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From Canada's newspaper of record for 180 years, here are thirty-one brilliant and provocative essays by a diverse selection of their writers on how The Globe and Mail covered and influenced major events and issues from the paper’s founding to the latest file. Since 1844, the Globe and Mail and its predecessor, George Brown’s Globe, have chronicled Canada: as a colony, a dominion, and a nation. To mark the paper’s 180th anniversary, Globe writers explored thirty issues and events in which the national newspaper has influenced the course of the country: Confederation, settler migrations, regional tensions, tussles over language, religion, and race. The essays reveal a tapestry of progress, conflict, and still-incomplete reconciliation: Catholic-Protestant hostilities that are now mostly the stuff of memory; the betrayal of Indigenous peoples with which we still grapple; the frustrations and triumphs of women journalists; pandemics old and new; environmental challenges; the joys of covering sports and the arts; chronicling the nation’s business, international coverage, the impossibility of Canada and of this newspaper, which both somehow flourish nonetheless. Riveting, insightful, disturbing, witty, and always a joy to read, A Nation’s Paper chronicles a country and a newspaper that have grown and struggled together – essential reading for anyone who wants to understand where we came from and where we are going. The Globe and Mail will donate all its proceeds from the book to Journalists for Human Rights.
A collection of over seventy gripping personal accounts of past and present Canadian experiences and events that can be regarded as supernatural or paranormal.
This sampling of the work of J.M.S. Careless in the area of Canadian historical studies was selected by the eminent scholar himself, and represents much of his finest work. The collection spans the years from 1940 to 1990 in the long and distinguished career of one of Canada’s best-known historians. In Careless’s own words, History is dated. Its very claim is that the past does not fade into nothing but continues to matter, whether or not the purely present-minded are able to recognize that basic fact. These essays cover the main lines of Careless’s career in Canadian scholarship. The collection is divided into four general subject areas each covering a main preoccupation in a distinguished career of over forty years. The first section concentrates on the earliest theme in his writing, George Brown and his times. The second centres on exploring various aspects of frontierism and metropolitanism in Canadian history. The third part deals with cities and regions focusing particularly on the West and nineteenth century Ontario. The final section picks up the threads of other themes including limited identities Canada and multiculturalism.
A renowned author investigates the dark and shocking history of her prairie house. When researching the first occupant of her Saskatoon home, Candace Savage discovers a family more fascinating and heartbreaking than she expected Napoléon Sureau dit Blondin built the house in the 1920s, an era when French-speakers like him were deemed “undesirable” by the political and social elite, who sought to populate the Canadian prairies with WASPs only. In an atmosphere poisoned first by the Orange Order and then by the Ku Klux Klan, Napoléon and his young family adopted anglicized names and did their best to disguise their “foreignness.” In Strangers in the House, Savage scours public records and historical accounts and interviews several of Napoléon’s descendants, including his youngest son, to reveal a family story marked by challenge and resilience. In the process, she examines a troubling episode in Canadian history, one with surprising relevance today. Published in Partnership with the David Suzuki Institute
In ten original studies, former students and colleagues of Maurice Careless, one of Canada's most distinguished historians, explore both traditional and hitherto neglected topics in the development of nineteenth-century Ontario. Their papers incorporate the three themes that characterize their mentor's scholarly efforts: metropolitan-hinterland relations; urban development; and the impact of 'limited identities' — gender, class, ethnicity and regionalism — that shaped the lives of Old Ontarians. Traditional topics — colonial-imperial tension and the growth of Canadian autonomy in the Union period, the making of a 'compact' in early York, politics in pre-Rebellion Toronto, and the social vision of the late Upper Canadian elites — are re-examined with fresh sensitivity and new sources. Maters about which little has been written — urban perspectives on rural and Northern Ontario, Protestant revivals, an Ontario style in church architecture, the late-nineteenth-century ready-made clothing industry, Native-Newcomer conflict to the 1860s, and the separate and unequal experiences of women and men student teachers at the Provincial Normal school — receive equally insightful treatment. An appreciative biography of Careless, an analysis of the relativism underpinning his approach to national and Ontario history, and a listing of Careless's publications, complete this stimulating collection.
The Handbook of Native American Literature is a unique, comprehensive, and authoritative guide to the oral and written literatures of Native Americans. It lays the perfect foundation for understanding the works of Native American writers. Divided into three major sections, Native American Oral Literatures, The Historical Emergence of Native American Writing, and A Native American Renaissance: 1967 to the Present, it includes 22 lengthy essays, written by scholars of the Association for the Study of American Indian Literatures. The book features reports on the oral traditions of various tribes and topics such as the relation of the Bible, dreams, oratory, humor, autobiography, and federal land policies to Native American literature. Eight additional essays cover teaching Native American literature, new fiction, new theater, and other important topics, and there are bio-critical essays on more than 40 writers ranging from William Apes (who in the early 19th century denounced white society's treatment of his people) to contemporary poet Ray Young Bear. Packed with information that was once scattered and scarce, the Handbook of NativeAmerican Literature -a valuable one-volume resource-is sure to appeal to everyone interested in Native American history, culture, and literature. Previously published in cloth as The Dictionary of Native American Literature
This book brings together some 500 accounts of strange events and eerie experiences in the province.
Volume 8 in ECW's bibliography of Canada's major authors.