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These seven imaginative short theatre pieces by one of America's most inventive and highly regarded playwrights range widely in content, mood and style. The plays offer a stimulating challenge in terms of selecting, arranging, and mounting the diverse com
Brief plays and sketches deal with the relationship between men and women, the past, communication, country life, and mortality.
Drawing from his own, specific experience, Margulies has indeed created what he calls “a window to the world” at large. The bits and pieces and detritus of our culture have been used to construct a powerful drama about a new and devastating age of anxiety in the United States. July 7, 1994 ranks as an important work by a gifted and growing American playwright."—Chicago Tribune This new anthology by Donald Margulies collects his best short plays and monologues written over the past 24 years. Taken as a whole, the work is an extraordinary representation of a particularly American reality of the twentieth century. His language is exquisite and deceptive in its simplicity, wherein the larger questions of our daily existence emerge and are clarified. The volume contains three major one-act plays including July 7, 1994, the hit of the 1995 Humana Festival at the Actors Theatre of Louisville; Pitching to the Stars, a darkly comic look at the writers lot in Hollywood; and Luna Park, an elegiac look at the American past and the immigrant experience, based on a short story by Delmore Schwartz. The volume also includes fifteen other short plays and monologues. Donald Margulies is the author of numerous plays, including Dinner with Friends and Collected Stories, both being filmed for television by HBO and PBS. Mr. Margulies lives with his wife and son in New Haven, Connecticut, where he teaches playwriting at Yale University. Also available by Donald Margulies Dinner with Friends PB $11.95 1-55936-194-8 • USA Collected Stories PB $11.95 1-55936-152-2 • USA Sight Unseen and Other Plays PB $16.95 1-55936-103-4 • USA
(Best American Short Plays). Best Monologues from Best American Short Plays, Volume One is a must for actors of all ages beginners as well as seasoned veterans and belongs in the libraries of all theater teachers looking for new and exciting material for their students. The monologues in this volume are excerpted from the outstanding series Best American Short Plays, an archive of works from many of the best playwrights active today, presenting taut, engaging single-character pieces that range from zany comedy to poignant tales of love and loss. Each monologue includes a short introduction and a reference identifying where to locate the entire play, should anyone choose to pursue production beyond the monologue. Long or short, serious or not, this collection is must-have material for anyone interested in acting. The monologues also succeed as excellent companions for the casual reader.
BEST MONOLOGUES FROM BEST AMERICAN SHORT PLAYS VOLUME 1
(Best American Short Plays). This second volume of the best monologues from the Best American Short Plays series features a diverse selection drawn from the outstanding works from many of today's best American playwrights. In these monologues, the playwrights capture much of the flavors, feelings, and thoughts of American culture over the past several decades. The result is a collection of taught, engaging monologues offering fascinating perspectives. They are written with an eye toward the stage that makes them excellent source material for actors young and old alike. And they offer a freshness and directness that make them excellent companions for readers attracted to good, often quirky, and always engaging contemporary literature.
A collection of original scenes and monologues written especially for middle-school actors.
(Best American Short Plays). "Sticks and stones may break my bones, but words will never hurt me." Really? Words can break spirits, destroy confidence. They can also build hope and incite great acts of heroism. Playwrights know this, and so do theater audiences. Otherwise, why go? Words matter and carry clout every bit as dangerous as a hammer or crowbar. This, too, playwrights know. The monologues in this volume are full of such blows, striking at our imaginations and our memories, generating responses such as joyful laughter or chilling surprise. Others squeeze us into worlds we've never experienced, or perhaps experienced at the furthest edges of memory and recollection. Still others may help us alter the way we see certain things, people, or beliefs. Best Monologues from The Best American Short Plays, Volume Three is a collection of monologues drawn from the popular Best American Short Plays series, an archive of works from many of the best playwrights active today. Long or short, serious or not, excerpts or entireties, this collection abounds in speech acts that may trigger physical reactions and almost certainly will transform an attitude or two, drawing out lost memories, creating new ones, and definitely entertaining, engaging, amusing us all along the way.
Neil LaBute is one of America's most provocative and lauded playwrights, and his darkly exhilarating talent is on glorious view in this new collection. "Things We Said Today" features the scripts for Neil LaBute's groundbreaking Directv project "10x10"--a series of short films written and directed by LaBute based on ten compelling original monologues, five each for men and women. Also included are five short plays displaying the power and scope of Neil LaBute's creative vision. In "Pick One," three white guys come up with a way to solve America's problems; in "The Possible," one young woman seduces another's boyfriend for an unexpected reason. "Call Back" features an actress and actor who spar about a past encounter that she, unnervingly, remembers much better than he does. "Good Luck" ("In Farsi"), "a pleasingly astringent study in competitiveness and vanity" (T"he New York Times") has two actresses pulling out all the stops in a preaudition psych out; and in "Squeeze Play" a father and his son's baseball coach strike a mutually beneficial deal. Rounding out the collection are two monologues commissioned as part of Centerstage's "My America" project.
A collection of over a hundred scenes and monologues from plays from the Elizabethan period to contemporary Tony Award winners.