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A New York TimesBook Review Editors’ Choice A Shelf Awareness Best Book of the Year Hudson Booksellers Book of the Year One of the New York Post’s Best Books of the Summer One of The Millions’s Most Anticipated Books of the Year IndieNext Pick A Time Magazine “What to Read Now” Selection A wry novel set at the edge of the earth about the courage it takes to band together, even as everything around you falls apart Unmoored by a recent family tragedy, Cooper Gosling is adrift at thirty and on the verge of ruining her career. So when the opportunity arises to join the National Science Foundation’s Artists & Writers Program in Antarctica, she jumps at the chance—and finds herself in the company of others who are just abnormal enough for Polar life, a group of eccentrics motivated by desires as ambiguous as her own. When they are joined by a fringe scientist who claims climate change is a hoax, the Polies’ already-imbalanced community is rattled, bringing them to the center of a global controversy and threatening the ancient ice chip they call home.
Melodrama is the foundation of American cinema. It is, however, a poorly understood term. While it is a pervasive and persuasive dramatic mode, it is not tied to any specific moral or ideological system. It is not a singular genre; rather, it operates as a "genre generating machine" capable of determining the aesthetics and structure of the drama within many genres. Melodrama centers the conflict around the clash between good and evil and provides a sense of poetic justice--but the specific values embedded in notions of good and evil are determined by the culture, and they shift from nation to nation, region to region, and period to period. This book explores the "populist" westerns of the 1930s, the propaganda films that followed the Japanese attack on Pearl Harbor, and the popularity of Sax Rohmer's master villain Fu Manchu. "Melodramas of passion" and film noir also offer a challenge to melodrama with its seemingly alienated protagonists and downbeat endings. Yet, with few exceptions, Hollywood was able to assimilate these genres within its melodramatic imagination.
In 1923, not long after oil had started gushing from northern Montana fields, real-estate sales in nearby Shelby were declining, dimming the little town’s prospects of becoming the “Tulsa of the West.” Then the mayor’s son dreamed up a marketing ploy: offer to host heavyweight champion Jack Dempsey’s next fight. What began as a publicity stunt soon spiraled into a civic drama unlike any Montana had ever seen—or ever would again. Shelby’s Folly tells this story in full for the first time. Against the background of boom-and-bust Montana history, the folly of Shelby’s would-be promoters unfolds in colorful detail. It took months to persuade Dempsey’s conniving manager, Jack “Doc” Kearns, to sign a $300,000 contract. With less than two months before the July 4th fight, the town still had no stadium and no accommodations for tens of thousands of expected fans. Jason Kelly describes the promoters’ desperate measures and their disastrous results, from the first inkling of the idea to the bitter end of the fifteen-round boxing match. Shelby residents identified with the underdog challenger, Tommy Gibbons, who went toe-to-toe with the champion in an atmosphere crackling with tension. Nerves were so frayed that a holiday firecracker exploding in the arena sent shockwaves of fear through the crowd. A soap opera of financial intrigue and chicanery, Shelby’s Folly chronicles how Big Sky ambition and the scheming mind of Doc Kearns collided to produce one of the most preposterous series of events in boxing history. Watch the Shelby's Folly book trailer on YouTube.
A roar of motorcycles disturbs a peaceful congregation leaving church on an Easter Sunday outside Edinburgh Scotland. One of the motorcyclists assassinates geneticist Dr. Kyle Locke, while another abducts his daughter, Shelby Locke witnesses her entire life taken from her in one instant. When clues arise that lead to Odessa, Ukraine, it is Shelby who steps up the search to find her daughter and her husband's killer. Arriving in Odessa offers more questions than answers. Confronted with the suspects, Shelby must face her own past, as a child, and that of a mysterious woman whom she has recollections of a precarious time in the near past. In order to save herself and her daughter, she must find the courage and compassion to face issues that plague mankind and its future, only then can Shelby and Amelia be free.
New York Times Bestseller "Dark and twisty, with white-knuckle tension and jaw-dropping surprises." —Riley Sager, New York Times bestselling author of Home Before Dark In this smart and chilling thriller, master of suspense Mary Kubica, author of Just the Nicest Couple, takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried. People don't just disappear without a trace… Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold. Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they'll find… Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie When the Lights Go Out The Other Mrs. Just The Nicest Couple She's Not Sorry
Two middle-aged sisters, Louise and Shelby, live together in a small, Southern town. Their cousin wants to institutionalize Shelby and their tragic family history is unraveled.