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Edith Wharton, Willa Cather, Alice Walker, and Louise Erdrich are among the featured authors in this splendid anthology. Fourteen tales include Joyce Carol Oates' "Heat," Flannery O'Connor's "The Life You Save May Be Your Own," Marjorie Kinnan Rawlings' "Gal Young Un," and "Why I Live at the P.O." by Eudora Welty.
Choice collection of 13 stories includes "Life in the Iron Mills" by Rebecca Harding Davis, Zora Neale Hurston's "Sweat," plus superb fiction by Kate Chopin, Willa Cather, Edith Wharton, many others.
From the Publisher: A new mother longing to write is judged "hysterical" and confined to her bedroom where she slowly loses herself in horrific fantasy. A young girl stirred by two beings--a handsome young man and an ethereal white heron--is forced to make a choice between them. A love affair quashed by convention ignites during a sudden storm. These tales of remarkable and ordinary lives in nineteenth-century America are told throughout women's voices that call out from the kitchen hearth, the solitary room, the prison cell. Stories by Louisa May Alcott, Willa Cather, Kate Chopin, and Edith Wharton, as well as by others less familiar, reveal a universe of emotions hidden beneath parochial scenes. American writers claimed the short story as their national genre in the nineteenth century, and women writers made it the most important outlet for their particular experiences. A unique selection, with an introduction, notes, selected criticism, and a chronology of the authors' lives and times.
DIVFirst-rate selections include Hardy's "The Fiddler of the Reels," James' "Oh, Whistle, and I’ll Come to You, My Lad," Dickens' "The Haunted Hotel," and tales by Saki, Kipling, Lawrence, Trollope, Stevenson, and others. /div
This highly acclaimed collection of short stories by American writers contains only the best literary art of the past four decades. Editors Raymond Carver and Tom Jenks have selected fiction that “tells a story”–and tells it with a masterful handling of language, situation, and insight. But what is so special about this volume is that it mirrors our age, our concerns, and our lives. Whether it’s the end of a marriage, as in Bobbie Ann Manson’s “Shiloh,” or the struggle with self-esteem and weight in Andre Dubus’s “The Fat Girl,” the 36 works included her probe issues that give us that “shock of recognition” that is the hallmark of great art—wonderful, absorbing fiction that will be read and reread for decades to come.
Known for her vivid portrayals of Creole life in Louisiana, Kate Chopin (1851–1904) wrote, during her brief literary career, poignant and perceptive stories about the emotional lives of women. Bypassing many of the conventions of 19th-century realism, she won praise for her realistic portraits of the inhabitants of bayou and urban areas. This collection of nine stories contains one of her most famous works, "Désirée's Baby" — a haunting and ironic tale of miscegenation. Additional stories include "Madame Célestin's Divorce," "A Gentleman of Bayou Téche" and "At the 'Cadian Ball," from Bayou Folk; "A Respectable Woman," "A Night in Acadie" and Azélie" from A Night in Acadie; "The Dream of an Hour" and the title story. Written with grace, delicate humor and a keen understanding of the human — especially the female — psyche, these stories are a superb introduction to an important American writer whose literary career was cut short by the harsh criticism directed at her novel The Awakening (1899).
A landmark collection documenting the social, political, and artistic lives of African American women throughout the tumultuous nineteenth century. Named one of NPR's Best Books of 2017. The Portable Nineteenth-Century African American Women Writers is the most comprehensive anthology of its kind: an extraordinary range of voices offering the expressions of African American women in print before, during, and after the Civil War. Edited by Hollis Robbins and Henry Louis Gates, Jr., this collection comprises work from forty-nine writers arranged into sections of memoir, poetry, and essays on feminism, education, and the legacy of African American women writers. Many of these pieces engage with social movements like abolition, women’s suffrage, temperance, and civil rights, but the thematic center is the intellect and personal ambition of African American women. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts, and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in the world-famous Fisk Jubilee Singers. Taken together, these incredible works insist that the writing of African American women writers be read, remembered, and addressed. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This collection of original and classic essays examines the contributions that female authors have made to the short story. The introductory chapter discusses why genre critics have ignored works by women and why feminist scholars have ignored the short story genre. Subsequent chapters discuss early stories by such authors as Lydia Maria Child and Rose Terry Cooke. Others are devoted to the influences (race, class, sexual orientation, education) that have shaped women's short fiction through the years. Women's special stylistic, formal and thematic concerns are also discussed in this study. The final essay addresses the ways our contemporary creative-writing classes are stifling the voices of emerging young female authors. The collection includes an extensive five-part bibliography.
Here are stories that need to be told: obsessions that must be revealed, secrets that must be shared, and memories that must be uncovered. This unique anthology contains 145 stories by 90 contemporary American women writers, and is a must for anyone who loves to tell stories over a quick cup of coffee.