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In March of 1926, Daisy Dalrymple Fletcher and her friend and collaborator Lucy (a.k.a. Lady Gerald) head off for several days at stately home reputed to have the best grotto in the country. Working on a book of follies (architectural), they plan to research and photograph it. Leaving her husband and young twins behind, Daisy is expecting a productive weekend at Appsworth Hall, with the only potential difficulty being keeping Lucy from offending the current owner, a manufacturer of plumbing products. Alas, it's not to be quite so simple. At the home, they find themselves faced with a curious assortment of people including the abominable, tactless Lord Rydal, who is rumored to be having an affair with one of the guests while at the same time in ardent and artless pursuit of the hand in marriage of another. When the grotto explodes with Lord Rydal in it, it's not a question of who would do it—as most who've met him would be sorely tempted—but who actually did do it.
Patterns and Meanings consists of case studies which make use of corpora and concordance technology. Each case study elaborates a problem area, makes reference to both the descriptive and applied literature thus far, and then suggests ways of exploiting corpus data to shed light on the problem. Language phenomena investigated include word sense, phraseology and syntax, metaphor and creative use, text reference, idiom, and translation. Emphasis is given to information that usually cannot be found in dictionaries, grammars, language textbooks or other resources, but which the study of corpus data makes available. This work is particularly important not only for its language description insights, but also for pedagogical application. Further useful suggestions are included on setting up a medium-sized corpus on a personal computer.
An acclaimed master of suspense creates a heroine you will never forget in this superbly chilling novel of a woman who begins a desperate undertaking that may transform her life--or end it. WHAT HAPPENS IF YOUR WORST FEARS AREN’T ALL IN YOUR MIND? Rae Newborn is a woman on the edge: on the edge of sanity, on the edge of tragedy, and now on the edge of the world. She has moved to an island at the far reaches of the continent to restore the house of an equally haunted figure, her mysterious great-uncle; but as her life begins to rebuild itself along with the house, his story starts to wrap around hers. Powerful forces are stirring, but Rae cannot see where her reality leaves off and his fate begins. Fifty-two years old, Rae must battle the feelings that have long tormented her--panic, melancholy, and a skin-crawling sense of watchers behind the trees. Before she came here, she believed that most of the things she feared existed only in her mind. And who can say, as disturbing incidents multiply, if any of the watchers on Folly Island might be real? Is Rae paranoid, as her family and the police believe, or is the threat real? Is the island alive with promise--or with dangers? With Folly, award-winning author LAURIE R. KING once again powerfully redefines psychological suspense on a sophisticated and harrowing new level, and proves why legions of readers and reviewers have named her a master of the genre.
The order and behaviour of the premodifier (an adjective, or other modifying word that appears before a noun) has long been a puzzle to syntacticians and semanticists. Why can we say 'the actual red ball', but not 'the red actual ball'? And why, conversely, do some other premodifiers have free variation in sentences; for example we can say both 'German and English speakers' and 'English and German speakers'? Why do some premodifiers change the meaning of a phrase in some contexts; for example 'young man', can mean 'boyfriend', rather than 'man who is young'? Drawing on a corpus of over 4,000 examples of English premodifiers from a range of genres such as advertising, fiction and scientific texts, and across several varieties of English, this book synthesises research into premodifiers and provides a new explanation of their behaviour, order and use.
Back in 1984, a rebellious,17-year-old, punked-out Ulli Lust set out for a wild hitchhiking trip across Italy, from Naples through Verona and Rome and ending up in Sicily. Twenty-five years later, this talented Austrian cartoonist has looked back at that tumultuous summer and delivered a long, dense, sensitive,and minutely observed autobiographical masterpiece.