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Setting aside vitriolic debates and worn postures, Rereading Israel refreshes current conversations about Israel, opening Jewish sources to interpret Israel in critical, innovative, and inspiring ways. The book presents readers with an opportunity to engage ethically, intellectually, and emotionally, challenging them to apply the resources at their disposal to grapple honestly and creatively with land and people, history, text, and spirit. This consideration invites those who read into a deep exploration of their roles and their relationships to the destiny of a profoundly human and unfinished sacred project.
Popular and multimodal forms of cultural products are becoming increasingly visible within translation studies research. Interest in translation and music, however, has so far been relatively limited, mainly because translation of musical material has been considered somewhat outside the limits of translation studies, as traditionally conceived. Difficulties associated with issues such as the 'musicality' of lyrics, the fuzzy boundaries between translation, adaptation and rewriting, and the pervasiveness of covert or unacknowledged translations of musical elements in a variety of settings have generally limited the research in this area to overt and canonized translations such as those done for the opera. Yet the intersection of translation and music can be a fascinating field to explore, and one which can enrich our understanding of what translation is and how it relates to other forms of expression. This special issue is an attempt to open up the field of translation and music to a wider audience within translation studies, and to an extent, within musicology and cultural studies. The volume includes contributions from a wide range of musical genres and languages: from those that investigate translation and code-switching in North African rap and rai, and the intertextual and intersemiotic translations revolving around Mahler's lieder in Chinese, to the appropriation and after-life of Kurdish folk songs in Turkish, and the emergence of rock'n roll in Russian. Other papers examine the reception of Anglo-American stage musicals and musical films in Italy and Spain, the concept of 'singability' with examples from Scandinavian languages, and the French dubbing of musical episodes of TV series. The volume also offers an annotated bibliography on opera translation and a general bibliography on translation and music.
Keith Christopher has done a beautiful job of creating a fantastic arrangement of this dramatic fight theme from the John Williams' score for Star Wars Episode I: The Phantom Menace. The vocal lines within this orchestrated score act as additional layers of sound for the overall effect of this piece. This work requires vocal maturity and strength, but is certainly a fabulous program addition.