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Meet Ben Southard, the blacksmith who could shoe anything that wears a tail; Fighting Bob Misner, the Great Bully of the Hills of Judea; and the Brocks Gap Angel of Mercy, who was, in fact, a witch doctor.
"This colorful and dramatic saga is based on the classic film. A strong-willed Virginia farmer is trying to keep his family neutral as the Civil War rages. Union forces and the Confederates see things only in shades of Blue or Grey, so the family is inevitably swept up in the conflict, against all odds. Their story is a heartwarming and heart-rending portrayal of the upheaval that left wounds on the land and its people for generations to come."--Publisher.
Jubal A. Early?s disastrous battles in the Shenandoah Valley ultimately resulted in his ignominious dismissal. But Early?s lesser-known summer campaign of 1864, between his raid on Washington and Phil Sheridan?s renowned fall campaign, had a significant impact on the political and military landscape of the time. By focusing on military tactics and battle history in uncovering the facts and events of these little-understood battles, Scott C. Patchan offers a new perspective on Early?s contributions to the Confederate war effort?and to Union battle plans and politicking. ø Patchan details the previously unexplored battles at Rutherford?s Farm and Kernstown (a pinnacle of Confederate operations in the Shenandoah Valley) and examines the campaign?s influence on President Lincoln?s reelection efforts. He also provides insights into the personalities, careers, and roles in Shenandoah of Confederate general John C. Breckinridge, Union general George Crook, and Union colonel James A. Mulligan, with his ?fighting Irish? brigade from Chicago. Finally, Patchan reconsiders the ever-colorful and controversial Early himself, whose importance in the Confederate military pantheon this book at last makes clear.
Bordered by the Blue Ridge and the Allegheny Mountains, the Shenandoah Valley forms a natural corridor to the western parts of Virginia, Tennessee, and North Carolina. Early American settlers followed the valley as one of the first routes westward. In Shenandoah Valley Folklife, Scott Hamilton Suter documents the many peoples who have left their marks on the folkways of the region--Native Americans, Germans, Swiss, Scots- Irish, and African Americans. His research reveals how the first settlers there built homes, how they worshiped, and how they passed on legends and musical traditions that continue to play a role in the community today. Throughout the book, Suter argues that the valley's past plays a definitive role in its present. He finds family traditions still thriving in crafts like white oak basketmaking, as well as in cooking and architecture. To illuminate the change and continuity in religious life, he focuses on Old Order Mennonites, the Church of the Brethren, and Baptists in the region. Using both historical sources and his own field work, Suter shows how folklife remains a powerful, resonant force in the Shenandoah, and how new immigrants are adapting and adding their own traditions to long-standing customs. Scott Hamilton Suter is curator of the Shenandoah Valley Folk Art & Heritage Center in Dayton, Virginia. He was a Senior Fulbright Scholar and University Fellow at The George Washington University and wrote "Tradition and Fashion: Cabinetmaking in the Upper Shenandoah Valley, 1850-1900" and has had articles in the "Folklore Historian" and the "Virginia Explorer."
Siblings who immigrated from Ireland to the United States find themselves on opposite sides of the Civil War and struggling to understand God's purpose in the midst of unspeakable tragedy.
With the Commonwealth of Virginia's Public Park Condemnation Act of 1928, the state surveyed for and acquired three thousand tracts of land that would become Shenandoah National Park. The Commonwealth condemned the homes of five hundred families so that their land could be "donated" to the federal government and placed under the auspices of the National Park Service. Prompted by the condemnation of their land, the residents began writing letters to National Park and other government officials to negotiate their rights and to request various services, property, and harvests. Typically represented in the popular media as lawless, illiterate, and incompetent, these mountaineers prove themselves otherwise in this poignant collection of letters. The history told by the residents themselves both adds to and counters the story that is generally accepted about them. These letters are housed in the Shenandoah National Park archives in Luray, Virginia, which was opened briefly to the public from 2000 to 2002, but then closed due to lack of funding. This selection of roughly 150 of these letters, in their entirety, makes these documents available again not only to the public but also to scholars, researchers, and others interested in the region's history, in the politics of the park, and in the genealogy of the families. Supplementing the letters are introductory text, photographs, annotation, and oral histories that further document the lives of these individuals.
The abolitionist John Brown still roams the West Virginia panhandle--and beyond. In Lexington, a statue sheds real tears, mourning Virginians killed in battle. Decades of abuse at a sanatorium unleashed malevolent entities in Staunton. Spirits of Native Americans, Civil War soldiers and children frequent natural springs in Frederick County and caves near Strasburg. Ghosts stay free of charge at the nation's oldest inn in Middletown, and at the Natural Bridge Hotel, phantom children play in the halls. Visitors from beyond the grave enjoy live performances at several theaters in the region, while spectral soldiers gather for combat in the battlefields scattered throughout the area. Join Denver Michaels as he delves into folklore, eyewitness accounts and urban legends to bring you the best ghost stories from the Shenandoah Valley.
(Vocal Collection). This indispensable volume is a great resource full of vast variety, useful for any singer trying to please any bride or groom. The selections are in five musical styles: classical/traditional, Broadway, standards in custom arrangements, pop/rock classics in custom arrangements, and contemporary Christian. CLASSICAL TRADITIONAL: Alleluja (Mozart) (high voice only) * Ave Maria (Bach/Gounod) * Ave Maria (Schubert) * Bist du bei mir (Stozel) * Dank sei Dir, Herr (Ochs) * Entreat Me Not to Leave Thee (Gounod) * Jesu, Joy of Man's Desiring (Bach) * Let the bright Seraphim (Handel, with trumpet part) (high voice only) * The Lord's Prayer (Malotte) * Mein glaubiges Herz (My Heart Ever Faithful) (Bach) * Now Thank We All Our God (arr. Walters) * Panis Angelicus (Franck) * Pur ti miro, pur ti godo (Monteverdi, duet from L'incoronazione di Poppea). BROADWAY: All Good Gifts (Godspell) * All I Ask of You (duet, The Phantom of the Opera) * And This Is My Beloved (Kismet) * The Greatest of These (Philemon) * More I Cannot Wish You (Guys and Dolls) * Some Enchanted Evening (South Pacific) * Someone like You (Jekyll & Hyde) * Sunrise, Sunset (Fiddler on the Roof) * Till There Was You (The Music Man) * Unexpected Song (Song & Dance). STANDARDS: All the Way * Fly Me to the Moon (In Other Words) * I Could Write a Book * Let It Be Me (Je T'appartiens) * The Promise (I'll Never Say Goodbye) * Starting Here, Starting Now * Time After Time * Walk Hand in Hand * The Way You Look Tonight * With a Song in My Heart. POP/ROCK CLASSICS: Annie's Song * Endless Love * Grow Old with Me * Here, There and Everywhere * I Will * In My Life * We've Only Just Begun * You Are So Beautiful * You Raise Me Up. CONTEMPORARY CHRISTIAN: How Beautiful * I Will Be Here * If You Could See What I See * Love of My Life * My Place Is with You * Parent's Prayer (Let Go of Two) * This Day * This Is the Day (A Wedding Song).