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Excerpt from Shots and Snapshots in British East Africa What really renders that first journey up the Uganda Railway remarkable is the quantity of game you see in the reserve - kongoni, Grant and Thomson's gazelles, zebra, in vast numbers; now and then ostriches, a herd of Wildebeest, or a string of giraffe; sometimes a lion or a rhino. These animals do not fear the train, so you get a good View of them; but you must not conclude that they are as easy of approach when you are on foot. On arriving in most countries there is usually one question for which the newcomer should be prepared. In Sydney I am told he must admire the fine harbour; in Ireland he will probably be asked what he thinks about Home Rule or William the Third; and in British East Africa he will soon be asked what he thinks about the Uganda Railway. The carriage I travelled up in leaked in a rainstorm, and I said what I thought of the Uganda Railway in language that could not be mistaken. But I soon saw that this was not what I was meant to say. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann. In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder." In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.
Looking at decolonization in the conditional tense, this volume teases out the complex and uncertain ends of British and French empire in Africa during the period of ‘late colonial shift’ after 1945. Rather than view decolonization as an inevitable process, the contributors together explore the crucial historical moments in which change was negotiated, compromises were made, and debates were staged. Three core themes guide the analysis: development, contingency and entanglement. The chapters consider the ways in which decolonization was governed and moderated by concerns about development and profit. A complementary focus on contingency allows deeper consideration of how colonial powers planned for ‘colonial futures’, and how divergent voices greeted the end of empire. Thinking about entanglements likewise stresses both the connections that existed between the British and French empires in Africa, and those that endured beyond the formal transfer of power.
Karamojo Safari, first published in 1949, is a classic story of elephant hunting, safaris, native life, and the wilds of Uganda and Kenya in the late 1800s, at a time when the region (then known as “Karamojo”) was completely unknown to the outside world. Walter Bell (1880-1954), known as Karamojo Bell, was a Scottish adventurer, big game hunter in East Africa, soldier, decorated fighter pilot, sailor, writer, and painter. Famous for being one of the most successful ivory hunters of his time, Bell was an advocate of the importance of shooting accuracy and shot placement with smaller calibre rifles, over the use of heavy large-bore rifles for big African game. He improved his shooting skills by careful dissection and study of the anatomy of the skulls of the elephants he shot. He even perfected the clean shooting of elephants from the extremely difficult position of being diagonally behind the target; this shot became known as the Bell Shot. Although chiefly known for his exploits in Africa, Bell also traveled to North America and New Zealand, sailed windjammers, and saw service in South Africa during the Boer War, and flew in the Royal Flying Corps in East Africa, Greece and France during World War I.
From the Cape to Cairo : The First Traverse of Africa from South to North Hoping to see something of the other lioness or the lion I returned to the same place next day, and after examining the neighbourhood of the grass, pushed on still farther to the centre of the swamp. In this swamp the river spreads out into a vast network of channels, with a small central lagoon. Owing to the dryness of the season, it was possible to cross most of the channels, which were then merely mud-troughs, and to reach the lagoon, which was about four hundred yards wide. Here I witnessed a most extraordinary sight. About fifty hippo were lying about in the water, and on the banks. As the water was not in most parts deep enough to cover them, they presented the appearance of so many huge seals basking in the sun. They climbed in and out, strolled about, rolled in, splashing, shouting, blowing, and entirely ignoring my presence. After watching them for some time, I sent my boys to the far end to drive them past. The boys yelled and threw stones at them. Suddenly the hippo took alarm and rushed en masse for the narrow channel of the waterway. Down this they swarmed, kicking the water 30 ft. in the air, throwing their heads back, roaring, thundering, and crashing along, while I stood on the bank at twenty yards and took photographs, all of which unfortunately failed.
In The Wanderings of an Elephant Hunter, legendary hunter W.D.M. Bell takes readers on a thrilling journey through the African wilderness. With vivid descriptions and captivating anecdotes, Bell shares his encounters with majestic elephants, dangerous predators, and the challenges of survival in the untamed landscape. This compelling narrative offers a glimpse into a bygone era of exploration and the complex relationship between humans and the natural world.