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A carefree and idyllic childhood during the Depression allowed author Shirley Odle, born Shirley Cross, to become a free-spirited and self willed young lady. While growing up in Washington, she benefited from the hard work and perseverance of her loving parents. They provided a strong family life for her, her sister Margie, and her brother Bob. One day, a chance invitation to a church service from a fellow employee of her father, changed her family and reset the course of her life. In this action packed memoir, she recounts her childhood experiences and teen years in loving detail. Introducing her college sweetheart Glen Odle, she recalls their shared experiences as he is drafted into the service during WWII. Marrying him in San Francisco, she follows him around the United States in exciting and challenging circumstances. Returning to the Pacific Northwest, Shirley continues her life story, sharing tales of her children and their growing up years. Through the years her belief in God remained, but Gods plans and Shirleys plans clashed, creating a life-long struggle. Guilt, forgiveness, and obedience spiral. God has been the centerpiece for her life, but sometimes the ups and downs of daily life baffled her. Show Me the Way to Go Home is Shirley Odles honest and heartwarming story of her life and the role God has played in each step of the way.
In 1995 Takako Day received a plea from a Japanese American who had been forcibly removed from his home and incarcerated during the Pacific War. He asked her to tell the painful story of American citizens who had been labeled "disloyal" by the US government. She interviewed more than ten "disloyal" men and discovered that at heart of their experience was a moral dilemma, buried deep in the Japanese American community: unlike many other English-speaking Japanese Americans, their mother tongue and the language of their education was the "enemy" language, Japanese. It is dedicated to making the untold stories of US citizens - imprisoned but asked to fight for the country that imprisoned them - accessible to readers of English.
The author was only 54 when he was diagnosed with Alzheimer's disease.
Poems & Songs Old & New is a collection of 120 songs and 55 poems by a writer that clearly adores them. There is a lot of love in the reproduction of so many songs and poems that people remember and appreciate, including such classic songs as, "Bohemian Rhapsody," "Hey Jude," "Hotel California," "November Rain," Let It Be," "Beer Barrel Polka." "Sounds of Silence," "You Are My Sunshine," "Mama Mia," "Ramblin Rose," " Yellow Bird," "Goodnight Irene," "You Are My Sunshine" and "Satisfaction." A brief biography of some of the famous singers , who sang the songs, such as Frank Sinatra, Perry Como, Nelson Eddy and Jeanette MacDonald is also included. The collection of poems includes "In Flanders Fields" by John McRae, "The Raven" by Edgar Allen Poe, "A Girl" by Ezra Pound and "Daffodils" by William Wordsworth. McCavour also includes some of his own poems, including "A Friend of Ours," which was first published when he was only fourteen years old.
Songwriters dramatically captured the details of how Americans lived, thought and changed in the first half of the twentieth century. This book examines 1033 songs about WWI and WWII wars, presidents, Women’s Suffrage, Prohibition, the Great Depression, immigration, minority stereotypes, new modes of transportation, inventions, and the changing roles of men and women. America invited immigrants and went to war to ensure democracy but within its borders, lyrics display intolerant attitudes toward women, blacks, and ethnic groups. Songs covered labor strikes, communism, lynchings, women voting and working, love, sex, airships, radio, telephones, the lure of movies and new movie star role models, drugs, smoking, and the atom bomb.History books cannot match the humor, poignancy, poetry and thrill of lyrics in describing the essence of American life as we moved from a rural white male dominated society toward an urban democracy that finally included women and minorities.
We discovered that we love to sing the old songs from a certain time but we have forgotten most of the words. This collection supplies the words to favorite oldies but goodies get a group together with a couple of copies of this song book and have a good old singalong !!! Dedicated to family and friends we want all thr oldies out there, the GREY NOMADS, to get this sing along book and get together in the camping ground and caravan parks all over Australia (and even the rest of the world !) and SING ALONG !
Frank C. Brown organized the North Carolina Folklore Society in 1913. Both Dr. Brown and the Society collected stores from individuals—Brown through his classes at Duke University and through his summer expeditions in the North Carolina mountains, and the Society by interviewing its members—and also levied on the previous collections made by friends and members of the Society. The result was a large mass of texts and notes assembled over a period of nearly forty years and covering every aspect of local tradition.
Frank C. Brown organized the North Carolina Folklore Society in 1913. Both Dr. Brown and the Society collected stores from individuals—Brown through his classes at Duke University and through his summer expeditions in the North Carolina mountains, and the Society by interviewing its members—and also levied on the previous collections made by friends and members of the Society. The result was a large mass of texts and notes assembled over a period of nearly forty years and covering every aspect of local tradition.
Some people are just naturally good at not getting rich. They didn't buy Microsoft when a friend mentioned that he was helping start up a new software company. They sold their apartment in Manhattan for a song in the seventies, instinctively believing the real estate market would never, ever come back. These people have built-in wealth prevention systems that steer them safely away from big money even in the most wealth-rich intersections of their lives. In this book, Robert Sullivan, an expert in the art of not getting rich and staying that way, shows us some simple, non-time consuming ways to cultivate a basic day-to-day attitude that will lead to not getting rich, as well as a few long-term strategies that will help you stay that way. For instance, a good well-rounded education is a must if you are planning on working your entire life and ending up with little or nothing. Choose a field of study that will be personally rewarding but has no apparent application in the real world, such as medieval literature or traditional music. And by all means choose an investment strategy that will definitely not get you rich, such as following the herd. Along the way, spend your money unwisely, read novels and books (a habit that will greatly aid you in your pursuit to not be rich), marry for love, and waste otherwise money-making hours throwing a Frisbee in the park or even playing with your kids, becoming the kind of role model that will never be featured on Forbes's list of the wealthiest people in the world. Sharp, funny, and ultimately comforting, How Not to Get Rich is a guide to happiness without wealth, not that the author wouldn't mind a little wealth with his happiness. How Not to Get Rich is probably not worth the price, but what is?
HEROIN by Grace Dyas, Trade by Mark O'Halloran, The Art of Swimming by Lynda Radley, Pineapple by Phillip McMahon, I ? Alice ? I by Amy Conroy, The Big Deal edited by Una McKevitt, Oedipus Loves You by Simon Doyle & Gavin Quinn, The Year of Magical Wanking by Neil Watkins Edited and introduced by Thomas Conway This anthology comprises eight new plays by Irish playwrights premièred between the years 2006 and 2011. These playwrights ride, however, in no slipstream of the identifiably Irish play. Here, the enterprise of playwriting itself is being re-imagined. Here, above all else, is a commitment to becoming in the theatre. For all that, each play is concerned with what is unfinished business in Ireland. How astonishing, then, that these plays should revolve for the most part around identity and, in particular, sexual identity. How identity comes into play, how we open up the field of play, how we raise into collective experience the exercise of that play – the urgency in the playwriting would appear to lie precisely here. We can read from the historical moment – from a narrative emphasizing an economic bubble and its hangover – into these plays. Or we can take these playwrights at their word and observe lives lived at the contour of identities in the making. It is for us as readers, just as we have as theatre-goers – frequently scandalized, enthralled, shamed, appalled, unburdened, tickled pink – to decide.