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A collection of reminiscences illuminating the life of an elusive, ground-breaking American writer In 1912, Sherwood Anderson suffered the mental and artistic break that has since become a firmly embedded legend in American literary history. A successful businessman in Ohio, he began to speak incoherently while dictating a letter at his desk and walked out of his office, to be found four days later and a hundred miles away, disoriented and exhausted. Within weeks, he had quit his former life, moved to Chicago, and become the writer who would produce, among other works, Winesburg, Ohio, the landmark collection of stories which transformed American literature by disregarding the norms of realism and naturalism and foregrounding the lyrical voices of the isolated in a distinctive, modern way. Anderson served as a mentor to writers like Faulkner and Hemingway early in their careers and befriended a remarkable number of American writers, among them, Carl Sandburg, Ben Hecht, John Dos Passos, James T. Farrell, Gertrude Stein, Henry Miller, and Anita Loos. Anderson was notoriously elusive, and autobiographical accounts of his breakdown and life vary wildly. Sherwood Anderson Remembered offers an intimate account of Anderson and the impressions he made on his contemporaries. The anecdotes collected in this volume constitute some of the best and most vivid assessments of his personality and work available. Together they create a richly detailed account of an individual who left an indelible mark on those touched by his presence and his words.
Sherwood Anderson records his impressions of the American scene.
The works of Sherwood Anderson are explored here, including "Godliness," "Death in the Woods," "The Man Who Became A Woman," "I Want to Know Why," and "The Egg."
Sherwood Anderson: A Writer in America is the definitive biography of this major American writer of novels and short stories, whose work includes the modern classic Winesburg, Ohio. In the first volume of this monumental two-volume work, Walter Rideout chronicles the life of Anderson from his birth and his early business career through his beginnings as a writer and finally to his move in the mid-1920s to “Ripshin,” his house near Marion, Virginia. The second volume will cover Anderson’s return to business pursuits, his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic, and finally his unexpected death in 1941. No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson friends and family members, or as complete in its vision of the man and the writer. The result is an unparalleled biography—one that locates the private man, while astutely placing his life and writings in a broader social and political context. Outstanding Academic Title, Choice Magazine Winner, Biography Award, Society of Midland Authors
This early work by Sherwood Anderson was originally published in 1929 and we are now republishing it with a brand new introductory biography. 'Hello Towns' is a collection of newspaper articles written by the author. In 1908, Anderson began writing short stories and novels. He moved to Chicago, where he found work in an advertising agency and became friends with other writers in Chicago, including Floyd Dell, Theodore Dreiser, Ben Hecht and Carl Sandburg. Starting in 1914, the now-politicised Anderson began having his work published in 'The Masses', a socialist journal. Anderson's first novel, 'Windy McPherson's Son', was published in 1916. This was followed by the novel 'Marching Men' (1917) and a collection of prose poems, 'Mid-American Chants' (1918). A year later, 'Winesburg, Ohio' (1919), Anderson's best-remembered and best-known work, was published.
Sherwood Anderson, remembered chiefly as a writer of short stories about life in the Midwest at the turn of the century, was acknowledged as an innovator of the short story form. This book looks at Anderson's early fiction from contemporary interpretative methodologies, particularly from poststructuralist approaches.
This early work by Sherwood Anderson was originally published in 1927 and we are now republishing it with a brand new introductory biography. 'A New Testament' is a collection of poetry by this influential writer. In 1908, Anderson began writing short stories and novels. He moved to Chicago, where he found work in an advertising agency and became friends with other writers in Chicago, including Floyd Dell, Theodore Dreiser, Ben Hecht and Carl Sandburg. Starting in 1914, the now-politicised Anderson began having his work published in 'The Masses', a socialist journal. Anderson's first novel, 'Windy McPherson's Son', was published in 1916. This was followed by the novel 'Marching Men' (1917) and a collection of prose poems, 'Mid-American Chants' (1918). A year later, 'Winesburg, Ohio' (1919), Anderson's best-remembered and best-known work, was published.
In a deeply moving collection of interrelated stories, this 1919 American classic illuminates the loneliness and frustrations — spiritual, emotional and artistic — of life in a small town.
"At his death in 1941, Sherwood Anderson had spent nine years writing his final autobiography. The huge body of manuscripts, left unorganized and unedited by Anderson, was published in 1942, after being drastically cut and edited to the point of rewriting. Now the memoirs, which still remain the central source of study of Anderson's life and the literary movements in which he participated, have been made available in an accurate, scholarly edition. Mr. White has completely retranscribed over 2,200 pages of Anderson's manuscripts, explained the composition and textual state of work, and annotated the biographical and bibliographical facts of Anderson's career." -- dust jacket.
Sinclair Lewis Remembered is a collection of reminiscences and memoirs by contemporaries, friends, and associates of Lewis that offers a revealing and intimate portrait of this complex and significant Nobel Prize–winning American writer. After a troubled career as a student at Yale, Sinclair Lewis turned to literature as his livelihood, publishing numerous works of popular fiction that went unnoticed by critics. With the 1920s, however, came Main Street, Lewis’s first critical success, which was soon followed by Babbitt, Arrowsmith, Elmer Gantry, and Dodsworth—five of the most influential social novels in the history of American letters, all written within one decade. Nevertheless, Lewis’s Nobel Prize for Literature in 1930 led to controversy. Writers such as Theodore Dreiser, William Faulkner, and Thomas Mann expressed their dissent with the decision. Unable to match his previous success, Lewis suffered from alcoholism, alienated colleagues, and embraced unpopular political positions. The nadir for Lewis’s literary reputation was Mark Schorer’s 1961 biography, Sinclair Lewis: An American Life, which helped to legitimize the dismissal of Lewis’s entire body of work. Recent scholarly research has seen a resurgence of interest in Lewis and his writings. The multiple and varied perspectives found in Sinclair Lewis Remembered, edited by Gary Scharnhorst and Matthew Hofer, illustrate uncompromised glimpses of a complicated writer who should not be forgotten. The more than 115 contributions to this volume include reminiscences by Upton Sinclair, Edna Ferber, Alfred Harcourt, Samuel Putnam, H. L. Mencken, John Hersey, Hallie Flanagan, and many others.