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Show ’em How by Jami Davenport is book 2 in the Bang Brothers Hockey series Meet the Bang Brothers—five hot hockey-playing brothers who are allergic to commitment. The brothers are about to face off against their newly-retired mother…who suddenly has plenty of time to play matchmaker. Add in their baby sister and some secret dating, a single dad, an accidental pregnancy, a marriage of convenience, and a wrong bed—or two—and these siblings are not going to know what hit them! JAKOB: I'm a professional hockey player and a single dad with two rambunctious five-year-olds. My boys have driven away every nanny that's stepped foot in our house--except one--the one I don't want to keep, but they do. Tatted and pierced Gardenia Bliss is everything I dislike in a nanny and woman. She's a mouthy whirlwind, an obsessive recycler, a buyer of organic only food, and a lover of loud music. She's disrupted my household and destroyed my comfortable routine with her spontaneity. I want her gone, but I also want her naked, which is all kinds of messed up. My plans to send her packing are thwarted by a road trip and no other options available. By the time I return, she's completely entrenched herself in my house, my life, and my dirty thoughts. She has to go, but I haven't found a way to extract the boys from her clutches. They adore her. Then my meddling, matchmaking mom shows up for the holidays and enlists Gardenia to help her find the perfect woman for me. The two of them are forces of nature I'm powerless to combat. They'll never know the truth--I don't want those other women. I want Gardenia, but I can't have her. She's all wrong for my boys and me, but tell that to my stupid heart. Bang Brothers Hockey Series Titles: 1--6/11/2024– Lace ’em Up by Elise Faber 2--6/25/2024–Show ’em How by Jami Davenport 3--7/9/2024–Hit ’em Hard by Kat Mizera 4--7/23/2024–Lock ’em Down by Gina Azzi 5--8/6/2024–Light ’em Up by Kelly Jamieson 6--8/20/2024–Hook ’em Hard by Cathryn Fox
Based on the accounts of midwives, their descendants, and the women they served, In the Way of Our Grandmothers tells of the midwife's trade--her principles, traditions, and skills--and of the competing medical profession's successful program to systematically destroy the practice. The rural South was one of the last strongholds of the traditional "granny" midwife. Whether she came by her trade through individual choice or inherited a practice from an older relative, a woman who accepted the "call" of midwife launched a lifelong vocation of public service. While the profession was arduous, it had numerous rewards. Midwives assumed positions of leadership within their communities, were able to define themselves and their actions on their own terms, and derived a great sense of pride and satisfaction from performing a much-loved job. Despite national statistics that placed midwives above all other attendants in low childbirth mortality, Florida's state health experts began in the early twentieth century to view the craft as a menace to public health. Efforts to regulate midwives through education and licensing were part of a long-term plan to replace them with modern medical and hospital services. Eager to demonstrate their good will and common interest, most midwives complied with the increasingly restrictive rules imposed by the state, unknowingly contributing to the demise of their own profession. The recent interest of the youthful middle class in home birth methods has been accompanied by a rediscovery of the midwife's craft. Yet the new midwifery represents the state's successful attainment of a long-awaited goal: the replacement of the traditional lay midwife with the modern nurse-midwife. In the Way of Our Grandmothers provides a voice for the few women in the South who still remember the earlier trade--one that evolved organically from the needs of women and existed outside the realms of men.
The sentimental antislavery novel Ida May appeared so like its predecessor in the genre, Uncle Tom’s Cabin, that for the month of November 1854, reviewers looked for Harriet Beecher Stowe’s hand in the narrative. Ida May explores the “possibility” of white slavery from the safety of an exciting, romantic narrative: Ida is kidnapped on her fifth birthday from her white middle-class family in Pennsylvania, stained brown, and sold into slavery in the South. Traumatic amnesia brought about by a severe beating keeps her from knowing who she really is, until after five years in slavery her identity is recovered in a dramatic flash of recognition. To the abolitionists of the period, fictional narratives of white enslaved children offered a crucial possibility: to unsettle the legitimacy of a race-based system of enslavement. The historical appendices to this Broadview Edition provide context for the novel’s reception, Pike’s racial politics, and the “problem” of white slavery in nineteenth-century abolitionist writing.
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Reprint of the original, first published in 1883.