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Ecosystems and their constituent species the world over face a barrage of ongoing, and often escalating, threats. Conservation efforts aim to reduce the impact of these threats to ensure that global biodiversity continues to provide essential ecosystem services. As is most often the case, these efforts to protect threatened species and their environments are constrained by limited resources. Conservation biologists have therefore had to increase the efficiency of their conservation practices to deliver the greatest benefit at the lowest cost. This requires decision making using the best available knowledge to prioritise actions. A concept that has received considerable attention in this area is that of conservation triage. This eBook brings together perspectives from researchers and conservation practitioners who share their views and results in an effort to extend the discussion on this topic. A number of the papers in this eBook tackle the philosophical elements of conservation triage, while others take a more directed practical approach providing examples from conservation practice globally.
This book compares and contrasts the motivations, morality, and effectiveness of space exploration when pursued by private entrepreneurs as opposed to government. The authors advocate market-driven, private initiatives take the lead through enhanced competition and significant resources that can be allocated to the exploration and exploitation of outer space. Space travel and colonisation is analysed through the prism of economic freedom and laissez faire capitalism, in a unique and accessible book.
Many DJs, gigging musicians, and electronic music producers understand how to play their instruments or make music on the computer, but they lack the basic knowledge of music theory needed to take their music-making to the next level and compose truly professional tracks. Beneath all the enormously different styles of modern electronic music lie certain fundamentals of the musical language that are exactly the same no matter what kind of music you write. It is very important to acquire an understanding of these fundamentals if you are to develop as a musician and music producer. Put simply, you need to know what you are doing with regard to the music that you are writing. Music Theory for Computer Musicians explains these music theory fundamentals in the most simple and accessible way possible. Concepts are taught using the MIDI keyboard environment and today's computer composing and recording software. By reading this book and following the exercises contained within it, you, the aspiring music producer/computer musician, will find yourself making great progress toward understanding and using these fundamentals of the music language. The result will be a great improvement in your ability to write and produce your own original music!
Originally published in 1965, this volume presented the only comprehensive bibliography of the writings of the Austrian novelist, journalist, and playwright Stefan Zweig and of the books and articles about his work.
With 11 original essays, this edited volume examines 'chick flicks' within the larger context of 'chick culture' as well as women's cinema. The essays consider chick flicks from a variety of angles, touching on issues of film history, female sexuality, femininity, age, race, ethnicity, and consumerism.