the economic interdependence between the two countries and their cooperation and competition in Southeast Asia and in its regional institutions. Concluding with an examination of the complexities of their strategic relations and an evaluation of the potentialities for conflict and co-existence between the two countries, this is an essential text for students and scholars of Sino-Japanese and East Asian International Relations
Meet one of Japan's most popular characters of all time—Kitaro, the one-eyed monster boy Meet Kitaro. He’s just like any other boy, except for a few small differences: he only has one eye, his hair is an antenna that senses paranormal activity, his geta sandals are jet-powered, and he can blend into his surroundings like a chameleon. Oh, and he’s a yokai (spirit monster)! With all the offbeat humor of an Addams Family story, Kitaro is a lighthearted romp in which the bad guys always get what’s coming to them. Kitaro is bestselling manga-ka Shigeru Mizuki’s most famous creation. The Kitaro series was inspired by a kamishibai, or storycard theater, entitled Kitaro of the Graveyard. Mizuki began work on his interpretation of Kitaro in 1959. Originally the series was intended for boys, but once it was picked up by the influential Shonen magazine it quickly became a cultural landmark for young and old alike. Kitaro inspired half a dozen TV shows, plus numerous video games and films, and his cultural importance cannot be overstated. Presented to North American audiences for the first time in this lavish format, Mizuki’s photo-realist landscapes and cartoony characters blend the eerie with the comic. Translated from the Japanese by Jocelyne Allen.
A master cartoonist and war vet details Japan's involvement in World War II Showa 1939-1944: A History of Japan continues award-winning author Shigeru Mizuki’s autobiographical and historical account of Showa era Japan. This volume covers the final moments of the lead-up to World War Two and the first few years of the Pacific War; it is a chilling reminder of the harshness of life in Japan during this highly militarized epoch. In Showa 1939-1944, Mizuki writes affectingly about the impact on the Japanese populace of world-changing moments including the devastating Second Sino-Japanese War, the attack on Pearl Harbor, and the first half of the Pacific War. On a personal level, these years mark a dramatic transformation in Mizuki’s life, too – his idyllic childhood in the countryside comes to a definitive end when he’s drafted into the army and shipped off to the tiny island of Rabaul in Papua New Guinea. His life becomes a constant struggle for survival, not only against the constant Allied attacks but because he must face the harsh discipline of the Japanese army officers. During his time in Rabaul, Mizuki comes to understand the misery and beauty of the island itself—a place that will permanently mark him and haunt him for the rest of his life. Translated from the Japanese by Zack Davisson.
A sweeping yet intimate portrait of the legacy of World War II in Japan Showa 1944–1953: A History of Japan continues award-winning author Shigeru Mizuki’s autobiographical and historical account of the Showa period in Japan. This volume recounts the events of the final years of the Pacific War, and the consequences of the war's devastation for Mizuki and the Japanese populace at large. After the surprise attack at Pearl Harbor, Japan and the United States are officially at war. The two rival navies engage in a deadly game of feint and thrust, waging a series of microwars across the tiny Pacific islands. From Guadalcanal to Okinawa, Japan slowly loses ground. Finally, the United States unleashes the deathblow with a new and terrible weapon—the atomic bomb. The fallout from the bombs is beyond imagining. On another front, Showa 1944–1953 traces Mizuki’s own life story across history’s sweeping changes during this period, charting the impact of the war’s end on his life choices. After losing his arm during the brutal fighting, Mizuki struggles to decide where to go: whether to remain on the island as an honored friend of the local Tolai people or return to the rubble of Japan and take up his dream of becoming a cartoonist. Showa 1944–1953 is a searing condemnation of the personal toll of war from one of Japan’s most famous cartoonists. Translated from the Japanese by Zack Davisson.
Following its defeat in World War II, Japan was placed under the control of SCAP GHQ headed by General Douglas MacArthur. Initially, the Occupation promoted policies of demilitarization and democratization. A new Japanese constitution which pursued pacifism was established. However, as the Cold War intensified, policies switched in the direction of economic recovery, and it was contended that Japan should take the anti-Communist pro-America path. In 1951, at the height of the Korean War, the San Francisco Peace Treaty and the Japan-U.S. Security Treaty were concluded as a fixed set. Winner of the 2015 Yomiuri Yoshino Sakuzo Prize for academic writing on politics, economics, and history, this book provides a wide view of the seven years of the Occupation of Japan which led to the 'postwar system' that has continued into the twenty-first century. --
The economy of Japan, with its high rates of growth, exemplary productivity levels, overall stability, and resilience in the face of financial and other crises, has been one of the wonders of the postwar world. In this book, which has since its first publication in 1981 been a standard text and reference work on the postwar economy, one of Japan's leading economist-scholars describes its workings, its roots in the prewar and wartime years, and its structure and institutions. For this revised second edition, the author has written several new chapters, added data bringing the discussion up to the 1990s, and reorganized the presentation.