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"Do things just happen, like peculiar changes in the weather, or is there a general scheme on file somewhere? Is it a free-for-all we're mixed up in-with our Harry Thaws and our Helen Kellers; our white slavers, our white hopes, and our white plague campaigns; our trunk murders, and our fire heroes? Or are we runnin' on schedule and headed somewhere? I ain't givin' you the answer. I'm just slippin' you the proposition, with the side remark that now and then, when the jumble seems worse than ever, you can get a glimpse of what might be a clew, or might not."
Now entering his sixty-seventh year, Chris McCool can confidently call himself a member of the Happy Club: he has an attractive and exceedingly accommodating Croatian girlfriend and has been told he bears more than a passing resemblance to Roger Moore. As he looks back on the glory days of his youth, he recalls the swinging sixties of rural Ireland: a decade in which the cool cats sang along to Lulu and drove around in Ford Cortinas, when swinging meant wearing velvet trousers and shirts with frills, and where Dolores McCausland - Dolly Mixtures to those who knew her best - danced on the tops of tables and set the pulses of every man in small-town Cullymore racing. Chris McCool had it all back then. He had the moves, he had the car, and he had Dolly, a woman who purred suggestive songs and tugged gently at her skin-tight dresses, a Protestant femme fatale who was glamorous, transgressive and who called him her very own 'Mr Wonderful'. She was, in short, the answer to this bastard son of a Catholic farmer's prayers. Except that there was another Mr Wonderful in town, a certain Marcus Otoyo - a young Nigerian with glossy curls and a dazzling devoutness that was all but irresistible. Although Chris, of course, was interested in Marcus only because of their shared religious fervour and mutual appreciation of the finer things. That was all. Besides, Mr McCool was always a hopeless romantic - some even described him as excessively so - but is there anything wrong with that? Spiked with macabre humour and disquieting revelations, The Holy City is a brilliant, disturbing and compelling novel from one of Ireland's most original contemporary writers.
In these twelve stories, Eugene McCabe plumbs the soul of the Irishborder counties, where confusion, divided loyalties, and conflict arepart of everyday life. A master of arresting dialogue and intimate characterisation, celebrated as a major playwright and author of one of the most important Irish novels of the last fifty years, McCabe demonstrates his outstanding gift for short fiction in this revelatory and haunting collection.
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