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Show Biz: The Big Band Way Tommy Tucker and his Orchestra _____________________ A Memoir by his wife Dare This memoir by Dare Tucker describes the unusual experiences she and her husband had during their experience on the road as a major Big Band orchestra. After Dare married Tommy, she joined him and his popular band as they traveled back and forth across the country for many one-night or one-week stands. They stared out with cars to transport the many musicians, their instruments, the vocalists; the group eventually got so large they had to hire buses to make their way to the next gig. It's interesting to read Dare's observation of the scene. She describes in detail the variety of adjustments that bands had to make as they performed at theaters and adapted their activities so they could be successful at record making. Tommy's big hit, "I Don't Want to Set the World on Fire" was so well received it became a Gold record. Their daughter Trudy who published this notes: "What remains so curious to me is that the very same tricks they did on stage, during recordings, and on TV we continue to see every day as we watch talk shops on TV. "
"Entertainers and trainers have a lot in common. Both require an audience. Both require a polished, professional delivery. And both must attract -- and keep -- attention. Or else the show is over. Unlike the audience at a show, training participants are often disinterested and easily distracted. In order to keep them tuned in and help them retain information, trainers are constantly in search of new ways to engage learners. Grounded in the latest adult learning and training theories, "Show Biz Training" provides creative techniques that use comedy, props, magic, theater, and music, giving readers all the tools they need to perform the many activities found inside. The book uses specific examples and provides step-by-step instructions, resource lists, and worksheets to help trainers support and further learning by engaging emotion, building rapport, creating the proper atmosphere, and crafting lessons out of a host of entertainment-inspired ideas. Packed with fun, original concepts for serious educators, "Show Biz Training"is a highly informative way to set the stage for exciting, effective learning."
Paul Shaffer—born and bred music junkie and longtime leader of David Letterman’s Late Show band—opens up in this candid, endearing, hilarious, and star-studded memoir. From playing seedy strip joints in Toronto, to being the first musical director of Saturday Night Live and helping to form the Blues Brothers, to being onstage every night with David Letterman and playing with the greatest musicians of our time, Shaffer has lived the ultimate showbiz life. Now—dishing on everyone from John Belushi and Jerry Lewis to Mel Gibson and Britney Spears—Paul gives us the full behind-the-scenes story of his life, from banging out pop tunes on the piano at the age of twelve to leading the band every night at the Sullivan Theater.
For the first time, the full story of what happened when Frank brought his best pals to party in a land called Vegas January 1960. Las Vegas is at its smooth, cool peak. The Strip is a jet-age theme park, and the greatest singer in the history of American popular music summons a group of friends there to make a movie. One is an insouciant singer of Italian songs, ex-partner to the most popular film comedian of the day. One is a short, black, Jewish, one-eyed, singing, dancing wonder. One is an upper-crust British pretty boy turned degenerate B-movie star actor, brother-in-law to an ascendant politician. And one is a stiff-shouldered comic with the quintessential Borscht Belt emcee’s knack for needling one-liners. The architectonically sleek marquee of the Sands Hotel announces their presence simply by listing their names: FRANK SINATRA. DEAN MARTIN. SAMMY DAVIS, JR. PETER LAWFORD. JOEY BISHOP. Around them an entire cast gathers: actors, comics, singers, songwriters, gangsters, politicians, and women, as well as thousands of starstruck everyday folks who fork over pocketfuls of money for the privilege of basking in their presence. They call themselves The Clan. But to an awed world, they are known as The Rat Pack. They had it all. Fame. Gorgeous women. A fabulouse playground of a city and all the money in the world. The backing of fearsome crime lords and the blessing of the President of the United States. But the dark side–over the thin line between pleasure and debauchery, between swinging self-confidence and brutal arrogance–took its toll. In four years, their great ride was over, and showbiz was never the same. Acclaimed Jerry Lewis biographer Shawn Levy has written a dazzling portrait of a time when neon brightness cast sordid shadows. It was Frank’s World, and we just lived in it.
A collection of the best music writing and cultural criticism from one of the most influential music journalists of his day The co-founder of Rolling Stone magazine, Ralph J. Gleason was among the most respected journalists, interviewers, and critics writing about popular music in the latter half of the twentieth century. As a longtime contributor to the San Francisco Chronicle, Down Beat, and Ramparts, his expertise and insights about music, musicians, and cultural trends were unparalleled, whether his subject was jazz, folk, pop, or rock and roll. He was the only music journalist included on President Richard Nixon's infamous "Enemies List," which Gleason himself considered "the highest honor a man's country can bestow upon him." This sterling anthology, edited by Gleason's son Toby, himself a forty-year veteran of the music business, spans Ralph J. Gleason's four decades as popular music's preeminent commentator. Drawing from a rich variety of sources, including Gleason's books, essays, interviews, and LP record album liner notes, it is essential reading for writers, historians, scholars, and music lovers of every stripe.