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Someone is looking for James Mackenzie. Our hero is beset by dark thoughts. Worried that his past deception may catch up with him, and depressed by the death of his first true son. But, through thick and thin, his wife Sophia sees the good in everything and everyone, and together they are making a success of their lives at Applecross station. Visitors come and go, some becoming welcome additions to their circle of friends, and some who give more pleasure when they leave. But, the final and unexpected guest, someone who has been searching for James Mackenzie for a very long time, will be the one who changes things forever. A fictional tale, set against the stunning scenery of New Zealand’s Mackenzie Basin, using true historical events surrounding the European settlers in South Canterbury in the late 1800s.
Frank C. Brown organized the North Carolina Folklore Society in 1913. Both Dr. Brown and the Society collected stores from individuals—Brown through his classes at Duke University and through his summer expeditions in the North Carolina mountains, and the Society by interviewing its members—and also levied on the previous collections made by friends and members of the Society. The result was a large mass of texts and notes assembled over a period of nearly forty years and covering every aspect of local tradition. members of the Society. The result was a large mass of texts and notes assembled over a period of nearly forty years and covering every aspect of local tradition.
First published in 1892, this fascinating collection of articles relating to the art of shepherding in Britain is a wonderful glimpse into farming in Victorian Britain. Packed full of snapshots of a rural lifestyle in steep decline, with wonderfully titled chapters including, Contentedness of Southdown Shepherds, A Sussex Shepherdess, Lazy Shepherds and an Exception, Sheep Farming in Cumberland, A Curious Usage in the Lake District, The Bone Eater, The Powers of the Collie, the Sheep Dogs of Ireland and many more including plenty of countryside folklore and a brand new introduction of sheep farming.
This dictionary aims to help users to find the most appropriate word to use on a wide range of occasions. It is designed in particular for students, those writing reports, letters and speeches, and crossword solvers, but is also useful as a general word reference. Special features include: an alphabetical A-Z listing; numbered senses for words with more than one meaning; British and American variants; and specially marked colloquial uses.
Just one more time is an account of life in late 20th century rural Britain. It is presented as a collage of poetry, describing ordinary, every day events and images in a thoughtful, occasionally thought provoking and often humorous way. It is biographic in layout, written in three parts, so the reader can catch his breath! Part One: As we grow. Describes images and events of baby as he develops into, first through childhood and then through his teenage years. Watching, copying and mimicking is what baby does best. Actual events begin to play more of a role through childhood, and interactions with others become more important to the teenager. Part Two: Before its too late. Reveals the attitude of the adult, always rushing to get things done! The young adult is enthusiastic, rebellious finding fault in many aspects of local and national government policy, which in his view is found wanting. Such as in his view towards the control of the individual, environmental pollution, statesmanship and seeming war mongering and mankinds inability to cope with helping the developing world and control the News power barons and bankers and financiers. The mature adult may continue on his various crusades, but mellows as he takes on the responsibility of raising a family, and sees that the way things are organized, still have their faults, but begins to accept the world for what it is. The older adult is free from family dependency, and develops a realistic if somewhat cynical view on life, but is opinionated amongst his peer group. Part Three: The older adult becomes elderly and more and more pre-occupied with preparations to pass into the next world, if it exists! Memories become more important than events and sometimes interactions. But dont take it too seriously, enjoy the poetry and keep smiling!
Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson, and Hobbes, this book identifies the radical nature of early modern English comedy. The satirical comedic actions that shape the "Shepherds' Play," Thomas Dekker's pamphlets, and the comic dramas of Marston, Middleton, and Jonson are all driven, Bowers points out, by an ability to criticize authority, assert plebeian culture, and insist on the complexity and innovation of human discourse. The texts examined (including The Jew of Malta, Metamorphosis of Ajax, Antonio and Mellida, Bartholomew Fair, The Alchemist, and A Chaste Maid in Cheapside) simultaneously create and employ standard comedic elements. Farce, absurdity, excess, over-the-top characters, unremitting irony, black humor, toilet humor, and tricksters of all types - such features and more combine to satirize medical, religious, and political authority and to implement necessary social change. Written with a narrative ease, Radical Comedy in Early Modern England shows how comic interventions both describe and reconfigure prevalent authority in its own time while arguing that, through early modern comedy, one can observe the changes in social behavior and understandings characteristic of the Renaissance.