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"A Richard Todd book." Anderson is revealed to be in many ways a writer of surprisingly contemporary sensibility, a man in constant struggle to re-create himself.
In a deeply moving collection of interrelated stories, this 1919 American classic illuminates the loneliness and frustrations — spiritual, emotional and artistic — of life in a small town.
The first complete anthology of short stories by “the creator of the American short story”— includes the landmark collection Winesburg, Ohio (Michael Dirda, Pulitzer Prize–winning book critic) In the winter of 1912, Sherwood Anderson (1876–1941) abruptly left his office and spent three days wandering through the Ohio countryside, a victim of “nervous exhaustion.” Over the next few years, abandoning his family and his business, he resolved to become a writer. Novels and poetry followed, but it was with the story collection Winesburg, Ohio that he found his ideal form, remaking the American short story for the modern era. Hart Crane, one of the first to recognize Anderson’s genius, quickly hailed his accomplishment: “America should read this book on her knees.” Here—for the first time in a single volume—are all the collections Anderson published during his lifetime: Winesburg, Ohio (1919), The Triumph of the Egg (1921), Horses and Men (1923), and Death in the Woods (1933), along with a generous selection of stories left uncollected or unpublished at his death. Exploring the hidden recesses of small-town life, these haunting, understated, often sexually frank stories pivot on seemingly quiet moments when lives change, futures are recast, and pasts come to reckon. They transformed the tone of American storytelling, inspiring writers like Hemingway, Faulkner, and Mailer, and defining a tradition of midwestern fiction that includes Charles Baxter, editor of this volume. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
"In The Torrents of Spring, Ernest Hemingway crafted his disillusions into a comedic satire aimed at Sherwood Anderson's Dark Laughter as well as other great writers of the day"--
From the author of Winesburg, Ohio, an autobiography of Midwestern life and culture by one of the leading figures of 20th-century American letters.
This is the autobiography of Margaret Anderson, who ran a literary magazine called The Little Review for 30 years ... from 1899 to 1929.
Explores the contradictory position of Arabic being both the official language and marginalized in Israel
After years of competing against each other, Trixie and Ben form a fandom-based tentative friendship when their best friends start dating each other, but after Trixie's friend gets expelled for cheating they have to choose which side they are on.
These eleven interrelated stories follow strands of hope and nostalgia that bind together, or fence off, the people of Windfall. Eric Shade's fictional western Pennsylvania community is a place we all know: a town bypassed by the interstate, its rail line clogged with coal cars that haven't moved an inch in years. The men of Windfall still vie on the time-honored fields of contest—from bars to bedrooms to football fields—but none is sure any longer what is won or lost. Few certainties linger: the jobs are going fast and the best women are already taken. In the title story, a group of unskilled laborers rerun memories of youth as they race against the dark to demolish the town's drive-in theater. A chain restaurant will take its place. Naomi dumps Dwight at the altar in "Hoops, Wires, and Plugs," but then Dwight fritters away the shamed agitation that could have propelled him beyond Windfall's stunting gravitational pull. In the final story, "Souvenirs," small-time hoods Paxson and Gus do what so many in Windfall can't: get out of town. They're off to Pittsburgh and a contract killing they hope will kick off a more rewarding life of crime. In hands less able than Eric Shade's, Windfall's men would be caricatures, screw-ups with all-too-easy access to the makings of tragedy: pills, booze, fast cars, guns, chain saws. Instead their stories give us new ways to ponder change and its consequences. Windfall stakes out a gritty quarter of the literary map shared by Sherwood Anderson's Winesburg and Thornton Wilder's Grover's Corners.
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