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The fourteenth-century Persian city of Shiraz was home to Shams al-Din Mohammad Hafez Shirazi, a classical poet who remains broadly popular today in modern Iran and among all lovers of great verse traditions. As John Limbert notes, Hafez’s poetry is inseparable from the Iranian spirit -a reflection of Iranians’ intellectual and emotional responses to events.
In the fourteenth-century Persian city of Shiraz, poets composed, scholars studied, mystics sought hidden truths, ascetics prayed and fasted, drunkards brawled, and princes and their courtiers played deadly games of power. This was the world of Shams al-Din Mohammad Hafez Shirazi, a classical poet who remains broadly popular today in his native Shiraz and in modern Iran as a whole, and among all lovers of great verse traditions. As John Limbert notes, Hafez's poetry is inseparable from the Iranian spirit--a reflection of Iranians’ intellectual and emotional responses to events. But if Hafez’s endurance derives from the considerable charm of his work, it also arises from his sure grounding in the life of his day, from a setting so deftly explored by his verse that his depictions of it retain a timeless relevance. To fully comprehend and enjoy Hafez, and thus to understand a root force in modern Iranian consciousness, we must know something of the city in which he lived and wrote. In this book, Limbert provides not only a rich context for Hafez’s poetry but also a comprehensive perspective on a fascinating place in a dynamic time. His portrait of this elegant, witty poet and his marvelous city will be as valuable to medievalists, students of the Middle East, and specialists in urban studies as it will be to connoisseurs of world literature.
Shams al-Din Mohammad Hafez is in love. He is in love with a girl, with a city, and with Persian poetry. Despite his enmity with the new and dangerous city leader, the jealousy of his fellow court poets, and the competition for his beloved, Iran’s favorite poet remains unbothered. When his wit and charm are not enough to keep him safe in Shiraz, his friends conspire to keep him out of trouble. But their schemes are unsuccessful. Nothing will chase Hafez from this city of wine and roses. In Pezeshkzad’s fictional account, Hafez’s life in fourteenth-century Shiraz is a mix of peril and humor. Set in a city that is at once beautiful and cutthroat, the novel includes a cast of historical figures to illuminate this elusive poet of the Persian literary tradition. Shabani-Jadidi and Higgins’s translation brings the beloved poetry of Hafez alive for an English audience and reacquaints readers with the comic wit and original storytelling of Pezeshkzad.
~FAL NAMA~Divination Book of Hafez of ShirazTranslation, Introduction, Interpretations Paul SmithHafez's Divan of poems has been used as an Oracle successfully by millions of people from all walks of life for the past 600 years. The practice of interpreting his insightful poems ('fal') has been a long tradition worldwide. Here are four hundred ghazals with insightful, clear interpretations by Paul Smith, an Introduction that includes his life, poetry, spirituality and the history of the use of his book as one of the world's great Oracles. The correct rhyme has been kept and the beauty and meaning of these immortal, mystical poems. Large Format Paperback 7" x 10" 438 pagesGertrude Bell: "It is as if his mental Eye, endowed with wonderful acuteness of vision, had penetrated into those provinces of thought which we of a later age were destined to inhabit."Meher Baba: "There is no equal to Hafez in poetry. He was a Perfect Master ... His Divan is the best book in the world because it engenders feelings which ultimately lead to illumination."Goethe: "In his poetry Hafez inscribed undeniable truth indelibly! He has no peer!"COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFEZ'S 'DIVAN'."It is not a joke... English version of all the ghazals of Hafez is a great feat of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran."Superb translations. 99% Hafez 1% Paul Smith." Ali Akbar Shapurzman, translator and knower of Hafez's Divan off by heart."I was very impressed with the beauty of these books." Dr. R.K. Barz. Faculty of Asian Studies, Australian National University.Paul Smith is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafez, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Lalla Ded, Rahman Baba, Baba Latif, Iqbal, Ghalib, Nazir, Mansur Hallaj, Ibn al-Farid and others, and his own poetry, fiction, plays, biographies and screenplays.www.newhumanitybooks.com
"Hafiz--a quarry of imagery in which poets of all ages might mine." - Ralph Waldo Emerson Hafiz was born at Shiraz, in Persia, some time after 1320, and died there in 1389. He is, then, an almost exact contemporary of Chaucer. His standing in Persian literature ranks him with Shakespeare and Goethe. A Sufi, Hafiz lived in troubled times. Cities like Shiraz fell prey to the ambitions of one marauding prince after another and knew little peace. The nomads of Central Asia finally overthrew the rule of these princes, and led to the establishment of the succeeding Timurid Dynasty. It is of utmost literary interest that a poet who has remained immensely popular and most frequently quoted in his own land should, for the universality and grace of his wisdom and wit, be known outside the land of his birth as he used to be, the subject of veneration among literati both in Europe and the United States. The time for revival of interest in a poet of such cosmopolitan appeal is overdue. His poems celebrate the love, wine, and the fellowship of all creatures. This volume, first published in 1952, brings back into print at last the renderings, the most beautiful and faithful in English, of this greatest of Persian writers.
Chosen by author Elizabeth Gilbert as one of her ten favorite books, Daniel Ladinsky’s extraordinary renderings of 250 unforgettable lyrical poems by Hafiz, one of the greatest Sufi poets of all time More than any other Persian poet—even Rumi—Hafiz expanded the mystical, healing dimensions of poetry. Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the “Invisible Tongue.” Indeed, Daniel Ladinsky has said that his work with Hafiz is an attempt to do the impossible: to render Light into words—to make the Luminous Resonance of God tangible to our finite senses. I am a hole in a flute that the Christ's breath moves through— listen to this music! With this stunning collection of Hafiz’s most intimate poems, Ladinsky has succeeded brilliantly in presenting the essence of one of Islam’s greatest poetic and religious voices. Each line of The Gift imparts the wonderful qualities of this master Sufi poet and spiritual teacher: encouragement, an audacious love that touches lives, profound knowledge, generosity, and a sweet, playful genius unparalleled in world literature.
An exploration of the Persian poet’s spiritual philosophy, with original translations of his poetry • Features extensive insight into the meanings and contexts of the poetry and philosophies of this spiritual teacher • Includes over 30 complete poems by Haféz, including “The Wild Deer,” often regarded as his masterpiece For 600 years the Persian poet Haféz has been read, recited, quoted, and loved by millions of people in his homeland and throughout the world. Like his predecessor Rumi, he is a spiritual guide in our search for life’s essence. Haféz is both a mystic philosopher and a heartfelt poet of desires and fears. Haféz: Teachings of the Philosopher of Love is the perfect introduction to the man known as the philosopher of love, whose message of spiritual transcendence through rapture and service to others is especially important to our troubled world. His wisdom speaks directly to the cutting edge of philosophy, psychology, social theory, and education and can serve as a bridge of understanding between the West and the Middle East, two cultures in desperate need of mutual empathy.
Mabarriz Muzaffar was an extremely devout Muslem and followed shariah prohibitions on wine to the letter. At this time Hafez seems to have been ousted from his position at the religious college. Nevertheless, Hafez's fortunes changed when Shah Shoja usurped the throne from his father Mabarriz Muzaffar. Shah Shoja, who ruled Shiraz for twenty-five years, was extremely liberal, drank wine, and wrote poetry himself. Once again, Hafez was a court poet, and he also regained his position as teacher at of religious studies at the college. Things remained settled for Hafez until sometime in his late forties when the next major upheaval in his life occurred. Apparently, Hafez fell out of favor in the court of Shah Shoja and fled from Shiraz to Isfahan. There, his exile lasted for about four years. His poems form this period are filled with despair, alienation, and longing for his home in Shiraz.