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There’s a reason public washrooms are sometimes called the ‘head’… When Shae grows impatient waiting to use a public ladies’ room, she decides to use the men’s restroom instead. After all, she just needs to pee, and she can do that just as easily standing up. Who’s going to argue if a pretty girl chooses to use one of the available urinals? But when she steps up next to the lineup of men standing against the wall, she suddenly develops a shy bladder becoming self-conscious of the many eyes turned in her direction. After a few moments of frustration, she decides to go into one of the unoccupied stalls to finish her business. A short time later, another patron enters the cubicle next to hers and begins groaning from a different form of bodily distraction. Noticing a strange latch on the side partition, she swings up the cover and sees the man next to her stimulating himself in an obvious state of heightened arousal. Excited by his brazen display of self-pleasure, she becomes equally turned on and joins him in a shared display of autoeroticism. But when the man decides he’d prefer a more direct form of interaction with the pretty ladyboy, the two restroom patrons take maximum advantage of the hidden portal between their adjacent stalls… Book 4 in the new Transgender Erotica series, Shae's T-Girl Adventures Shae's T-Girl Adventures follows the story of Shae, a beautiful hermaphrodite who meets with unsuspecting partners (men, women, and couples) to explore ever-racy encounters using her special endowments to bring them to new heights of ecstasy. Keywords: erotica, transgender erotica, lesbian erotica, first time lesbian, erotic short stories, women's fiction, transexual, futa, hermaphrodite, shemale, ladyboy, erotic romance, taboo, lesbian fiction, lesbian erotic fiction, erotica series, transgender erotic fiction, lgbt books, lgbt erotica, lgbt fiction, lgbt erotic fiction, erotic, lady boy
Sometimes the most interesting discoveries are found under the surface… When Shae takes her cabaret act on the road and stays at a luxury hotel, she decides to take a dip in the pool after another long performance. But when she emerges from the pool, she notices a pretty blonde lounging in the nearby hot tub. As she sinks into the swirling water and feels the stimulating jets pressing against her lower extremities, she can’t resist the temptation to position her hips in front of one of the spouts. With the two women watching each other becoming increasingly distracted under the foaming surface, it doesn’t take long for both of them to begin moaning in pleasure. After they enjoy a silent climax together, the blonde reaches out her leg to indicate she’s interested in a more direct form of contact. But when she feels Shae’s unusual appendage between her thighs, a curious grin stretches over her face. Join Shae and her new friend as they explore progressively kinky connections under the churning bubbles while the pretty blonde learns just how versatile a performer the hot t-girl can be. Book 2 in the Transgender Erotica series, Shae's T-Girl Adventures Shae's T-Girl Adventures follows the story of Shae, a beautiful hermaphrodite who meets with unsuspecting partners (men, women, and couples) to explore ever-racy encounters using her special endowments to bring them to new heights of ecstasy. Keywords: erotica, transgender erotica, lesbian erotica, first time lesbian, erotic short stories, women's fiction, transexual, futa, hermaphrodite, shemale, ladyboy, erotic romance, taboo, lesbian fiction, lesbian erotic fiction, erotica series, transgender erotic fiction, lgbt books, lgbt erotica, lgbt fiction, lgbt erotic fiction
In two highly anticipated volumes, the correspondence of the twentieth century's eminent man of letters, from youth to early manhood Volume One: 1898–1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War.Volume Two: 1923–1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence in this volume testifies to Eliot's growing influence as cultural commentator and editor.
This volume covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats. After exhausting himself through nights of fire-watching in the London wartime blackout, he travels the country, attends meetings of The Moot, delivers talks, and advises a fresh generation of writers including Cyril Connolly, Keith Douglas, Kathleen Raine and Vernon Watkins. Major correspondents include W. H. Auden, George Barker, William Empson, Geoffrey Faber, John Hayward, James Laughlin, Hope Mirrlees, Mervyn Peake, Ezra Pound, Michael Roberts, Stephen Spender, Tambimuttu, Allen Tate, Michael Tippett, Charles Williams and Virginia Woolf. Four Quartets, Eliot's culminating masterpiece, is discussed in detail.
Henry Poggioli, a psychologist and amateur detective who often solved the case just a little too late."--BOOK JACKET.
The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.
T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years.Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.