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Chiaki and Ten pretend they’re dating to dissuade Rei, Riku’s younger brother, from continuing to bother her. But Chiaki believes that Riku still has feelings for Ten and tries to bring them together. -- VIZ Media
Riku moves back into his childhood home, but he invites everyone from the boardinghouse to a hot springs resort. Is there a future together for Riku and Ten? -- VIZ Media
Even Ten can’t penetrate the darkness that lies within Riku. Chiaki invites Riku to his home in hopes that Riku will share more of himself. And later that night, Riku suddenly lets it all out... -- VIZ Media
An unflappable girl and a cast of lovable male roommates at a boardinghouse create bonds of friendship and romance. When Ten moves out of her parents’ home in the mountains to live in a boardinghouse, she finds herself becoming fast friends with her male roommates. But can love and romance be far behind? Ten comes to a realization. Chiaki and Riku both have feelings for Ten, but Riku doesn’t feel as though he can pursue her.
Riku’s kiss sends Ten into a panic. While she tries to understand why he kissed her, Riku is surprised by his own actions. Meanwhile, Chiaki’s feelings for Ten grow. -- VIZ Media
In the aftermath of the incident with the Students’ Union, Yoh has grown closer to Haruma—a fact that doesn’t go unnoticed by Touya, who finds himself grapping his feelings towards his best friend. Meanwhile, a chance meeting reunites Yoh with her former classmate, Wakana. She stole every one Yoh’s middle school boyfriends—and now she has her sights set on Haruma! And so the tangled web of love spreads further...
ANOTHER SUMMER WITH YOU Their first memorable summer was in high school, followed by their first summer together as college students… Now, Wataru and Chiharu are in their second year of college, and the two boys can't wait to spend another summer together. Now back from his study abroad program, Chiharu is ecstatic to see Wataru for the first time in two months, and Wataru's thankful that they'll have more time to spend with each other, without also having to balance work and school. One of their plans has the two return to the cinema for a movie date to celebrate Wataru's 20th birthday, but what other memories will the summer have in store for them?
It's no secret that Ayako believes she's too old to entertain the advances of her college-age neighbor, Takumi. And when Takumi and Ayako finally go on their first date, she can't help but feel like all eyes are on her. After all, she's spending the day at an amusement park with a man more than ten years her junior! She's still not sure how to handle his fervent affection...but when a series of disasters leads to a night spent together in a hotel room, will Ayako finally be able to admit she's falling--just a little?
Ryoko Hayakawa, now reincarnated as Prince Herscherik of Gracis Kingdom, is about to turn seven years old. He has no athletic skills, no magic, and can’t even claim to be a great beauty among the royal family, but he still can’t afford to keep playing the subservient prince for much longer. Now that he’s begun his grass-roots efforts to fix his kingdom (just like the period drama heroes Ryoko used to watch on TV), he is met with a mind-blowing proposal from the Minister Barbosse. Meanwhile, the nefarious agents of the Church are on the move, and a beautiful and mysterious woman appears to Herscherik. As he plunges into danger to save his kingdom, how far will Herscherik be willing to go?
The Silver Bough is an indispensable treasury of Scottish culture, universally acknowledged as a classic of literature. The author, F Marian McNeill, succeeded in capturing and bringing to life many traditions and customs of old before they died out or were influenced by the modern era. The Silver Branch of the sacred apple tree, laden with crystal blossoms of golden fruit, is in Celtic mythology the equivalent of the Golden Bough of classical mythology - the symbolic bond between the world we know and the Otherworld.In the first volume of the Silver Bough, the author deals generally with Scottish folk-lore and folk belief, with chapters on ethnic origins, the Druids, the Celtic gods, the slow transition to Christianity, magic, the fairy faith, second sight, selkies, changelings and the witch cult. In volume two she began her more in-depth exploration of the foundations of many of these beliefs and rituals through the Calendar of Scottish national festivals, in which we find enshrined many of the fascinating folk customs of our ancestors. This third volume continues that study by looking at the Festivals from Hallow'en to Yule tide. As man makes greater and greater advances in the understanding and control of his physical environment, the river between the known and the unknown gradually changes its course, and the subjects of the simpler beliefs of former times become part of the new territory of knowledge. The Silver Bough maps out the old course of the waterway that in Celtic belief winds between here and beyond, and reveals the very roots of the Scottish people's distinctive customs and way of life. The Silver Bough is a large and important work which involved many years of research into both living and recorded lore. Its genesis lies, perhaps, in the author's subconscious need to reconcile the old primitive world she had glimpsed in childhood with the sophisticated modern world she later entered. "e;I do not believe that you can exaggerate the importance of the preservation of old ways and customs, and all those little things which bind a man to his native place. Today we live in difficult times. The steam-roller of progress is flattening out many of our old institutions, and there is a danger of a general decline in idiom and distinctive quality in our Scottish life. The only way to counteract this peril is to preserve jealously all these elder things which are bone of our bone and flesh of our flesh. For, remember, no man can face the future with courage and confidence unless it is solidly founded upon the past. And conversely, no problem will be too hard, no situation too strange, if we can link it with what we know and love"e; F Marian McNeill