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“No use living if you can’t be happy,” says the main character, Doris. Her words are prophetic. In the meantime, free-spirited Doris works hard at having fun and brings the author, her teenage babysitter, Tina, along for the ride. Doris is not the kind of woman Tina’s protective father and grandfather, a preacher with an eye for the ladies, approve of. That is, she is not a sweet little demure housewife. When her father-in-law complains that she is not acting like a lady, Doris counters, “To hell with ladies!” The author takes the reader on an initial joyful and unconventional journey and along divergent paths of family relationships, Jim Crowism, tragedy, loss, and love. The author says this book is payment for the debt she owes to Doris for her caring sisterhood when she was a young girl suffering a great loss and for the good times.
Saleem, fed up with all the violence, religiosity, and strict family hierarchies of his Iraqi village, flees to Spain to establish a new life for himself. But his lonely exile is turned upside down when he encounters his father, Noah, in a Madrid nightclub after not seeing him in more than a decade. Noah looks and acts like a new man, and Saleem sets out to discover the mystery of his father's presence in Spain and his altered life. In doing so, he recalls formative moments in Iraq of familial love, war, and the haunting accidental death of his cousin Aliya, Saleem's partner in the hesitant, tender exploration of sexuality. When the renewed relationship with his father erupts in a violent conflict, Saleem is forced to rediscover his sense of self and the hard-won stability of his life. Through Saleem's experiences and reflections, the fast-paced narrative carries the reader between Spain and Iraq to a surprising resolution.
"Your life isn't over." My dad says this. "I mean, YOUR life isn't over. Beyond the kids. You'll go on living, doing things. This isn't it." I know, I assure him. I have the kids. They need me. They're my life now. "OK," he replies, then grunts—more of a brief hum. He only hums when he thinks I'm full of shit. Shockingly single. Amy Biancolli's life went off script more dramatically than most after her husband of twenty years jumped off the roof of a parking garage. Left with three children, a three-story house, and a pile of knotty psychological complications, Amy realizes the flooding dishwasher, dead car battery, rapidly growing lawn, basement sump pump, and broken doorknob aren't going to fix themselves. She also realizes that "figuring shit out" means accepting the horrors that came her way, rolling with them, slogging through them, helping others through theirs, and working her way through life with love and laughter. Amy Biancolli is an author and journalist whose column appears in the Albany Times Union. Before that, Amy served as film critic for the Houston Chronicle where her reviews, published around the country, won her the 2007 Comment and Criticism Award from the Texas Associated Press Managing Editors Association. Biancolli is the author of House of Holy Fools: A Family Portrait in Six Cracked Parts, which earned her Albany Author of the Year. Amy lives in Albany, New York, with her three children.
Two-Fingers and the White Guy Who said the only safe place to live is on an Indian reservation? A novel by Steve C Schneider, JD
Government dependency is evil in principle and in its effect; it saps character and strength by encouraging weakness. On the Rez, we finally recognized this reality and developed programs where all of our people worked and took pride in working. We took responsibility for our actions and we did not fall into the trap of blaming 150 years of failed Federal Indian Policy for our plight. 150 years ago, Native American Indians had our land stolen, we were massacred, treaties were broken, we were made slaves and then put on reservations where we were left to die. But the worst thing the Government did to us was to make us dependent on them. It took us years to finally wake up and shake free of the chains of dependency but we made it happen. How long before the rest of you do the same?
"Something about him made me want to touch him." Matthew Evans works the overnight shift at his university's nearby museum. He's never been great with people, so he finds solace in the company of the sculptures and statues present there. They don't speak, they don't react, but Matthew has never wanted any of that. He was happy enough just to be able to touch them as he pleased. His nightly ritual with his beloved sculptures goes wholly unnoticed by everyone until the night Gabriel appears. Now faced with a living, breathing person who knows about his secret, Matthew is no longer sure where he stands in society. However, Gabriel makes it clear he has no intention of divulging Matthew's secrets, and in reality, he would like to make a few more with him in exchange for a night out of the cold. Matthew soon learns there is a big difference between a sculpture of a person and the real thing, warm under his fingertips. For the first time in his life, Matthew wants nothing more than the company of another person. He wants Gabriel.
When wickedness is confronted by righteousness, it is often difficult to tell them apart. Seventeenth century Europe has been ravaged by war for almost thirty years. The people are broken, starving, and riven by disease. Out of the devastation and their desperation for somewhere to lay the blame comes the terror of the witch persecutions. Udo Beck is a soldier who has survived a battle that he vows will be his last. Learning of the fortunes being made by witch confessors, he decides where his future lies - a decision that will change his very humanity and the lives of those around him. In the German state of Saxony, an outbreak of a horrific contagion is blamed on witchcraft, and the zealotry of an ambitious Bishop brings terror throughout the state. Disparate and memorable characters are brought together on the forested slopes of the Harz mountains where each must confront their own iniquities as their lives are seized by events and forces beyond their control. From England, from the frozen shores of the Baltic, and from the blue limpid waters of the Caribbean, The Worms in Fools’ Fingers is an historical adventure - a tale of ambition, greed, and betrayal that destroys lives and families, and renders formerly unbreakable friendships asunder.
This book is about the business of being in the restaurant businesses. Most restaurants fail within the first three year. During tough times, many will not reach the first year. Nearly all the reasons they fail are down to a few areas that the owner neglects to find out about. If you want to get into the restaurant business and learn the key skills to keep you there, read on . . .
First published in 1963 and representing Burroughs's literary breakthrough in the UK, Dead Fingers Talk is, in the words of Burroughs scholar Oliver Harris, "e;a prophetic work of haunting power,"e; a unique experiment in writing that has for too long been overlooked. Combining new material with rearranged selections from Naked Lunch and his cut-up novels The Soft Machine and The Ticket That Exploded, the book is a fascinating precursor to remix and mash-up forms in art and music, which owe much to Burroughs's influence.This newly restored edition of Dead Fingers Talk, based on the novel's archival manuscripts, will delight all Burroughs fans and lovers of experimental literature, and offer a new insight into the artistic process of one of the most original and influential writers of the twentieth century