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Exploring how the depiction of otherness or alterity during the Middle Ages became problematic in the aesthetics of the Romance epics written during the centuries of the Crusades, this book offers a vital contribution to the growing interest in the way foreign women are presented in the texts of the Latin West and will be of consuming interest to students in women's studies, cultural studies, and medieval literature.The texts considered are written in the major European languages of the time and range from the Song of Songs through Geoffrey of Vinsauf's Poetria Nova to such epics and romances as Erec et Enide,Doon de Maience, Fierabras, La Prise d'Orange, Ars Versificatoria, The Sowdone of Babylone, and Parzifal.
Exploring how the depiction of otherness or alterity during the Middle Ages became problematic in the aesthetics of the Romance epics written during the centuries of the Crusades, this book offers a vital contribution to the growing interest in the way foreign women are presented in the texts of the Latin West and will be of consuming interest to students in women's studies, cultural studies, and medieval literature.The texts considered are written in the major European languages of the time and range from the Song of Songs through Geoffrey of Vinsauf's Poetria Nova to such epics and romances as Erec et Enide,Doon de Maience, Fierabras, La Prise d'Orange, Ars Versificatoria, The Sowdone of Babylone, and Parzifal.
This account of growing up with a mentally ill mother “belongs on a shelf of classic memoirs, alongside The Liars’ Club and Angela’s Ashes” (Michiko Kakutani, The New York Times). As an NPR correspondent, Jacki Lyden visited some dangerous war zones—but her childhood was a war zone of a different kind. Lyden’s mother suffered from what is now called bipolar disorder or manic depression. But in a small Wisconsin town in the sixties and seventies she was simply “crazy.” In her delusions, Lyden’s mother was a woman of power: Marie Antoinette or the Queen of Sheba. But in reality, she had married the nefarious local doctor, who drugged her to keep her moods in check and terrorized the children to keep them quiet. Holding their lives together was Lyden’s hardscrabble Irish grandmother, a woman who had her first child at the age of fourteen and lost her husband in a barroom brawl. In this memoir, Lyden vividly captures the seductive energy of her mother’s delusions and the effect they had on her own life. She paints a portrait of three remarkable women—mother, daughter, and grandmother—revealing their obstinate devotion to one another against all odds, and their scrappy genius for survival. “What distinguishes Daughter of the Queen of Sheba from any other book about dysfunctional parents . . . and turns this exotic memoir into compelling literature is the dreamy poetry of Lyden’s prose. In graceful imagery as original (and occasionally as highly wrought) as her mother’s costumes, Lyden—a senior correspondent for National Public Radio—loops and loops again around the central fact of her mother’s manic depression and how that illness shaped Lyden’s life growing up with two younger sisters, a scrappy Irish grandmother (whose memory she holds like ‘a cotton rag around a cut’), a father who left, and a hated stepfather.” —Entertainment Weekly
The author of "Queenmaker" penned this vivid and richly-textured rendition of the biblical tale of King Solomon and the Queen of Sheba.
From The Hobbit to Harry Potter, how fantasy harnesses the cultural power of magic, medievalism, and childhood to re-enchant the modern world Why are so many people drawn to fantasy set in medieval, British-looking lands? This question has immediate significance for millions around the world: from fans of Lord of the Rings, Narnia, Harry Potter, and Game of Thrones to those who avoid fantasy because of the racist, sexist, and escapist tendencies they have found there. Drawing on the history and power of children’s fantasy literature, Re-Enchanted argues that magic, medievalism, and childhood hold the paradoxical ability to re-enchant modern life. Focusing on works by authors such as J. R. R. Tolkien, C. S. Lewis, Susan Cooper, Philip Pullman, J. K. Rowling, and Nnedi Okorafor, Re-Enchanted uncovers a new genealogy for medievalist fantasy—one that reveals the genre to be as important to the history of English studies and literary modernism as it is to shaping beliefs across geographies and generations. Maria Sachiko Cecire follows children’s fantasy as it transforms over the twentieth and twenty-first centuries—including the rise of diverse counternarratives and fantasy’s move into “high-brow” literary fiction. Grounded in a combination of archival scholarship and literary and cultural analysis, Re-Enchanted argues that medievalist fantasy has become a psychologized landscape for contemporary explorations of what it means to grow up, live well, and belong. The influential “Oxford School” of children’s fantasy connects to key issues throughout this book, from the legacies of empire and racial exclusion in children’s literature to what Christmas magic tells us about the roles of childhood and enchantment in Anglo-American culture. Re-Enchanted engages with critical debates around what constitutes high and low culture during moments of crisis in the humanities, political and affective uses of childhood and the mythological past, the anxieties of modernity, and the social impact of racially charged origin stories.
If Nina Khan were to rate herself on the unofficial Pakistani prestige point system – the one she's sure all the aunties and uncles use to determine the most attractive marriage prospects for their children – her scoring might go something like this: +2 points for getting excellent grades –3 points for failing to live up to expectations set by genius older sister +4 points for dutifully obeying parents and never, ever going to parties, no matter how antisocial that makes her seem to everyone at Deer Hook High –1 point for harboring secret jealousy of her best friends, who are allowed to date like normal teenagers +2 points for never drinking an alcoholic beverage –10 points for obsessing about Asher Richelli, who talks to Nina like she's not a freak at all, even though he knows that she has a disturbing line of hair running down her back In this wryly funny debut novel, the smart, sassy, and utterly lovable Nina Khan tackles friends, family, and love, and learns that it's possible to embrace two very different cultures – even if things can get a little bit, well, hairy.
'An enthralling journey into an ancient world.' - Edoardo Albert, author of Edwin: High King of Britain A vividly-realized and beautifully crafted novel focused around the fabled meeting between Sheba and Solomon Against all odds Makeda, daughter of an obscure African chieftain, is chosen as Queen of all Sheba. Recognizing her own inexperience, yet desperately wanting to address Sheba's appalling social injustice, she is persuaded by her cousin Tamrin, wealthy merchant and narrator of the novel, to visit Solomon, King of Israel, to find out about how he governs his kingdom. She is hugely impressed by Israel's prosperity, by the wisdom and integrity with which Solomon rules, by the Hebrew religion, which she decides to adopt as her own, and by the justice for all that she determines to copy. However Solomon, who is trapped in a childless and loveless dynastic marriage with Pharaoh's daughter, allows himself to fall in love with the beautiful and intelligent African. He eventually tricks her into sleeping with him, and on the return journey to Sheba she discovers that she is pregnant. The son to whom she gives birth grows up in the court of Sheba, and eventually travels to Israel with Tamrin, to meet his father. But Solomon is a broken man, having put his doomed love for Makeda and need for an heir before his relationship with God. He has taken hundreds of wives and concubines in a fruitless attempt to recapture the love which he and Makeda shared. And Israel is no longer the nation of his youth . . . When the leader of the nation of God is apostate, where will the blessing fall?