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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Shooting an Elephant, the fifth in the Orwell’s Essays series, tells the story of a police officer in Burma who is called upon to shoot an aggressive elephant. Thought to be loosely based on Orwell’s own experiences in Burma, the tightly written essay weaves together fact and fiction indistinguishably, and leaves the reader contemplating the heavy topic of colonialism, with the words ‘when the white man turns tyrant it is his own freedom that he destroys’ echoing from the page. 'A remarkable piece.' (Jeremy Paxman) 'A writer who can – and must – be rediscovered with every age.' (Irish Times)
Burmese Days is George Orwell's first novel, originally published in 1934. Set in British Burma during the waning days of the British empire, when Burma was ruled from Delhi as part of British India, the novel serves as a portrait of the dark side of the British Raj. At the center of the novel is John Flory, trapped within a bigger system that is undermining the better side of human nature. The novel deals with indigenous corruption and imperial bigotry in a society where natives peoples were viewed as interesting, but ultimately inferior. Includes a bibliography and brief bio of the author.
Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Vechta (Institut für Geistes- und Kulturwissenschaften), language: English, abstract: This paper deals with Orwell's text 'Shooting an Elephant'. I use the term text deliberately since my topic says "George Orwell: 'Shooting an Elephant' - Short Story or Essay on the Essence of Colonialism". The question of genre has been debated for decades and there have been several quarrels about allocating it to a certain genre. Most experts, however, call the text an essay but there are also those who insist on the text belonging to the group of the short stories. In my paper I will work out features of both genres and at the end of my study I will sum up the findings and draw a conclusion. First, I will give a short definition of the terms 'Short Story' and 'Essay'. This is to show the characteristics of the two genres that I will pick up again in the course of this paper. After a brief summary I will start the analysis of the text working out topics like parallels to Orwell's life, the meaning of the elephant or the construction of the text. In the final part I will sum up my results and draw a conclusion.
George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature. While 1984 and Animal Farm are amongst the most popular classic novels of all time, this new series of his essays seeks to bring his writing on politics and literature to a new readership. A Hanging, the ninth in the Orwell's Essays series, tells the story of the execution of an unnamed convict in Burma. With the veracity of the story unknown, but thought to be loosely based on Orwell's own experiences in Burma, the haunting tale leaves the reader contemplating the heavy topic of colonialism, and the right of one to take the life of another.
This early work by H. G. Wells was originally published in 1903 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Valley of the Spiders' is a short story about a group of men who encounter an unstoppable swarm of arachnids. Herbert George Wells was born in Bromley, England in 1866. He apprenticed as a draper before becoming a pupil-teacher at Midhurst Grammar School in West Sussex. Some years later, Wells won a scholarship to the School of Science in London, where he developed a strong interest in biology and evolution, founding and editing the Science Schools Journal. However, he left before graduating to return to teaching, and began to focus increasingly on writing. It was in 1895 that Wells seriously established himself as a writer, with the publication of the now iconic novel, The Time Machine. Wells followed The Time Machine with the equally well-received War of the Worlds (1898), which proved highly popular in the USA. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
In The Wanderings of an Elephant Hunter, legendary hunter W.D.M. Bell takes readers on a thrilling journey through the African wilderness. With vivid descriptions and captivating anecdotes, Bell shares his encounters with majestic elephants, dangerous predators, and the challenges of survival in the untamed landscape. This compelling narrative offers a glimpse into a bygone era of exploration and the complex relationship between humans and the natural world.
"Hitchens presents a George Orwell fit for the twenty-first century." --Boston Globe In this widely acclaimed biographical essay, the masterful polemicist Christopher Hitchens assesses the life, the achievements, and the myth of the great political writer and participant George Orwell. True to his contrarian style, Hitchens is both admiring and aggressive, sympathetic yet critical, taking true measure of his subject as hero and problem. Answering both the detractors and the false claimants, Hitchens tears down the façade of sainthood erected by the hagiographers and rebuts the critics point by point. He examines Orwell and his perspectives on fascism, empire, feminism, and Englishness, as well as his outlook on America, a country and culture toward which he exhibited much ambivalence. Whether thinking about empires or dictators, race or class, nationalism or popular culture, Orwell's moral outlook remains indispensable in a world that has undergone vast changes in the seven decades since his death. Combining the best of Hitchens' polemical punch and intellectual elegance in a tightly woven and subtle argument, this book addresses not only why Orwell matters today, but how he will continue to matter in a future, uncertain world.
“No one who loves elephants or how humans interact with wildlife should pass up Jacob Shell’s remarkable book.” —Dan Flores, author of Coyote America Giants of the Monsoon Forest journeys deep into the mountainous rainforests of Burma and India to explore the world of teak logging elephants and their intriguing alliance with humans. Jacob Shell’s narrative vividly depicts elephants’ extraordinary intelligence, and the complicated bond with individual human riders, a partnership that can last for decades. Giants of the Monsoon Forest reveals an unexpected relationship between evolution in the natural world and political struggles in the human one, while considering how Asia’s secret forest culture might offer a way to help protect the fragile spaces both elephants and humans need to survive.
“There’s a whole chapter on my son Beau… He was co-located [twice] near these burn pits.” –Joe Biden, former Vice President of the United States of America The Agent Orange of the 21st Century… Thousands of American soldiers are returning from the battlefields of Iraq and Afghanistan with severe wounds from chemical war. They are not the victims of ruthless enemy warfare, but of their own military commanders. These soldiers, afflicted with rare cancers and respiratory diseases, were sickened from the smoke and ash swirling out of the “burn pits” where military contractors incinerated mountains of trash, including old stockpiles of mustard and sarin gas, medical waste, and other toxic material. This shocking work, now for the first time in paperback, includes: Illustration of the devastation in one soldier’s intimate story A plea for help Connection between the burn pits and Major Biden’s unfortunate suffering and death The burn pits’ effects on native citizens of Iraq: mothers, fathers, and children Denial from the Department of Defense and others Warning signs that were ignored and much more Based on thousands of government documents, over five hundred in-depth medical case studies, and interviews with more than one thousand veterans and active-duty GIs, The Burn Pits will shock the nation. The book is more than an explosive work of investigative journalism—it is the deeply moving chronicle of the many young men and women who signed up to serve their country in the wake of 9/11, only to return home permanently damaged, the victims of their own armed forces’ criminal negligence.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Fearing that England was about to be wiped from the face of the earth by the Nazi bombers flying overhead, Orwell put pen to paper and set out to make a record of English culture. England Your England, the sixth in the Orwell’s Essays series, is this record, and is an important tableau of the nation’s history, and demonstrates a resolute refusal to bow to the threatening forces of Fascism. 'It just keeps being horribly relevant.' (David Olusoga, The Guardian) 'A writer who can – and must – be rediscovered with every age.' (Irish Times)