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Shiva: Destroyer and Protector, Supreme Ascetic and Lord of the Universe. He is Ardhanarishwara, half-man and half-woman; he is Neelakantha, who drank poison to save the three worlds-and yet, when crazed with grief at the death of Sati, set about destroying them. Shiva holds within him the answers to some of the greatest dilemmas that have perplexed mankind. Who is Shiva? Why does he roam the world as a naked ascetic covered with ash? What was the tandava? What is the story behind the worship of the linga and what vision of the world does it signify? Namita Gokhale examines these questions and many others that lie within the myriad of stories about Shiva. Even as she unravels his complexities, she finds a philosophy and worldview that is terrifying and yet life affirming-an outlook that is to many the essence of Indian thought.
Lord Shiva is the personification of all the main practices of Yoga, as the origin and ruling power over asana, prana, mantra, inner seeing and meditation. The current book unfolds the presence, light, energy and consciousness of the Supreme Shiva to take us beyond all death and duality.
This 1,008-page sourcebook answers many questions to quench the soul's thirst for God and Self-knowledge. Every spiritually-inclined human being will be enriched by the path revealed in this extraordinary book. India's tolerant and diverse vision of the Divine is all here: meditative, devotional, philosophical, scriptural and yogic. In question-and-answer style, Dancing with Siva guides the aspirant deep into the Hindu heart. Lavishly illustrated with 165 black and white reproductions of paintings from India. Resources include a Hindu timeline, comparisons of 12 world religions, a children's primer and more.
A powerful demon threatens the gods in their heaven. They need a saviour, who, Lord Brahma decrees, will be the son born to Shiva and Parvati. But Shiva – a badly-dressed, untidy, solitary ascetic – seems to enjoy bachelorhood. Even Parvati’s unmatched beauty aided by Kama, the god of love, seems unequal to the task of enchanting the stern lord. This illustrated classic is based on Kumara Sambhava of Kalidasa.
Originally published in comic book form.
The traditional understanding of Shiva told through stories and teachings from the Shiva Mahapurana • Explains Shiva’s contradictory forms, such as destroyer or benefactor, and how his form depends on the needs of the devotee • Reveals how Shiva’s teachings allow one to see through the illusions at the root of all grief and alienation in human life • Explores Shiva’s relationships with Durga, Shakti, Sati, and Parvati and with his sons Ganesha and Kartikeya Shiva, the most ancient and complex deity of the Hindu pantheon, has been portrayed in many contrasting lights: destroyer and benefactor, ascetic and householder, wild demon slayer and calm yogi atop Mount Kailash. Drawing from the Hindu sacred text the Shiva Mahapurana--said to be written by Shiva himself--Vanamali selects the essential stories of Shiva, both those from his dark wild side and those from his benevolent peaceful side. Vanamali discusses Shiva’s many avatars such as Shambunatha and Bhola, as well as Dakshinamurti who taught the shastras and tantras to the rishis. She explores Shiva’s relationships with Durga, Shakti, Sati, and Parvati and with his sons Ganesha and Kartikeya. Examining Shiva’s acceptance of outsiders, Vanamali explains why ghosts and ghouls are his attendants and why his greatest devotees are demon kings, like Ravana. She includes famous Shiva stories such as the Descent of the River Ganga and Churning the Milky Ocean as well as those that reveal the origin of the festival of lights, Diwali; his creation of the cosmic couple, or hierogamos; and how Shiva and Parvati taught the world the secrets of Kundalini Shakti. The author also draws upon Shaivite teachings to illustrate the differences between Western science and Vedic science and their explanations for the origins of consciousness. Integrating Shiva’s two sides, the fierce and the peaceful, Vanamali reveals that Shiva’s form depends on the needs of the devotee. Understanding his teachings allows one to see through the illusions at the root of all grief and alienation in human life, for Shiva is the wielder of maya who does not fall under its spell. While Ganesha is known as the remover of obstacles, Shiva is the remover of tears.
Governor General's Award-winning visual artist John Scott is perhaps best known for his Trans Am of the Apocalypse, a car with the entire Book of Revelation scratched onto it, which is on display at the National Gallery of Canada. As Ann MacDonald discovered when she began working with him, Scott's personal life is no less compelling. So she sat down with Scott, a tape recorder and a stack of napkins for him to draw on - Shiva's Really Scary Gifts is the result. From catching a baseball bat in the teeth to harbouring the FBI's most-wanted fugitive in his Queen Street studio, John Scott has, it seems, done it all. Join him as he, in words and drawings, terrifies a pair of robbers, loses a parent, and struggles to get a gun permit for an art installation - John Scott's intriguing stories and the hundred accompanying drawings will help you get to know the man behind the Am. Shiva's Really Scary Gifts is a self-portrait of the artist as a delusional, diseased and debauched young man, a book as hilarious as it is touching.
India, 1955. As the scars of Partition are beginning to heal, seventeen-year-old Meera sits enraptured: in the spotlight is Dev, singing a song so infused with passion that it arouses in her the first flush of erotic longing. But when Meera's reverie comes true, it does not lead to the fairy-tale marriage she imagined. Meera has no choice but to obey her in-laws, tolerate Dev's drunken night-time fumblings, even observe the most arduous of Hindu fasts for his longevity. A move to Bombay seems at first like a fresh start, but soon that dream turns to ashes. It is only when their son is born that things change and Meera is ready to unleash the passion she has suppressed for so long.
Chanting the names of Gods and Goddesses invokes a religious fervour in people, and helps them focus on the Almighty. This series has a listing of a thousand names of Gods and Goddesses, whose names and forms are endless and each of which is significant to the devotee.
The 'Brihakatha', or Lord Shiva's narrative to his wife Parvati, is featured in Gunadhya's epic composition 'Katha Sarita Sagara' in Sanskrit. Somadeva's adaptation retains the storyline, with Lord Shiva substituting for Lord Kubera, the God of Wealth. C H Tawney, blending pure Hindu mythology with Buddhist and tantric beliefs, translated the story into English as The Ocean of a Story, which runs 12 volumes and includes footnotes. Shiva's Own Story is a condensed version of Tawney's work. The setting of the stories is India in the 10th and 11th centuries, when the country was composed of many small kingdoms and fiefdoms. There was no dearth of monarchs with dynastic ambitions. The king was usually advised by an intelligent and devoted Brahman minister. The heir apparent, the crown prince, had a circle of friends, mostly sons of the king's ministers, who became part of the cabinet when the prince became king. Intrigue was rife and matrimonial alliances were often a strategy to expand the kingdom. In a country where illiteracy is still formidable, storytelling is a means of promoting and propagating religious and moral culture.