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The stories you are about to read are from traveling and a culmination from eight years of my wife and I living among the people in lands of rich stories, not excluding Ireland. It has given me great joy to write of our adventures in a format that takes the best of times, stirred with some pathos of fallen friends and then mixed into the tales within! These reminiscences will be treasured by my wife Pat and I - forever! No one character is represented in his or her entirety and no narrative can be said to be an actual event. These storied chapters herein, capture our lives as it might have happened. I have pasted the wonderful characters together from all the many vignettes we encompassed while dwelling amongst one of the most reflective societies today. Not reflective in some lofty sense, but as in a mirror of life that needs the rich loamy land and vibrant countryside to place one’s heart into. Ireland, with not much doubt, is the last and most beautiful, virginal country left today. Thanks to flying, there are many corners and stories on this earth that I have seen and wrote about of great exotic beauty and depth, but the endowments of pastoral Ireland leave one breathless. It’s soft and natural charm is the result of native Irishmen resisting the huge industrial revolution that has changed lives within the short span of our diminutive existences. The Emerald Isle is a refuge from the unbridled growth of material things. Time will undoubtedly take this last resort, but there are those of us who have advantaged ourselves with an affair of the heart - a sojourn with Ireland! The Author
ANOTHER WINDOW WITHOUT A LIGHT Another house that is not a home. Reposing on a lush Irish lawn and free of any direction, my mind rests. High above I see clearly as I peer deep into a typical soft and rosy afternoon’s sky. No longer do I soar at forty-one thousand feet or so, emitting a set of frosty contrails, no more do I fly out of somewhere like London to New York on business. Those lacy traces above my life now are etchings wavering high and signs of all-too familiar sky engravings usually observable by blokes on the ground who might longingly wish to be up there as a birdman. No, with me now, it is hands on hips with feet or body planted firmly on Irish soil and sorting out another day on the Head. It is Toe Head, the then center of my universe. Looking beyond the frosty stratospheric doodles and out to the west, icy winds that had formed recently are now raging incessantly down from a frigid arctic basin, located far to the North and are booming my way, covering the furthermost tip of Toe Head called Koch’s Bluff. The promontory sits about a rocky mile from my ocean-side cottage and is always the brunt of weather that can be seen coming for miles. Soon the blasts would of necessity snuffle out my balmy breezes that normally made my day in life on the Head, my world in Ireland. They are feckless. The blustering gales reek of ancient sea life and kelp that the frenetic ocean currents stir up from a temporarily unsettled bottom of a normally placid bay. I had spent an entire life aloft it seems,battling such effects as these that mother nature threw at me and others who suffered the same ilk. Looking seaward, the surface of Toe Head Bay this day mirrored the mottling of its normally glassy gleam as the flotsam of the bottom greenery rose in anger at the stirring of its usually equable bed. The hasty winds would be here in but moments and I might retreat to my toasty hearth that simmers with the umber-looking wonder called peat. The treasured fuel had lain mostly untouched for a millennia or two until the people of the bogs came to find respite from the fierce tribes on the European continent, some few thousand years ago. They had appropriated land of little use and made do with the silty ponds and marshes that would have been rejected by any less resolute than the bog habitants would. There were names for the hearty that lived in the watery moors. Names such as Firbolgs or the ancient Druids. Once hearty trees such as the Oak, lined the rocky promontories and pastures that rimmed our Head, but many deprivations eroded the once staunch sentinels and now have been consumed by centuries of hearth fires,countless roof spines and a myriad of cottage doors worn down by large families ghosted repeatedly by famine and poor times. Now the Icelandic winds drive straight in to me, wresting up any objects let loose by careless abandon. Not withstanding mother earth’s foibles, life was simple here,politics having freed Ireland to go its own way in 1922. www.waynekinglivingston.com
The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.
National Book Award Finalist A heartstrong story of family and romance, tribulation and tenacity, set on the High Plains east of Denver. In the small town of Holt, Colorado, a high school teacher is confronted with raising his two boys alone after their mother retreats first to the bedroom, then altogether. A teenage girl—her father long since disappeared, her mother unwilling to have her in the house—is pregnant, alone herself, with nowhere to go. And out in the country, two brothers, elderly bachelors, work the family homestead, the only world they've ever known. From these unsettled lives emerges a vision of life, and of the town and landscape that bind them together—their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant. As the milieu widens to embrace fully four generations, Kent Haruf displays an emotional and aesthetic authority to rival the past masters of a classic American tradition.
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