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ABOUT THE BOOK: In 1635, Madeline Pike, along with nearly thirty other passengers, set sail from King's Road, Bristol, England, for New England aboard the Angel Gabriel, but just as the final leg of her journey was in sight, the ship surrendered to a fierce hurricane. Madeline was thrust into a violent ocean amidst powerful winds and rough waves as the ship sank out of sight. Just as she is about to give up hope, a handsome young man comes to her rescue. While Madeline and her rescuer attempt to deny the feelings that are developing between them, an indomitable villain, who lets nothing stand in the way of getting what he wants, decides he wants Madeline for his wife. Who will win her heart? Read Lost Love and Shipwrecked, and journey back to the 17th century, a period when life and love reflected our nation's godly heritage. Be inspired to see how, through every trial or decision Madeline faces, her faith in God remains unshakable. **** ABOUT THE AUTHORS: Inspired by interesting characters and events uncovered while doing genealogical research, mother and daughter writing team, Cathy Lynn Bryant and Jessica Marie Dorman, who live in beautiful New England, have masterfully woven the stories of real people and fictional characters from the 17th century to develop this inspirational, romantic, work of historical fiction. Lost Love and Shipwrecked is the first in the series, Unshakable Faith, with the second book to be completed in 2013.
A Sleeping Beauty Awakened by a Rogue’s Kiss… After fleeing the dukedom that was rightly his, the last thing exiled nobleman Justin Connor expected to find washed up on the wild shores of his island paradise was a young woman asleep on the sand, curled like a child beneath the moonlight. His hard-won peace is shattered by the mischievous creature with the wicked dimple and mysterious past. Orphaned and cheated of her inheritance, Emily Claire Scarborough has sailed halfway around the world to find the man who promised her father he would take care of her, then abandoned her to an English boarding school. She is determined to make him pay for her years of loneliness—with nothing less than his heart. Book 3 of the ROGUES AND GENTLEMEN series, which includes Yours Until Dawn, Thief of Hearts, Once an Angel and Nobody’s Darling
This impeccably researched and “adventure-packed” (The Washington Post) account of the obsessive quest by Christopher Columbus’s son to create the greatest library in the world is “the stuff of Hollywood blockbusters” (NPR) and offers a vivid picture of Europe on the verge of becoming modern. At the peak of the Age of Exploration, Hernando Colón sailed with his father Christopher Columbus on his final voyage to the New World, a journey that ended in disaster, bloody mutiny, and shipwreck. After Columbus’s death in 1506, eighteen-year-old Hernando sought to continue—and surpass—his father’s campaign to explore the boundaries of the known world by building a library that would collect everything ever printed: a vast holding organized by summaries and catalogues; really, the first ever database for the exploding diversity of written matter as the printing press proliferated across Europe. Hernando traveled extensively and obsessively amassed his collection based on the groundbreaking conviction that a library of universal knowledge should include “all books, in all languages and on all subjects,” even material often dismissed: ballads, erotica, news pamphlets, almanacs, popular images, romances, fables. The loss of part of his collection to another maritime disaster in 1522, set off the final scramble to complete this sublime project, a race against time to realize a vision of near-impossible perfection. “Magnificent…a thrill on almost every page” (The New York Times Book Review), The Catalogue of Shipwrecked Books is a window into sixteenth-century Europe’s information revolution, and a reflection of the passion and intrigues that lie beneath our own insatiable desires to bring order to the world today.
AS SEEN ON DR. OZ "Moving and complex, this is an exquisitely written tale of perseverance and unconditional love. A worthwhile addition to any collection."—Library Journal, STARRED Review A mother's murder. Her daughter's redemption. And the complicated past that belongs to them both. Kelly always knew her family was different. She knew that most children didn't live with their grandparents and that their grandparents didn't own porn stores. Her classmates didn't sleep on a boat in the L.A. harbor, and she knew their next-door neighbors probably weren't drug addicts and johns. She knew that most of her classmates knew more about their moms than their cause of death. What Kelly didn't know was if she would become part of the dysfunction that surrounded her. Would she end up selling adult videos and sinking into the depths of harbor life, or would she escape to live her own story somewhere else? As an adult, Kelly decides to discover how the place where she came from defined the person she ultimately became. To do this, she goes back to the beginning—to a mother she never knew, a thirty-year-old cold case, and two of Los Angeles's most notorious murderers. We Are All Shipwrecks is Kelly's story of redemption from tragedy, told with a tenderness toward her family that makes it as much about preserving the strings that anchor her as it is about breaking free.
Shipwrecked: Disaster and Transformation in Homer, Shakespeare, Defoe, and the Modern World presents the first comparative study of notable literary shipwrecks from the past four thousand years, focusing on Homer’s Odyssey, Shakespeare’s The Tempest, and Defoe’s Robinson Crusoe. James V. Morrison considers the historical context as well as the “triggers” (such as the 1609 Bermuda shipwreck) that inspired some of these works, and modern responses such as novels (Golding’s Lord of the Flies, Coetzee’s Foe, and Gordon’s First on Mars, a science fiction version of the Crusoe story), movies, television (Forbidden Planet, Cast Away, and Lost), and the poetry and plays of Caribbean poets Derek Walcott and Aimé Césaire. The recurrent treatment of shipwrecks in the creative arts demonstrates an enduring fascination with this archetypal scene: a shipwreck survivor confronting the elements. It is remarkable, for example, that the characters in the 2004 television show Lost share so many features with those from Homer’s Odyssey and Shakespeare’s The Tempest. For survivors who are stranded on an island for some period of time, shipwrecks often present the possibility of a change in political and social status—as well as romance and even paradise. In each of the major shipwreck narratives examined, the poet or novelist links the castaways’ arrival on a new shore with the possibility of a new sort of life. Readers will come to appreciate the shift in attitude toward the opportunities offered by shipwreck: older texts such as the Odyssey reveals a trajectory of returning to the previous order. In spite of enticing new temptations, Odysseus—and some of the survivors in The Tempest—revert to their previous lives, rejecting what many might consider paradise. Odysseus is reestablished as king; Prospero travels back to Milan. In such situations, we may more properly speak of potential transformations. In contrast, many recent shipwreck narratives instead embrace the possibility of a new sort of existence. That even now the shipwreck theme continues to be treated, in multiple media, testifies to its long-lasting appeal to a very wide audience.
A freshly researched account of the dramatic rescue of the Jamestown settlers The English had long dreamed of colonizing America, especially after Sir Francis Drake brought home Spanish treasure and dramatic tales from his raids in the Caribbean. Ambitions of finding gold and planting a New World colony seemed within reach when in 1606 Thomas Smythe extended overseas trade with the launch of the Virginia Company. But from the beginning the American enterprise was a disaster. Within two years warfare with Indians and dissent among the settlers threatened to destroy Smythe's Jamestown just as it had Raleigh's Roanoke a generation earlier. To rescue the doomed colonists and restore order, the company chose a new leader, Thomas Gates. Nine ships left Plymouth in the summer of 1609—the largest fleet England had ever assembled—and sailed into the teeth of a storm so violent that "it beat all light from Heaven." The inspiration for Shakespeare's The Tempest, the hurricane separated the flagship from the fleet, driving it onto reefs off the coast of Bermuda—a lucky shipwreck (all hands survived) which proved the turning point in the colony's fortune.
The version of the Rule of St. Augustine used at the Abbey of St.Victor began with the command to love God above all things and ones neighbor as oneself. Not surprisingly, then, love was a pervasive theme in the writings produced there, many of which are introduced and translated here: (1)five lyrical essays by Hugh of St.Victor (d.1141): The Praise of Charity; The Betrothal Gift of the Soul; In Praise of the Spouse; On the Substance of Love; What Truly Should Be Loved?; (2)On the Four Degrees of Violent Love, by Richard of St.Victor (d.1173), which traces the likenesses and differences between romantic love and the love of God; (3)Achard of St.Victor (d.1170), Sermon5 and two of Adam of St.Victors sequences are examples of how these authors wove love into their writings; (4)excerpts from the Microcosmus by Godfrey of St.Victor (d.ca.1195), summarize the central place of love in his humanistic theological anthropology.
Conservationist Honor Brier is content to do her work on an isolated island, until the unexpected arrival of playboy Rob Dalton.
Following Spoiler Alert, Olivia Dade returns with another utterly charming romantic comedy about a devil-may-care actor—who actually cares more than anyone knows—and the no-nonsense woman hired to keep him in line. "An absolutely witty, swoon worthy behind the scenes romp! Delightful from beginning to end!"--Julie Murphy, #1 New York Times bestselling author of Dumplin' Alexander Woodroe has it all. Charm. Sex appeal. Wealth. Fame. A starring role as Cupid on TV’s biggest show, Gods of the Gates. But the showrunners have wrecked his character, he's dogged by old demons, and his post-show future remains uncertain. When all that reckless emotion explodes into a bar fight, the tabloids and public agree: his star is falling. Enter Lauren Clegg, the former ER therapist hired to keep him in line. Compared to her previous work, watching over handsome but impulsive Alex shouldn’t be especially difficult. But the more time they spend together, the harder it gets to keep her professional remove and her heart intact, especially when she discovers the reasons behind his recklessness…not to mention his Cupid fanfiction habit. When another scandal lands Alex in major hot water and costs Lauren her job, she’ll have to choose between protecting him and offering him what he really wants—her. But he’s determined to keep his improbably short, impossibly stubborn, and extremely endearing minder in his life any way he can. And on a road trip up the California coast together, he intends to show her exactly what a falling star will do to catch the woman he loves: anything at all.