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Angeles Falco seemed like something straight from a fifties detective movie when she walked into Sam Turner¿s office ¿ beautiful, dark and enigmatic, but made strangely vulnerable by her damaged eyesight. All she would say was that she and her sister were being followed, but by whom and for what purpose she didn¿t know. She feared for their lives. Sam was only too happy to help this gorgeous client ¿ but when her sister turns up brutally murdered on a deserted hillside and he starts to feel a growing affection for Angeles, the case seems to be getting beyond even his world-weary experience. And soon he finds himself up against a serial killer whose dark fantasies will try to destroy Sam¿s attempt at a new life . . .
A passionate and powerful romance featuring a transgender man and an ex-Orthodox woman who find each other through their devotion to art, and fall in love despite all odds, from bestselling author Victoria Lee “A sensual love story about art and passion . . . emotional and heart-aching.”—Ashley Poston, New York Times bestselling author of The Dead Romantics Elisheva Cohen has just returned to New York after almost a decade away. The wounds of her past haven’t fully healed, but four years of sobriety and a scholarship to study photography with art legend Wyatt Cole are signs of good things to come, right? They could be, as long as Ely resists self-sabotage. She’s lucky enough to hit it off with a handsome himbo her first night out in the city. But the morning after their mind-blowing hookup, reality comes knocking. When Wyatt Cole walks into the classroom, Ely realizes the man she just spent the night with, the man whose name she couldn’t hear over the loud club music, is her teacher. Everyone in the art world is obsessed with Wyatt Cole. He’s immensely talented and his notoriously reclusive personal life makes him even more compelling. But behind closed doors, Wyatt’s past is a painful memory. After coming out as transgender, Wyatt was dishonorably discharged from the military and disowned by his family. Since these traumatic experiences, Wyatt has worked hard for his sobriety and his flourishing art career. He can’t risk it all for Ely, no matter how attracted to her he is or how bad he feels about insisting she drop his class in exchange for a strictly professional mentorship. Wyatt can help with her capstone photography project, but he cannot, under any circumstances, fall in love with her in the process. Through the lens of her camera, Ely must confront the reason she left New York in the first place: the Orthodox community that raised her, then shunned her because of her substance abuse. Along the way, Wyatt’s walls begin to break down, and each artist fights for what’s right in front of them—a person who sees them for all that they are and a love that could mean more than they ever imagined possible.
Every week, tens of thousands of children across America are injected with the DPT (diphtheria-pertussis-tetanus) vaccine. The law requires it, and most children will get four DPT shots before they are two years old. But what if one of the components of the vaccine was not safe? What if it caused not only pain, swelling, screaming, and high fever, but also shock, convulsions, brain damage, and even death? And, to make matters worse, what if there were a safer alternative but parents didn't know about it? Wouldn't the government require the drug manufacturers to produce the safer vaccine to protect the lives of the children who might otherwise suffer the shot's crippling side effects? The answer is, unfortunately, no. A Shot in the Dark is a chilling account of just how dangerous the whole-cell pertussis vaccine (the "P" part of the DPT shot) has proven to be. It provides accurate research into the history of the vaccine's development and usage. It exposes the roles played by the FDA and drug companies. It tells the tragic stories of the young victims of the vaccine. This book is also a guide for rightfully concerned parents who are looking for answers to important questions. What are the warning signs to look for to tell if your child is likely to be sensitive to the vaccine? What should parents ask their doctors about the vaccine and their child's medical profile? What is being done, here and in other countries, to combat this frightening situation? What can parents do now to help? A Shot in the Dark is a responsible, eye-opening look at a potential problem that every parent of every young child living in this country must face. Armed with the facts in this important book, parents will be able to make informed decisions about their real medical options. Book jacket.
Guardian Crime Book of the Month WINNER OF THE CRIMEFEST LAST LAUGH AWARD _______________ 'A giddy spell of sheer delight' Daily Mail 'Ingenious ' Sunday Times Crime Club Brighton, 1957. Inspector Steine rather enjoys his life as a policeman by the sea. No criminals, no crime, no stress. So it's really rather annoying when an ambitious new constable shows up to work and starts investigating a series of burglaries. And it's even more annoying when, after Constable Twitten is despatched to the theatre for the night, he sits next to a vicious theatre critic who is promptly shot dead part way through the opening night of a new play. It seems Brighton may be in need of a police force after all... A sparkling historical mystery set in sunny Sussex by the sea, perfect for fans of Richard Osman, Robert Thorogood and Elly Griffiths. _______________ 'Entertaining' Observer 'Will make you laugh out loud' Sunday Times 'Truss can work miracles' Telegraph
This book will show do-it-yourselfers how to create their own equipment and how best to use it. The first part of the book teaches about the basics--the fundamentals of light, color, exposure, and electricity--that are the building blocks of lighting. With that foundation, the book will introduce tips, techniques, and hands-on projects that instruct on how to create lighting tools from inexpensive, readily available resources. --from publisher description.
From Cleo Coyle, the New York Times bestselling author of Dead Cold Brew, comes a delicious new entry in the "fun and gripping" (The Huffington Post) Coffeehouse Mystery series. A smartphone dating game turns the Village Blend into a hookup hotspot--until a gunshot turns the landmark coffeehouse into a crime scene. As Village Blend manager Clare Cosi fixes a date for her wedding, her ex-husband is making dates through smartphone swipes. Clare has mixed feelings about these match-ups happening in her coffeehouse. Even her octogenarian employer is selecting suitors by screenshot! But business is booming, and Clare works hard to keep the espresso shots flowing. Then one night, another kind of shot leaves a dead body for her to find. The corpse is an entrepreneur who used dating apps with reckless abandon--breaking hearts along the way. The NYPD quickly arrests one of the heartbreaker's recent conquests. But the suspect's sister tearfully swears her sibling was framed. Clare not only finds reason to believe it, she fears the real killer will strike again. Now Clare is "swiping" through suspects in her own shop--with the help of her globetrotting ex-husband, a man who's spent his life hunting for coffee and women. Together they're determined to find justice before another shot rings out.
David Arnoff's photography sheds intimate new light on the music of the underground from the earliest days of punk to the present. Shot in black-and-white, his subjects display an instantly recognizable and effortless style and confidence. His subjects include such iconic bands and musicians as The Ramones, The Damned, The Buzzcocks, Nico, Patti Smith, The Stray Cats, Johnny Thunders, Blondie, The Dead Kennedys, Gang of Four, The Dead Boys, The Gun Club, Nick Cave, Devo, Slits, Siouxsie and the Banshees, the Specials, and many more. He has always sought out the bands and people whose music he felt an affinity for, and photographed many of them just as they were starting out. "Cleveland is where I come from, which is no joke, despite what the cheap comedians say. It's as gritty as the blackened roadside snow and as soulful as the music it generated. I started out the same year that local disc jockey Alan Freed went on-air to introduce the world to the music that he called rock 'n roll. He soon shook things up further by unleashing it live and in person at the Moondog Coronation Ball. That first teenage bash turned into a riot from the off and the cops shut it down after only one song was played. Rock 'n roll had arrived in fine style. Of course, I was way too young to witness that initial blast, but that music was on the car radio, in the city air, and in my DNA, as the fella says. I was there in spirit. And that's where my spirit remained, after I was dragged off as a kid to sunny California. I do not have a sunny disposition. L.A. and I did not take to each other. It was a bad situation. But eventually something came along to change things for the better. In 1976, The Pattie Smith Group came to town. Which is where this book begins."
Professional tips and tricks for capturing those stunning night-time shots that have so far eluded you.
"Much more than a page-turner. It’s the first essential work of cultural history of the new decade." —Charles Kaiser, The Guardian One of The Washington Post's 50 best nonfiction books of 2021 | A Publishers Weekly best book of 2021 The Pulitzer Prize–winning journalist and New York Times–bestselling author of the behind-the-scenes explorations of the classic American Westerns High Noon and The Searchers now reveals the history of the controversial 1969 Oscar-winning film that signaled a dramatic shift in American popular culture. Director John Schlesinger’s Darling was nominated for five Academy Awards, and introduced the world to the transcendently talented Julie Christie. Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie’s complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer. Given his recent travails, Schlesinger’s next project seemed doubly daring, bordering on foolish. James Leo Herlihy’s novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960’s New York, was dark and transgressive. Perhaps something about the book’s unsparing portrait of cultural alienation resonated with him. His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy’s novel itself. Glenn Frankel’s Shooting Midnight Cowboy tells the story of a modern classic that, by all accounts, should never have become one in the first place. The film’s boundary-pushing subject matter—homosexuality, prostitution, sexual assault—earned it an X rating when it first appeared in cinemas in 1969. For Midnight Cowboy, Schlesinger—who had never made a film in the United States—enlisted Jerome Hellman, a producer coming off his own recent flop and smarting from a failed marriage, and Waldo Salt, a formerly blacklisted screenwriter with a tortured past. The decision to shoot on location in New York, at a time when the city was approaching its gritty nadir, backfired when a sanitation strike filled Manhattan with garbage fires and fears of dysentery. Much more than a history of Schlesinger’s film, Shooting Midnight Cowboy is an arresting glimpse into the world from which it emerged: a troubled city that nurtured the talents and ambitions of the pioneering Polish cinematographer Adam Holender and legendary casting director Marion Dougherty, who discovered both Dustin Hoffman and Jon Voight and supported them for the roles of “Ratso” Rizzo and Joe Buck—leading to one of the most intensely moving joint performances ever to appear on screen. We follow Herlihy himself as he moves from the experimental confines of Black Mountain College to the theatres of Broadway, influenced by close relationships with Tennessee Williams and Anaïs Nin, and yet unable to find lasting literary success. By turns madcap and serious, and enriched by interviews with Hoffman, Voight, and others, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is not only the definitive account of the film that unleashed a new wave of innovation in American cinema, but also the story of a country—and an industry—beginning to break free from decades of cultural and sexual repression.