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Frankenstein was first released in 1818 anonymously. The credit for Mary Wollstonecraft Shelley’s authorship first occurred in 1823 when a French edition was published. A year earlier, Mary’s revolutionary husband, the influential poet, dramatist, novelist, and essayist Percy Bysshe Shelley, died. The same year Frankenstein, or, The Modern Prometheus (its full title) was first published, so was another work by Mary’s husband that shares use of the word Prometheus. The drama Prometheus Unbound was indeed credited to Percy Shelley. The secret admission of many experts in English literature is that Mary Wollstonecraft Shelley did not write a good portion of Frankenstein. In Shelley Unbound, Oxford scholar Scott D. de Hart examines the critical information about Percy Shelley’s scientific avocations, his disputes against church and state, and his connection to the illegal and infamous anti-Catholic organization, the Illuminati. Scott D. de Hart’s fascinating investigation into Frankenstein and the lives of Mary Wollstonecraft and Percy Shelley results in an inconvenient truth regarding what we have long believed to be a great early example of the feminist canon. Scott D. de Hart was born and raised in Southern California. He graduated from Oxford University with a PhD specializing in nineteenth-century English literature and legal controversies.
Who's the true author of Frankenstein? The evidence and the debate can be found here.
A disruption of time and space sends a modern man back two hundred years to confront Dr. Frankenstein’s immortal monster in this brilliant reinvention of Mary Shelley’s classic tale Some years into the twenty-first century, a newly devised weapon of mass destruction will do far worse than kill; it will disrupt time and space. Suddenly, land, buildings, animals, and people are falling through “timeslips” and being transported briefly back to earlier eras. One of these inadvertent time travelers, Joe Bodenland, is shocked when he finds himself parked outside a villa on the shore of Lake Geneva—and soon after, unbelievably, in the presence of nineteenth-century literary luminaries Lord Byron and Percy Shelley, along with Shelley’s very enticing fiancée, budding author Mary. But when Joe comes face to face with a real, flesh-and-blood Victor Frankenstein and the monster the mad doctor brought into this world, the visitor from the future realizes that not only has time been disrupted, reality itself has been transmogrified. And this Frankenstein, it seems, is far from finished with his unholy endeavors, leaving it up to Joe to make it right for the sake of history—and for the bewitching lady novelist who has stolen his heart—before he is rudely thrust back to his own time. An absolutely stunning reinvention of a cherished literary classic, Frankenstein Unbound proves once more that there are no limits to the unparalleled creative genius of science fiction Grand Master W. Brian Aldiss, one of the most revered names in the field of speculative fiction.
A Handbook to the Reception of Classical Mythology presents a collection of essays that explore a wide variety of aspects of Greek and Roman myths and their critical reception from antiquity to the present day. Reveals the importance of mythography to the survival, dissemination, and popularization of classical myth from the ancient world to the present day Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Offers a series of carefully selected in-depth readings, including both popular and less well-known examples
In this set of thorough and revisionary readings of Percy Bysshe Shelley's best-known writings in verse and prose, Hogle argues that the logic and style in all these works are governed by a movement in every thought, memory, image, or word-pattern whereby each is seen and sees itself in terms of a radically different form. For any specified entity or figure to be known for "what it is," it must be reconfigured by and in terms of another one at another level (which must then be dislocated itself). In so delineating Shelley's "process," Hogle reveals the revisionary procedure in the poet's various texts and demonstrates the powerful effects of "radical transference" in Shelley's visions of human possibility.
Based on the author's thesis (Ph.D., Anglia Ruskin University).
Sha concludes that both fields benefited from thinking about how imagination could cooperate with reason—but that this partnership was impossible unless imagination's penchant for fantasy could be contained.
A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy. 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic. This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.