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It will scarcely be supposed that, with the passion of covetousness gnawing at my heart, I had space or convenience for any other feeling. But Abram Skinner had loved his children; and to this passion I was introduced, as well as to the other. At first I was surprised that I should bestow the least regard upon them, seeing that they were no children of mine. I endeavoured to shake off the feeling of attachment, as an absurdity, but could not; in spite of myself, I found my spirit yearning towards them; and by-and-by, having lost my identity entirely, I could scarcely, even when I made the effort, recall the consciousness that I was not their parent in reality. Indeed, the transformation that had now occurred to my spirit was more thorough than it had been in either previous instance; I could scarce convince myself I had not been born the being I represented; my past existence began to appear to my reflections only as some idle dream, that the fever of sickness had brought upon my mind; and I forgot that I was, or had been, Sheppard Lee.
"Sheppard Lee, Written By Himself" is a satirical work from the early years of the American Republic. It was written in the form as an autobiography and acquired wide acclaim after publishing. The story tells about a young man wishing to find a buried treasure. Instead, he finds the power to transfer his soul into other men's bodies. This results in a picaresque journey through early American pursuits of happiness. But every new form disappoints him. Lee comes to the conclusion that everything in America, even virtue and vice, are interchangeable; everything is an object and has its price.
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"Sheppard Lee, Written By Himself" is a satirical work from the early years of the American Republic. It was written in the form as an autobiography and acquired wide acclaim after publishing. The story tells about a young man wishing to find a buried treasure. Instead, he finds the power to transfer his soul into other men's bodies. This results in a picaresque journey through early American pursuits of happiness. But every new form disappoints him. Lee comes to the conclusion that everything in America, even virtue and vice, are interchangeable; everything is an object and has its price.
Robert Montgomery Bird's 'Sheppard Lee, Written by Himself' is a compelling two-volume novel that follows the adventures and misadventures of the eponymous protagonist as he navigates through various social classes and identities in 19th-century America. Bird's literary style in this work combines elements of satire, humor, and social commentary, making it a unique and thought-provoking read for those interested in American literature of the era. The novel is also considered a precursor to the genre of American psychological fiction, exploring themes of identity, self-discovery, and societal expectations. The episodic structure of the narrative adds depth and complexity to Sheppard Lee's character development, making it a rich and engaging literary experience. Robert Montgomery Bird, a playwright and novelist, drew inspiration from his own experiences and observations of American society to create 'Sheppard Lee'. His background in medicine and psychology likely influenced his exploration of complex characters and psychological themes in the novel. Bird's versatile literary career and unique perspective on American life shine through in this work, making him a prominent figure in 19th-century American literature. I highly recommend 'Sheppard Lee, Written by Himself' to readers interested in immersive character-driven narratives, societal critique, and the development of American literature. Bird's adept storytelling and insightful commentary make this novel a fascinating read that continues to resonate with audiences today.
In Philadelphia Stories, Samuel Otter finds literary value, historical significance, and political urgency in a sequence of texts written in and about Philadelphia between the Constitution and the Civil War. Historians such as Gary B. Nash and Julie Winch have chronicled the distinctive social and political space of early national Philadelphia. Yet while individual writers such as Charles Brockden Brown, Edgar Allan Poe, and George Lippard have been linked to Philadelphia, no sustained attempt has been made to understand these figures, and many others, as writing in a tradition tied to the city's history. The site of William Penn's "Holy Experiment" in religious toleration and representative government and of national Declaration and Constitution, near the border between slavery and freedom, Philadelphia was home to one of the largest and most influential "free" African American communities in the United States. The city was seen by residents and observers as the laboratory for a social experiment with international consequences. Philadelphia would be the stage on which racial character would be tested and a possible future for the United States after slavery would be played out. It would be the arena in which various residents would or would not demonstrate their capacities to participate in the nation's civic and political life. Otter argues that the Philadelphia "experiment" (the term used in the nineteenth-century) produced a largely unacknowledged literary tradition of peculiar forms and intensities, in which verbal performance and social behavior assumed the weight of race and nation.
For much of the nineteenth century, the nervous system was a medical mystery, inspiring scientific studies and exciting great public interest. Because of this widespread fascination, the nerves came to explain the means by which mind and body related to each other. By the 1830s, the nervous system helped Americans express the consequences on the body, and for society, of major historical changes. Literary writers, including Nathaniel Hawthorne and Harriet Beecher Stowe, used the nerves as a metaphor to re-imagine the role of the self amidst political, social and religious tumults, including debates about slavery and the revivals of the Second Great Awakening. Representing the 'romance' of the nervous system and its cultural impact thoughtfully and, at times, critically, the fictional experiments of this century helped construct and explore a neurological vision of the body and mind. Murison explains the impact of neurological medicine on nineteenth-century literature and culture.
Gathers Poe's essays on the theory of poetry, the art of fiction, the role of the critic, leading nineteenth-century writers, and the New York literary world.
Lee demonstrates how Melville, Emerson and others tried to find rational solutions to the slavery conflict.