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Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966. Ormandy and Brusilow had a father-son relationship, but Brusilow could not resist conducting, to Ormandy's great displeasure. By the time he was forty, Brusilow had sold his violin and formed his own chamber orchestra in Philadelphia with more than a hundred performances per year. For three years he was conductor of the Dallas Symphony, until he went on to shape the orchestral programs at Southern Methodist University and the University of North Texas. Brusilow played with or conducted many top-tier classical musicians, and he has opinions about each and every one. He also made many recordings. Co-written with Robin Underdahl, his memoir is a fascinating and unique view of American classical music during an important era, as well as an inspiring story of a working-class immigrant child making good in a tough arena.
In the explosive international thriller The Kill Option, the feuding McQueen brothers must band together to prevent the apocalypse of World War III. One brother, Nick, is a journalist who seeks the truth. The other, Barry, is a CIA hit man who leads a double life. The two brothers must come to terms long enough to thwart a Basque hit man who has been hired in Paris to trigger the war to end all wars. The brothers discover that the assassin is merely a pawn in a ruthless power grab by a supranational cabal that wants a certain world leader killed at a summit in Pike National Forest in Colorado and has both brothers in its crosshairs as well.
Foreword Reviews 2015 INDIEFAB Book of the Year Award Winner in Performing Arts & Music Anshel Brusilow started playing violin in 1933 at age five, in a Russian Jewish neighborhood of Philadelphia where practicing your instrument was as ordinary as hanging out the laundry. His playing wasn't ordinary, though. At sixteen, he was soloing with the Philadelphia Orchestra. He was also studying conducting. Brusilow's tumultuous relationships with Pierre Monteux, George Szell, and Eugene Ormandy shaped his early career. Under Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966. But he was unsatisfied with the violin. Even as concertmaster of the Philadelphia Orchestra, he felt the violin didn't give him enough of the music. He wanted to conduct. He formed chamber groups on the side; he conducted summer concerts of the Philadelphia Orchestra. The price was high: it ruined his father-son relationship with Ormandy. Brusilow turned in his violin bow for the baton and created his own Philadelphia Chamber Symphony. Next he took on the then-troubled Dallas Symphony Orchestra. Unhappy endings repeat themselves in his memoir--and yet humor dances constantly around the edges. Musicians need it. Brusilow played with or conducted many top-tier classical musicians and has something to say about each one. He also made many recordings. Co-written with Robin Underdahl, his memoir is a fascinating view of American classical music as well as an inspiring story of a working-class immigrant child making good in a tough arena.
Cases argued and determined in the Supreme Court of North Carolina.
Southern Populist leader Thomas E. Watson was a figure alternately eminent and notorious. Born before the Civil War, he lived through the turn of the century and past the close of the First World War, pursuing his career in an era as changing and paradoxical as himself. In the nineteenth century, Watson championed the rising Populist movement, an interracial alliance of agricultural interests, against the irresistible forces of industrial capitalism. The movement was broken under the wheels of the industrial political machine, but survived into the twentieth century in various “fantastic shapes...to be understood mainly by the psychology of frustration.” Political frustration transformed Watson as well, from liberal to racial bigot and from popular spokesman to mob leader. In this biography, through careful study of public and private writings, and through objective and tolerant exposition, Mr. Woodward has attempted to solve the enigma of this man who did much to alter his times and who was, in turn, altered by them. “Mr. Woodward’s biography of Watson is a model of its kind. It has all the obvious qualities of scholarship, thoroughness and impartiality. It has, in addition, a sympathetic understanding of broad social movements, a mature appreciation of character, an original interpretation of economic facts and factors, an incisive criticism of political techniques, and a literary style that is always vigorous and sometimes brilliant.”—H. S. Commager, New York Herald Tribune Books “Mr. Woodward’s biography of Watson constitutes the best one-volume history that has appeared of that first crop of social ideals, politically garnered in Populism...Mr. Woodward’s biography is also valuable in that it is something more than the story of Populism. It is a striking portrait of a man.”—W. A. White, Saturday Review of Literature Includes the Author’s Preface to the 1955 Reissue.
"Comprising all the decisions of the Supreme Courts of California, Kansas, Oregon, Washington, Colorado, Montana, Arizona, Nevada, Idaho, Wyoming, Utah, New Mexico, Oklahoma, District Courts of Appeal and Appellate Department of the Superior Court of California and Criminal Court of Appeals of Oklahoma." (varies)