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They called her “Lady Stewart” when she was married to a British aristocrat. They called her “Miss Cora “when she ran a brothel in Florida. But she called herself “Mrs. Crane” when she asked Sherlock Holmes to locate her common-law husband, writer Stephen Crane, who'd gone missing in Cuba during the Spanish-American War. In their attempt to fulfil the lady's request, Holmes and Watson encounter a world of celebrity authors, terrorist bombings, and haunted manor houses. But it is only when Stephen Crane falls victim to a notorious blackmailer that the master detective and his partner find themselves face-to-face with cold-blooded murder. Under darkened skies, a solitary apparition stood brightly illuminated on the ship’s gloomy deck. Or so it seemed. Cloaked in a long white raincoat-the same gleaming duster he’d worn in the face of Spanish gunfire at San Juan Heights-Stephen Crane looked for all the world like the ghost so many people thought he’d already become.
"A psychological account of a crime" - that's how Fyodor Dostoyevsky described his novel Crime and Punishment, which tells of two horrific axe murders in St. Petersburg. It becomes much more than a mere "account," however, when a pair of dead bodies turn up in London's East End, their heads split open by an axe-blade. To Scotland Yard, the crimes are murders to solve. To Sherlock Holmes, they present an intriguing puzzle. But to the literary man, Dr. John H. Watson, they seem a deliberate re-staging of the brutal murders depicted in Dostoyevsky's narrative. If Watson is right, what can be the purpose behind an actual recreation of the fictional killings? Blocking the answer to that question is a mysterious assortment of English and Russian eccentrics, and one can only wonder if the startling revelation at the end will be dramatic enough to set matters straight.
The eleven stories gathered together in these two volumes share their own common feature. All have connections to the world of belles lettres, the world of literature - some to celebrated authors in particular, others to themes or stories associated with specific writers . . . . Let others plumb this collection for more subtle themes. From Maupassant to Stevenson to Fitzgerald, the authorial giants who populate these pages are explanation enough for its title. As interesting as such literary associations may be, of course, one can never forget that in the finest tradition of all the other adventures of Sherlock Holmes, these sketches depict a series of heartless criminal acts - some more gruesome than others.
Una guida al celebre personaggio, illustrata con numerose fotografie e poster. Il libro comprende cast, trame e commenti di film, adattamenti teatrali, romanzi e fumetti, in un arco di oltre 130 anni. An a-z guide to the famous detective, illustrated with numerous photographs and posters. The book includes cast, storylines and film comments, theatrical adaptations, novels and comics, in over 100 years.
The eleven stories gathered together in these two volumes share their own common feature. All have connections to the world of belles lettres, the world of literature - some to celebrated authors in particular, others to themes or stories associated with specific writers . . . . Let others plumb this collection for more subtle themes. From Maupassant to Stevenson to Fitzgerald, the authorial giants who populate these pages are explanation enough for its title. As interesting as such literary associations may be, of course, one can never forget that in the finest tradition of all the other adventures of Sherlock Holmes, these sketches depict a series of heartless criminal acts - some more gruesome than others.
The light of an open doorway beckons through the mist of a London Particular, one of those smothering fogs for which turn-of-the-century London was famous. But in reality - as Sherlock Holmes soon discovers - though the doorway does indeed offer respite from the fog, it also leads to the gruesome remains of a double-murder. Two corpses, a stolen diamond necklace, a Russian connection, and a dandified American writer who pals around with denizens of the theater - all add up to a murder investigation with international implications. Leave it to Sherlock Holmes who, in a classic assemblage of suspects in a high-tone British men's club, employs his celebrated powers of deduction to reveal the guilty party.
A young inventor - the man whose name appears in the title of Dr. Watson's narrative, "The Adventure of the Bruce-Partington Plans" - lies dead on the floor of an old house, two bullet holes in his back. To solve the gruesome murder, Sherlock Holmes enlists the aid of William Gillette, the celebrated American actor renown for his portrayal of the famous detective, and Arthur Conan Doyle, conveniently familiar with the world of spiritualism that serves as backdrop to the brutal crime. In a plot replete with foreign spies, young lovers, eerie séances, and an array of the dead inventor's strange mechanical devices, Sherlock Holmes and Dr. Watson press on to discover the identity of Bruce-Partington's cold-blooded killer.
Sherlock Holmes had never met a writer who had ridiculed him as bitterly as Samuel L. Clemens had. For that matter, Holmes had never met a writer who fancied himself a detective. Yet Sam Clemens not only unraveled Holmes' investigation into the murder of the hot-blooded woman on Thor Bridge, but also, while writing as Mark Twain, belittled Holmes' highly-touted detecting skills. In this recently discovered narrative, Doctor Watson sets the record straight. He reveals other crimes related to the original murder while relating what prompted Clemens in a 1902 short story to deride the famous detective. Spurred on by such criticism, as well as by clues discovered in a classic tale by Bret Harte, Sherlock Holmes begins a new investigation, one that leads Holmes and Watson from the gardens of Windsor Castle to the spires of Oxford University in their efforts to track down a deranged assassin bent on wreaking even more havoc.
They called her “Lady Stewart” when she was married to a British aristocrat. They called her “Miss Cora “when she ran a brothel in Florida. But she called herself “Mrs. Crane” when she asked Sherlock Holmes to locate her common-law husband, writer Stephen Crane, who'd gone missing in Cuba during the Spanish-American War. In their attempt to fulfil the lady's request, Holmes and Watson encounter a world of celebrity authors, terrorist bombings, and haunted manor houses. But it is only when Stephen Crane falls victim to a notorious blackmailer that the master detective and his partner find themselves face-to-face with cold-blooded murder. Under darkened skies, a solitary apparition stood brightly illuminated on the ship’s gloomy deck. Or so it seemed. Cloaked in a long white raincoat-the same gleaming duster he’d worn in the face of Spanish gunfire at San Juan Heights-Stephen Crane looked for all the world like the ghost so many people thought he’d already become.
In 1910, American author and social critic Jack London began writing The Assassination Bureau, Ltd., a work that he never completed. Now, thanks to the recently discovered manuscript of Dr. John Watson, we know why. The early part of London's book describes a secret organization - scoffed at or ignored by police officials - that conspires to murder influential political and social leaders. Not until Sherlock Holmes is provoked into action by threats close to home does anyone appear able to stop the Assassination Bureau. As Holmes and Watson proceed, they uncover devilish plots involving the deaths of some of the most prominent figures in history-from American Presidents to European heads of state, from murderous gangsters to muckraking writers like Jack London himself. With a deadly timing-device ticking, Sherlock Holmes hopes to prevent any further murders from threatening world peace. But by 1912, is he already too late?