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Moeller (history, Princeton) brings her experience as a photojournalist to bear on her study of war photography in the five major American wars of the century. She identifies the factors that shape the images: the moral position of the photographer, the official censorship of the media; government propaganda needs; technological advances in weaponry and camera equipment. Annotation copyrighted by Book News, Inc., Portland, OR
Pharmacologically enhanced militaries -- Alcohol -- From pre-modern times to the end of the Second World War -- Pre-modern times: opium, hashish, mushrooms and coca -- Napoleon in Egypt and the adventures of Europeans with hashish -- The Opium Wars -- The American Civil War, opium, morphine and the "soldiers' disease"--The colonial wars and the terrifying "barbarians"--coca to cocaine: the First World War -- The Second World War -- The Cold War -- From the Korean War to the war over mind control -- In search of wonderful new techniques and weapons -- Vietnam: the first true pharmacological war -- The Red Army in Afghanistan and the problem of drug addiction -- Towards the present -- Contemporary irregular armies empowered by drugs -- Intoxicated child soldiers -- Drugs in the contemporary American Armed Forces -- Conclusion -- Epilogue: war as a drug
This book examines the controversies surrounding gun control, which are less about whether it "works" and more about whether the nation should prioritize traditional values of rugged independence or newer values of communitarian interdependence. America's Gun Wars contends that an understanding of America's gun controversy cannot be found in statistics documenting the rise (or fall) of violent crime, or in examining trade-offs between societal needs and personal safety, or in following the political maneuvering of advocacy groups such as the National Rifle Association or Everytown for Gun Safety. At heart, the gun controversy is a values conflict involving how people see themselves and how they make sense of the world they live in. Understanding this controversy requires a deep analysis of the profoundly different cultures inhabited by pro- and anti-gun activists, lawmakers, and voters. Written by a social scientist who has spent his life exploring how values and self-perceptions impact behavior, this book explores the origins and evolution of cultures in American society; the beliefs, experiences, and principles that guide the behavior of members in both camps; and the triumphs and failures that the two sides have experienced from colonial times to the present day.
With his camera in tow, Erik Durschmied has covered every major world event during his career--from the Cuban revolution to the Vietnam War to the conflicts in the Middle East. Illustrated with Durschmied's own photographs, Shooting Wars is an adventure story filled with excitement, danger, and passion.
"A majestic book."--Bessel van der Kolk, MD, author of The Body Keeps the Score A unique joint memoir by a U.S. Marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls "The dueling-piano spirit of SHOOTING GHOSTS works because its authors are so committed to transparency, admitting readers into the dark crevices of their isolation."--Wall St Journal Through the unpredictability of war and its aftermath, a decorated Marine sergeant and a world-trotting war photographer became friends, their bond forged as they patrolled together through the dusty alleyways of Helmand province and camped side by side in the desert. But when Sergeant T. J. Brennan was injured during a Taliban ambush, he and conflict photographer Finbarr O’Reilly returned home, each to face the fallout of war in their own way. Their friendship offered them both a shot at redemption. Shooting Ghosts looks at the horrors of war directly, but then turns to a journey that draws on our growing understanding of what recovery takes, charting the ways two survivors have found to calm the ghosts and reclaim a measure of peace.
No book exists that has explored how working in the world's most dangerous places can affect the physical and psychological well-being of conflict photographers. Shooting War is a collection of essays and photographs that includes the results of the author's interviews with the world's preeminent wartime photographers, including: Don McCullin, Ron Haviv, Tim Page, Chim Seymour, Alexandra Boulat and Sebastian Salgado. While the text lays bare the traumas endured, the images speak to the resilience and creativity of the photographer in shaping our understanding of war and conflict.
In Shooting at the Moon, Roger Warner chronicles a covert operation that used Hmong villagers as guerrilla fighters against the North during the Vietnamese War. Thought to be an expendable resource by Central Intelligence Agency strategists, the Hmong died by the thousands fighting the North Vietnamese. Those who survived were abandoned to their fate when the United States pulled out of the war. Warner's history is the moving and tragic story of how America's 'secret war' devastated its own allies in Southeast Asia.
Addressing America's cultural conflict about such issues as abortion, homosexuality, and family values, the author presents a plan in which America can achieve a renewed democracy, despite these differences.
The world was made aware of this because photographers were there to record the terror, bravery, and desolation of the assualt. One of them gave his life doing so.".
Most policymakers see counterinsurgency and counternarcotics policy as two sides of the same coin. Stop the flow of drug money, the logic goes, and the insurgency will wither away. But the conventional wisdom is dangerously wrongheaded, as Vanda Felbab-Brown argues in Shooting Up. Counternarcotics campaigns, particularly those focused on eradication, typically fail to bankrupt belligerent groups that rely on the drug trade for financing. Worse, they actually strengthen insurgents by increasing their legitimacy and popular support. Felbab-Brown, a leading expert on drug interdiction efforts and counterinsurgency, draws on interviews and fieldwork in some of the world's most dangerous regions to explain how belligerent groups have become involved in drug trafficking and related activities, including kidnapping, extortion, and smuggling. Shooting Up shows vividly how powerful guerrilla and terrorist organizations — including Peru's Shining Path, the FARC and the paramilitaries in Colombia, and the Taliban in Afghanistan — have learned to exploit illicit markets. In addition, the author explores the interaction between insurgent groups and illicit economies in frequently overlooked settings, such as Northern Ireland, Turkey, and Burma. While aggressive efforts to suppress the drug trade typically backfire, Shooting Up shows that a laissez-faire policy toward illicit crop cultivation can reduce support for the belligerents and, critically, increase cooperation with government intelligence gathering. When combined with interdiction targeting major traffickers, this strategy gives policymakers a better chance of winning both the war against the insurgents and the war on drugs.