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This controversial book is the first-ever exploration of music censorship on a worldside level
"An updated portrait of the business mogul and presidential candidate, written by his ... chronicler and the author of Funny Money, traces Trump's rise as [a] ... tribune of populist rage"--NoveList.
When you’ve lost everything you love, how do you fight the darkness? Ava left Istanbul with a new identity, new name, and new magic she could barely control. Laid low by Malachi's sacrifice, she searches for help from the fabled Irina. But will the secretive women of the Irin race welcome or shun her? Ava's origins are still a mystery, and her powers are darker than any they've encountered before. The Irin world hangs in the balance. And as the children of angels battle their own demons, ancient rivalries among the Fallen threaten to wreak havoc on earth. And thousands of miles away, a warrior wakes with no memory of his identity or his people. Stumbling through the twisted schemes of fallen angels, he must find a way back to the one thing he remembers. A single voice calls him: “Come back to me." The Singer is the second book in the Irin Chronicles, a contemporary fantasy series by Elizabeth Hunter, eleven-time USA Today bestselling author of the Elemental Legacy.
Thomas B. Dewey wrote four novels featuring Singer Batts, bibliophile and hotel owner. Singer prefers the company of his books and an occasional foray into the Lonely Hearts Club world. But he keeps getting embroiled in murders! The Boston Herald called the first book "well paced and lively," and The Saturday Review called it, "lively, lurid, and outspoken." Author Dorothy Hughes said: "It's murder and mayhem and hold onto your hats. Amusing and amazing." And they’re a lot of fun. Here are: HUE AND CRY AS GOOD AS DEAD MOURNING AFTER HANDLE WITH FEAR If you enjoy this MEGAPACKTM, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 240+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!
A tale inspired by the 1976 attempted assassination of Bob Marley spans decades and continents to explore the experiences of journalists, drug dealers, killers, and ghosts against a backdrop of social and political turmoil.
In his first book, the Pulitzer Prize-winning novel "Laughing Boy," La Farge presented a superb lyrical story of Navajo Indian life. He later returned to the Navajo scene with "The Enemy Gods," a richer, deeper book than he had written before, and its theme, both an absorbing story and a living social document, is nearer to his heart.
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This was when the last volume, the History of Min gwas reworked and a complete set of the histories produced. The Twenty Four Histories include: •Early Four Historiographies (前四史) •Records of the Grand Historian (史記, Shǐ Jì), compiled by Sima Qian 司馬遷 in 91 BC •Book of Han (漢書, Hàn Shū), compiled by Ban Gu 班固 in 82 •Records of the Three Kingdoms (三國志, Sānguó Zhì), compiled by Chen Shou 陳壽 in 289 •Book of Later Han (後漢書, Hòuhàn Shū), compiled by Fan Ye 范曄 in 445[2] •Book of Song (simplified Chinese: 宋书; traditional Chinese: 宋書; pinyin: Sòng Shū)—Southern Dynasties, compiled by Shen Yue 沈約 in 488 •Book of Qi (simplified Chinese: 齐书; traditional Chinese: 齊書; pinyin: Qí Shū)—Southern Dynasties, compiled by Xiao Zixian 蕭子顯 in 537 •Book of Wei (simplified Chinese: 魏书; traditional Chinese: 魏書; pinyin: Wèi Shū)—Northern Dynasties, compiled by Wei Shou 魏收 in 554 •Eight Historiographies complied in Tang Dynasty (唐初八史) •Book of Liang (梁書, Liáng Shū)—Southern Dynasties, compiled by Yao Silian 姚思廉 in 636 •Book of Chen (陳書, Chén Shū)—Southern Dynasties, compiled by Yao Silian in 636 •Book of Northern Qi (北齊書, Běi Qí Shū)—Northern Dynasties, compiled by Li Baiyao 李百藥 in 636 •Book of Zhou (周書, Zhōu Shū)—Northern Dynasties, compiled under Linghu Defen 令狐德棻 in 636 •Book of Sui (隋書, Suí Shū), compiled under Wei Zheng 魏徵 in 636 •Book of Jin (晉書, Jìn Shū), compiled under Fang Xuanling 房玄齡 in 648 •History of the Southern Dynasties (南史, Nán Shǐ), compiled by Li Yanshou 李延壽 in 659 •History of the Northern Dynasties (北史, Běi Shǐ), compiled by Li Yanshou in 659 •Old Book of Tang (唐書, Táng Shū), compiled under Liu Xu 劉昫 in 945 •Old History of the Five Dynasties (五代史, Wǔdài Shǐ), compiled under Xue Juzheng 薛居正 in 974 •New History of the Five Dynasties (新五代史, Xīn Wǔdài Shǐ), compiled under Ouyang Xiu 歐陽脩 in 1053 •New Book of Tang (新唐書, Xīn Táng Shū), compiled under Ouyang Xiu in 1060 •Three Historiographies compiled in Yuan Dynasty (元末三史) •History of Liao (遼史, Liáo Shǐ), compiled under Toqto'a 脫脫 in 1343[3] •History of Jin (金史, Jīn Shǐ), compiled under Toqto'a in 1345 •History of Song (宋史, Sòng Shǐ), compiled under Toqto'a in 1345 •History of Yuan (元史, Yuán Shǐ), compiled under Song Lian 宋濂 in 1370 •History of Ming (明史, Míng Shǐ), compiled under Zhang Tingyu 張廷玉 in 1739 The book is translation of full text of China 24 Histories, covering all contents aforementioned.
In Africa, tension between freedom of expression and censorship in many contexts remains as contentious, if not more so, than during the period of colonial rule which permeated the twentieth century. Over the last one hundred years popular musicians have not been free to sing about whatever they wish to, and in many countries they are still not free to do so. This volume brings together the latest research on censorship in colonial and post-colonial Africa, focusing on the attempts to censor musicians and the strategies of resistance devised by musicians in their struggles to be heard. For Africa, the twentieth century was characterized first and foremost by struggles for independence, as colonizer and colonized struggled for territorial control. Throughout this period culture was an important contested terrain in hegemonic and counter-hegemonic struggles and many musicians who aligned themselves with independence movements viewed music as an important cultural weapon. Musical messages were often political, opposing the injustices of colonial rule. Colonial governments reacted to counter-hegemonic songs through repression, banning songs from distribution and/or broadcast, while often targeting the musicians with acts of intimidation in an attempt to silence them. In the post-independence era a disturbing trend has occurred, in which African governments have regularly continued to practise censorship of musicians. However, not all attempts to silence musicians have emanated from government, nor has all contested music been strictly political. Religious and moral rationale has also featured prominently in censorship struggles. Both Christian and Muslim fundamentalism has led to extreme attempts to silence musicians. In response, musicians have often sought ways of getting their music and message heard, despite censorship and harassment. The book includes a special section on case studies that highlight issues of nationality.
Advice, inspiration, and insight for taking remarkable concert photos Concert photography poses a unique set of challenges to photographers, including night or low-light, inconsistent stage lighting, a moving subject matter, limitations on vantage point, complex exposure situations, and no chance for re-takes. Compounded with those hurdles is a lack of resources on this subject?until now. All Access: Your Backstage Pass to Concert Photography fills this gap and provides you with all the information you need to know, from choosing the right gear and camera settings to negotiating rights to publish or share photos as well as how to best edit your photos in post-production. Reveals essential techniques and valuable best practices for dealing with the unique challenges of concert photography Features more than 200 stunning concert photographs to inspire you and illustrate the tips and techniques the author describes Written by experienced author and well-known concert photographer Alan Hess All Access: Your Backstage Pass to Concert Photography is an ideal resource if you are determined to learn the skills necessary to capture clear, well-composed, and professional-level concert photos.
Directing and Producing for Television provides you with the tools you'll need to direct and produce effectively in a variety of settings. Based on his years of experience in the industry and teaching the subject, Cury illustrates fundamental principles with engaging anecdotes that teach by example. Ideal for students in television production courses as well as industry professionals, Directing and Producing for Television addresses critical production techniques for various formats including panel programs, demonstration, scripted, music, commercials, PSAs, news, documentaries, remote broadcasting, and sports. Each chapter concludes with a valuable review section summarizing key points. Written with both the director and producer in mind, but particularly relevant for the television director, Directing and Producing for Television gives a comprehensive overview of the facility (studio, control room, and/or support areas) and provides who's who information covering the various jobs and personnel involved in television programs.